Archive for the ‘world class restaurant’ Category

Les Prés d’Eugénie Michel Guérard,
Type of Cuisine: Classic French (Haute cuisine)
Michelin Stars: 3
Event: Lunch on September 3rd, 2017 12:00
Addr: 334 Rue René Vielle, 40320 Eugénie-les-Bains, France
Phone: +33 5 58 05 06 07
Email: reservation@michelguerard.com
URL: https://lespresdeugenie.com/en/les-tables/michelin-starred-restaurant-michel-guerard/

 

They have the best MOFs working for them (Chef Olivier Brulard, in the case of Les Prés d’Eugénie – Chef  Brulard  spent some time at La Réserve de Beaulieu where he earned 2 michelin stars, after years alongside real culinary illuminaries and legendary Chefs such as Alain Chapel, Jacques Maximin, Gaston Lenotre)  and it shows in the very high level of classic French cooking technique on display.

 

Service: 8 /10 Well trained young staff, unstuffy, professional as you would expect at a restaurant of this reputation.
Overall food rating: 9/10 All in all, this was some excellent  cooking  by existing 3 star classic French Michelin star standards. Of course, Les Prés d’Eugénie is capable of an overall food rating of 10/10. There is NO doubt about that. But I have got to assess this specific meal, during which the Le Zéphyr de truffe ‘‘Surprise Exquise’’ was THE big “test” they had to pass as it requires lots of technique, precision, know-how, a great palate. I am afraid, they failed that test on my visit, as far as I am concerned (food assessment being obviously..subjective), of course.  Regardless, Les Prés d’Eugénie did pass plenty of other BIG tests,  as evidenced by the superlative pommes soufflées/gâteau Mollet du Marquis de Béchamel/amuse-bouches/pastries.
Overall dining experience :  See the section “My thoughts, days later” at the bottom of the current post.

Restaurant Les Prés d’Eugénie, located in a countryside’s spa resort in the  Landes, has 3 Michelin stars since the late 70s, one of the longest-running Michelin-starred restaurants in the world. It is the sole 3 star Michelin restaurant in  southwestern France, a historical gourmet destination where many great  Chefs of France have honed their skills (Gerald Passedat, Alain Ducasse, Michel Troisgros, to name a few).  Outside of France,  Chef Quique Da Costa of world famed 3 star Michelin Quique Da Costa in Denia (Spain) counts Les Prés d’Eugénie’s Mastermind Michel Guérard among the Chefs he drew his  inspiration  from (as he stated in this interview), and Chef Massimiliano Alajmo, the youngest Chef to have been awarded three Michelin stars, of 3 star Michelin Le Calandre in Sarmeola di Rubano, Padua, Italy (which I did visit, my review here) worked at Les Prés d’Eugénie at some point  in his career.

Michel Guérard, now 84 years old,  is one of the iconic Chefs of France, for his many achievements such as promoting Nouvelle cuisine in the 70s, with culinary heavyweights Roger Verge/Paul Bocuse/Alain Chapel/ Pierre Troisgros, which signified a break from Escoffier‘s classicism (the heavy sauces, etc), then, later on, his cuisine minceur.

The ‘Nouvelle cuisine’ (a lighter way of cooking, for i.e, refraining from using heavy sauces/marinades, reducing cooking time to preserve the natural flavors of the ingredients, etc), that we are talking about is, of course, not ‘nouvelle’ (new) anymore, but it is THE movement that led to the type of classic French cuisine that we know today. Way before the concept of ‘Nouvelle Cuisine’ became trendy in the 1970s, one Chef began his own revolution of French cooking: Chef Jean Delaveyne. Chef Delaveyne started to cook a lighter version of French food as early as in the late 50s. What Chef Delaveyne did not have, it is the sense of marketing that Chef Michel Guérard was gifted with. Chef Delaveyne’s revolutionary approach to cooking did inspire Michel Guérard, who, in his turn, did help popularizing the concept of ‘Nouvelle cuisine’.

Chef Guérard had another personal motivation in Nouvelle cuisine: according to him, Pastry Chefs were underestimated in those days, therefore he wanted to prove to the world of cooking that as a Pastry  Chef, he could play an important role in the evolution of cooking.

On the premises, they   have a very pretty old barn converted into a bistrot, La Ferme aux Grives,  that  I also tried (reviewed here). Chef Guérard’s mini-empire of restaurants includes La Bastide and Mère Poule & Cie

On the day of my visit, there were  several tasting menus, the A la carte menu, as well as some “special 40 years of Michelin stars” food items.

I did start the journey at their lounge bar, the Loulou‘s Lounge Bar, where I was served couple of amuse-bouches, which, on this lunch, were composed of:
-Caesar salad served with anchovies from Palamos (Spain), on toasted bread
-Shrimp “beignet” with verbena sauce
-a delicate pastry cone filled with a citrus flower mousse.

The Caesar salad was, as expected, not going to be your standard caesar salad but a creative take on it, delivered in the form of a mini “tartare” made of elements of a caesar salad mixed with first-rate anchovies (The anchovies from Palamos, which were served here, deserve their reputation as one of world’s best), atop a delicious piece of toasted bread. The kind of nibble that sounds simple, but which, once in mouth, do serve as a reminder that it is not …by chance…that some kitchen brigades managed to perform for decades at the highest level of classic French cooking (obviously, their case). 10/10

Shrimp “beignet” featured  shrimp of top quality, not one single sign of oil to be found, the batter delicately light, the fresh maritime flavour of the shrimp fragrant, the beignet was  served with a superlative verbena sauce. 8/10 for the shrimp beignet, 10/10 for that verbena sauce which brought incredible joy in mouth.

Then the pastry cone, filled with a citrus flower mousse of divine flavour, its impressive smooth texture stealing the show as well. 10/10

The amuse-bouches did really … amuse!

3 small breads are offered: olive, lemon and brioche. All, superb. The olives bread being the most popular during my visit. How do I know? Well, I asked.  Ferme Ponclet butter from the Finistere deserves praises, too. Perhaps one of the very best butters of this globe, boldly flavored but balanced,  with a fresh creamy finish that lingers gloriously on the palate.

Le Zéphyr de truffe ‘‘Surprise Exquise’’ / Vichyssoise is composed of an unsweetened  floating island infused with black truffle coulis disposed on a bed of white truffle cream and Vichyssoise, garnished with black truffles and a parmesan crisp. The dish came with a beautiful poetic description, the textural contrast between the slices of black truffle and the snowy white appearance of the floating island /white truffle cream/Vichyssoise so pretty to espy. One can imagine the incredible potential of such creation: imagine a dazzling airy floating island, the stunning fresh flavour of whipped egg whites. Imagine the fragrance of truffles. Imagine the taste sensation of a superlative Vichyssoise. A dish like this one is designed to blow you away. Done, as it should, it will. Alas, the flattering potential of my Zephyr experience was expressed only on paper. The Vichyssoise had way too much milk in it, more milk than vegetables, actually, which made it taste more of a cream of milk than of a proper Vichyssoise. I had better Vichyssoise at casual eateries, and was surprised that this one I was sampling at Les Prés d’Eugénie was underwhelming. The floating island? It paled in comparison to the world class example I had at Bistrot Casse-Noix in Paris: not as airy, not as tasty. Some say that there is just air in a floating island…well, there is more than that in a benchmark floating island, whether it is sweetened or not. There is the precise skills that allow for addictive fresh whipped egg whites flavour (which was missing in action, during this lunch at Les Prés d’Eugénie), there is timing. Vichyssoise, floating island, some important — as well as   exciting —  food items of classic French cuisine… this is where a kitchen of this caliber should  nail it! Even the white truffle cream was not satisfying enough to lift up the overall dish. The black truffle, you ask? Its fragrance was muted! Quoi d’autre? This was “unidimensional ” (essentially tasting of milk, and milk, and milk) flavor-wise, I am afraid. The parmesan crisp, the saving grace, but by then, I could not care anymore. 5/10

L’Oreiller moelleux de mousserons et de morilles au fumet de truffe – A  ravioli (the “oreiller” is for the ravioli- “oreiller” is French for “pillow”) wrapped around a filling of morels and fairly-ring mushrooms, bathed in a sauce made of mushrooms, truffle, with some asparagus atop. The sauce was packed with the enticing earthy aromas of the top quality mushrooms, the pasta cooked carefully to aldente doneness, the filling of morels timely cooked too (not mushy), tasting as delicious as a filling of meat. Even a fan of meat, like me, would opt for mushrooms in place of meat if fillings of mushroom could always taste this great. After the disappointing “Zéphyr de truffe”, the ‘Oreiller moelleux de mousserons’ came to the rescue and made this lunch great again. 8/10

Le demi-homard rôti, légèrement fumé à la cheminée, oignon confit au four – A half lobster (clawed blue lobster from Brittany) roasted in an open fire, some sweet onions (filled with a purée of peach and onions, gratinéed with parmesan cheese) accompanying the crustacean and its saffron butter sauce dressing . The saffron-flavoured butter sauce  is a nice idea, the saffron flavour not overwhelming as you would expect from top flight saffron. But having eaten my share of fully flavoured beautifully-meaty freshly caught spiny lobsters (I know, not of the same family of lobsters as the one of Brittany), during my tender childhood in the Indian Ocean, I wonder if it is fair to expect a fine dining restaurant to do better with its lobster? Can it better the dazzling freshly caught clawed lobster of the Maine (Trying to be fair here, and not being partial to spiny lobsters) or of Brittany, that we can enjoy at a lobster shack? Well, it cannot because fresh lobster is just great …away from any fine dining intervention. I had no choice but to take the lobster as it was part of my tasting menu.  They did put a lot of thoughts in this dish and this was certainly not a bad food item at all, but it was hard for me to fully enjoy such tiny  pieces of lobster flesh (they do not look tiny on that picture, but in real life, they were).  The peach/onion purée with gratinéed parmesan cheese  was as pleasant as you can imagine a purée of sweet onions and peach to be, and it would certainly compliment the sweet flesh of the  lobster but I would need a sizeable piece of lobster  to corroborate that …

Filet de Boeuf sur le bois et sous les feuilles, jus de viande et de raisin, pommes crémeuses à la truffe et pommes soufflées- Filet of beef (blonde d’Aquitaine breed), covered with leaves of plane trees then cooked (the meat cooked rare as /per my request) on wood fire. Those leaves do enhance the barbequey flavor of that meat. Wood fire cooking (which is the cooking method they did use to cook this filet of beef) is my preferred cooking method for red meats as its resulting delicate and enjoyable smoky flavor appeals to me. On the palate and to the smell, the smoky flavor was actually subtle, but as a result of using wood fire and cooking the meat under the leaves, I could appreciate the depth of the flavor of the meat. I was afraid that the addition of grapes would not work with the jus de viande, but the taste of the grapes  was barely noticeable, and fulfilled its mission of adding depth to the jus de viande. Flawless jus de viande, timely simmered, precisely reduced. This was not a dull piece of filet. 7/10

With the filet de boeuf, they served some pommes soufflées cooked to order, executed in a way that exemplary pommes soufflées do look, feel and taste like (spectacularly light, with an exquisite crisp and superlative fresh potato flavour. Bring back the poetic description, Chef! Roll the drums! I love when French classics are mastered this well. 10/10), as well as a very good purée of pommes de terres agria/truffles (8/10).

Le Gâteau Mollet du Marquis de Béchamel et la Glace Fondue à la Rhubarbe – The dessert I wanted to try at Les Prés d’Eugénie was the labor intensive and technically difficult (to compose) soufflé «Roulé-Boulé», but it was not available. I went with my second choice, the Gâteau Mollet du Marquis de Béchamel. This is a hybrid dessert (part soufflé, part crème renversée — the crème renversée barely cooked, essentially made with a hot water bath sweet bechamel) created by Pastry Chef Jérôme Chaucesse (when he used to work at Les Prés d’Eugénie as he does not work there anymore), served with a rhubarb ice cream and a raspberry coulis. The raspberry coulis responding really well to all the components of that cake, especially to the caramel sauce flavor. The soufflé part looks like a “soufflé failure”, but that was intentional. Consequently, you will not eat this cake with “your eyes”, but a palate that has long been familiar with classic French desserts will appreciate that every single component of Le Gâteau Mollet du Marquis de Béchamel was of the extraordinary sort: for sure, it is not rocket science to make a sweetened bechamel, a caramel sauce, a soufflé, etc, but what IS rocket science is to deliver benchmark versions of those, which is what the pastry team at Les Pres d’Eugenie did with their Gateau mollet. There was wit, a very high level of classic French pastry technique and, on the palate, an intensity of flavor to never forget. 10/10

Canelés surprises à l’armagnac/ tartelettes aux fraises (mini strawberry tarts) /madeleines, all freshly baked, as expected from a restaurant of this standing. I have heard about the superb work of the pastry team at Les Prés d’Eugénie, and I can tell you that it lived up to the hype, with exceptional sourcing and skills. A benchmark tartelette aux fraises (10/10), an equally perfected mini madeleine 10/10). The canelés (rum was replaced by armagnac)   were also great (8/10).

Pros: One great Classic French 3 star Michelin.
Cons: The Zephyr de truffe, on this lunch,  so close … yet so far

Bottom line: Chef Guerard, 84 years old, is, naturally, not cooking anymore. But what I like, in France, it is how serious those legends (Guerard, Bocuse) are about their legacy. They have the best MOFs working for them (Chef Olivier Brulard, in the case of Les Prés d’Eugénie – Chef  Brulard  spent some time at La Réserve de Beaulieu where he earned 2 michelin stars, after years alongside real culinary illuminaries and legendary Chefs such as Alain Chapel, Jacques Maximin, Gaston Lenotre)  and it shows in the very high level of classic French cooking technique on display.

My thoughts, days later: A high level dining experience, where you are interacting with friendly people. The ambience is relaxing. Food is great. Not too far, the cattle of blonde d’Aquitaine is grazing on emerald green grass. Stay in this village, Eugenie les Bains, for a day, walk in the countryside, rediscover the civilized manner of saying “hi” with a genuine smile to people you do not know (an aggression in most big cities,lol), smell corn (there are vast fields of corn to feed the cattle of Blonde d’Aquitaine) the way it used to smell and feel before the big industries have decided that chemical elements are necessary for their growth. And If you are a foodie, there are couple of eateries in the village. They have small hotels of far superior quality than most of the so-called budget hotels of our big cities,  and I did spot a farm in the village, with some serious foie gras. A destination, indeed.

Argo (Thera 847 00, Greece Phone +30 2286 022594  )  seems to have impressed its share of patrons as the place was fully booked on an evening that was very quiet for most of its local competitors. Even the other local top gun, To Ouzeri, looked empty in comparison. But reserve your table weeks in advance…if you want to eat in company of the stunning view of the caldera (not all tables have a caldera view). 

I ordered some of their “recommended” dishes:

Patatina – Argo cooks superb classic Greek food, but their patatina is some sort of “cosmopolitan” invention of their own. In this instance , they reduced fried potato of superb quality into the delicate shape of vermicelli (inspired by the Chinese potato bird nest??)  and topped the whole thing with some scramble eggs. It is not the invention of the decade, but it was well executed 8/10

Fava bean purée had superlative flavour and texture. And this is coming from someone who has fava beans as one of the Main ingredients of his country. Fava beans has a unique taste ( sort of a mineral distinctive taste ) , though, here in Santorini, because of its volcanic soil. 10/10

White egg plant is one of the main ingredients of Santorini. It was simply baked but revealed some serious sourcing. The cooking was as flawless: seasoning and timing that showcased superb know-how / technique. Excellent 9/10

Giaprakia – Greek stuffed cabbage rolls (ground meat, rice, mint) served with fries and yoghurt sauce. The presentation is elegant, the genuine traditional flavours vibrant. Quality ingredients are used. A benchmark yiaprakia. 10/10

An assortment of fresh seafood (mussels, shrimps) was timely cooked in a delicious tomato sauce. As I explained elsewhere, I tend to perceive Chefs who cook seafood with great care (the case, here) as capable of cooking everything else (vegetables, meats)  with brio, and this entire meal was an example of just that. 8/10

Overall food rating (categ: Mediterranean/ Greek): 9/10

Service: 10/10

Bottom line: Argo could cook some of the best Mediterranean food of any major food city in the world. Even the service, at Argo, was of prime mention (my main waitress, Angelica, would not be out of place in a Michelin star restaurant). Both Argo and the Old tavern of Psaras were the highlights of my foodie adventures in Greece. Next time I will be in Greece, I will happily eat again at those two restaurants and will make a detour by  Thessaloniki, the capital of Greek Macedonia, as well as visiting the Peloponnese as many Greeks I know have raved about the dazzling food in both locations.

Pierre Gagnaire, Paris

Posted: November 11, 2015 in 3 star michelin, Best meals, best restaurants in the world, destination restaurant, favorite restaurant, french restaurant, Michelin star, michelin star restaurant, paris, potential of benchmark food, stellar service, The World's Best Restaurants, top restaurant of the world, world class food, world class restaurant
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PG01Event : Lunch at Pierre Gagnaire, Paris
When: Wednesday  November 11th 2015, 12:00
Michelin stars: 3
Addr: 6,rue Balzac, 75008 Paris
URL: http://www.pierre-gagnaire.com/
Phone:  +33 1 58 36 12 50
Type of cuisine: French (classically  French at its core, mostly contemporary in its presentation, at times cosmopolitan  in its work of the flavors, using many  exotical ingredients , though, as it is generally  the case with most 3 star Michelin restaurants in Paris, the kitchen at PG puts the finest produce  from France in the forefront of their cooking).

 

What you need to know is that PG kitchen brigade’s is one of world class quality. There were certainly many exceptional dishes as you’ll see in the account below. Indeed, a top tier French 3 star Michelin anywhere across the globe.

Rating: Exceptional (10), Excellent (9), Very good (8), Good (7)
Overall food rating: 9.5/10 Creative French cooking of the highest level.  Perhaps the cooking of ex Chefs like Jacques Maximin/Olivier Roellinger, or (more recently) Bernard Pacaud / Alain Passard do fit a bit more with what I’d feel comfortable to rate with a 10/10 at this level of French cuisine as I think that Roellinger, Maximin, Pacaud or Passard would have delivered far more exciting versions of the brunoise of vegetables as well as the cucumber soup —– , and although the “ghocchi” and “Cèpes confits, noix, blette paquet” were excellent at what the kitchen was trying to convey (see their respective reviews below), my gut feeling is that the aforementioned Chefs would have replaced them by food items of assertive flavors pertaining to traditional French cuisine – especially Pacaud and Maximin – which, for my taste, is the only way that this meal at PG could have been bettered  .
Regardless,  that is just a personal impression. What you need to know is that PG kitchen brigade’s is one of world class quality. There were certainly many exceptional dishes as you’ll see in the account below.

Service: 10/10
Overall Dining experience: 9/10 Excellent

I am seizing the opportunity of a short trip to  Paris to eat at a 3 star Michelin table that I haven’t tried for over a decade, Pierre Gagnaire.

 

There is a considerable number of  food items served at Pierre Gagnaire. For example, my   starter (untitled  AUTOMNE) will come in   a series of  starters. The same applies to the   main course and  dessert.

I did opt for the A La Carte menu).

PG02The meal started  with two series  of   nibbles (calamari of superb quality marinated in soya, a brunoise of vegetables in a cold soup of cucumber, the brunoise as well as the cold soup were Ok…but I was disappointed that a kitchen brigade of this quality could not deliver a better version of that amuse bouche –  , some cuttlefish ink’s gelée  of spectacular maritime fragrance and a texture designed by the Greek goddess of beauty, Aphrodite, because it was so  pretty to espy,  a superlative lemon paste, an excellent bisque of crab, and many more items – all of great standard at the exception of the brunoise of vegetables in a cold soup of cucumber).  The lemon paste, in particular, had a dazzling taste  which exciting mouthfeel   is hard to imagine even at this dining level.  All in all, 8/10 for the nibbles. Serious  stuff.

My starter was:

AUTOMNE
IMG_3174Cocotte d’aromatiques dans laquelle on fume quelques instants un gros gnocchi au Laguiole – velouté Vert d’automne, graines et pousses de moutarde – Gnocchi on a bed of vegetables. the gnocchi  having the texture of tofu…but in this case, that is not a bad thing at all. Rather a beautiful touch of creativity. I suspect that it is with items like this that some may perceive such meal as uneven (made of ups and downs) since this is certainly not an item designed to wow, but then that would be a complete misunderstanding of what should be expected here: this is a perfectly well conceived  twist on a  piece of gnocchi served with some steamed  vegetables underneath and it was not of the boring kind (both the vegetables and the special sort of gnocchi had vibrant textures and tasted of what they should).  8/10
PG - NOIX DE RIS DE VEAUNoix de ris de veau laquée d’un suc de carotte à l’argouse, pulpe de reine-claude au tamarin – Caramelized sweetbreads that were a  world away from their  tired looking versions, the meaty consistency successful (just the right moist consistency, not mushy) , the overall taken to an even higher level of amazement due to the addition of the tamarind. A dish that could turn into a flop  in the hands of many  kitchen brigades (from the perspective of someone who has cooked with exotical ingredients while understanding the fundamentals of French cuisine, this  is actually a combination that is logical  , but it is also very easy to misjudge the proper quantity of tamarind needed to make such combination exciting)  even at this level, but here it was a demonstration of what a benchmark example of  tamarind mixed with  sweetbreads can look, smell  and taste like. An excellent way of updating a French classic dish. 10/10
PG-Terrine d’anguille au pavot bleu, céleris branches.Terrine d’anguille au pavot bleu, céleri. Gelée de pain de seigle – Quality eel was succesfully paired with celery and a jelly of rye bread. One  of those items which intent is not to dazzle. The intent behind this dish is  to combine  ingredients that most people would not think successful  as a whole  (eel, celeri, rye bread). I have no problem with this   philosophy but in the hands of the majority of cooks it is either a recipe for disaster or an annoying assembly of  ingredients.  Here, you taste that dish and realize that what you just had is a set of matching elements that simply work  really well against all odds.

Infusion de navet daïkon au vin jaune du Jura, écrevisses pattes rougesInfusion de navet daïkon au vin jaune du Jura, écrevisses pattes rouges, oxalis et feuilles de capucine – Crawfish(boiled), daikon radish, white wine, oxalis, nasturtium leaves.  Dazzling contrast  of flavors (sweet/sour/salty) that is technically hard to get this right even at this level. 10/10

PG2 - cèpes confits, noix, blette paquetCèpes confits, noix, blette paquet – I have oftently read that PG takes risks that do sometimes not pay off. This is one of those dishes that could easily be perceived as unsuccessful. Well, as mentioned elsewhere, I do not agree with the suggestion that PG’s cooking is sometimes off. It may not be to one’s taste, but it is certainly not what I would categorize as occasionally faulty. Take this dish: its effect is basically similar to what you’ll get with a juxtaposition of a layer of custard, mushrooms and nuts. All of great quality, for sure, but potentially boring too…??  Now, what about this being a take on the Japanese  Chawanmushi? Not that boring anymore,hein? lol. There are different versions of the Chawanmushi and this one was extremely subtle flavor-wise (some people may even find it bland, but is is not bland…just full of  very  subtle umami flavors) – a take on a perfectly legit  example of the the Chawanmushi.

The main course I chose was AGNEAU (the lamb):

PG- LambCarré d’agneau de l’Aveyron frotté d’origan – the lamb from Aveyron is known for its quality, and this Carré d’agneau did justice to its reputation. Excellent on all fronts: taste, texture, seasoning. A flawless Carré d’agneau. 9/10

Papillons Noirs, datte medjoul, kinjisoPapillons Noirs, datte medjoul, kinjiso – pasta made of black pudding was shaped as butterflies and was served with a mixture similar to chilli paste but without the distracting piquancy. Date palm was added to the dish. This, for my taste,  was sensational (complex middle eastern flavors,  the date palm  blending excitingly well with the  aforementioned chilli paste-alike mixture). It takes a Chef with an incredible palate to create  dishes of this sort.   10/10

Selle en crépine, carpaccio de betterave rouge, betterave blanche au Roquefort.Selle en crépine, carpaccio de betterave rouge, betterave blanche au Roquefort. – The exceptional  lamb from Aveyron made a second appearance. It was paired with a carpaccio of  superlative beets. 10/10

crumble Vert, ails roses sablés, chorizo, cébetteCrumble vert, ails roses sablés, chorizo, cébette – sauteed cabbage, garlic, chorizo was a classic dish but not of  the tired sort,- extremely flavorful. Another exciting dish. 9/10

Soufflé à la vanille de Tahiti, crème glacée Soufflé à la vanille de Tahiti, crème glacée – Finished my meal with a benchmark vanilla soufflé which depth of flavor can only come from eggs and milk of exceptional quality. 10/10

BISCUIT SOUFFLE - CRUS DE CHOCOLATI was less impressed with the Soufflé of chocolate –  , which although generously portioned  and tasting of top quality chocolate was not as exciting as other Soufflé of chocolate I had at lesser restaurants. 7/10

The mignardises at Pierre Gagnaire were also of great standard.

PROS:  They master the fundamentals of French cooking  in a way that few can pretend to, even by the finest 3 star Michelin French cooking standards. Exciting flavors when they cook or reinterpret French classics (Soufflé à la vanille, Crumble Vert/ails roses sablés/chorizo/cébette, Selle en crépine/carpaccio de betterave rouge/betterave blanche au Roquefort). Then, at times, it is possible that you’ll travel to places where  the flavors are   subtle  (the case of Japan, during this meal), but that does not mean the cooking is off. The journey around the globe took me to the Middle East, too and it was a stopover not to forget (Papillons Noirs, datte medjoul, kinjiso).

CONS: The brunoise of vegetables / soup of cucumber was ordinary –the quality of the  produce was great, for sure, but a brunoise of vegetables should dazzle at this level, a cold soup of cucumber too — and that surprised me given the overall fabulous journey.

PG03Bottom line: The kitchen here is helmed by Chef Michel Nave, a 2004 MOF. As most MOFs from the 1990s/2000s, Chef Nave cooking is deeply rooted in Classic French cuisine (meaning the flavors are generally intense/rich, the meal marked by the expected consommé/veloutés/mousseline/meringue/marmelade), with, of course, its own twists (twists that obviously make their French food look and feel contemporary) . Here at PG, the creativity they are talking about covers non conventional ingredient combination (by French cooking standards, although, in France, nowadays, this  is is not as unusual as it used to be ), executed with a very high level of technique, top notch ingredients and an exceptional sense of  combining unlikely textures/flavors/ingredients  (many kitchen brigades do try to  blend  unlikely textures/flavors…but they are generally just basically assembling ingredients with little interraction between each other).

What I think days later: A true world class food destination with superb French gourmet food  to match. As with plenty of high end French restaurants, nowadays, PG also explores non French flavors, so ensure you are familiar and do appreciate such flavors too.

Restaurant: Ishikawa
Address: 〒162-0825 東京都新宿区 神楽坂5−37 高村ビル1F
Date and time of the meal: 18/11/2014 17:30
Type of cuisine: Kaiseki
Phone:03-5225-0173
Tabelog: 4.33/5
Michelin stars: 3
URL: http://www.kagurazaka-ishikawa.co.jp/

Ishikawa (1)Kagurazaka Ishikawa is a well known kaiseki house in the area of Shinjuku (Shinjuku is vast, though, so keep in mind that if you stay close to the Shinjuku JR station,  Ishikawa is really NOT in the vincinity….;p). They have been operating for 11 years now. Chef Ishikawa explained that he comes from a part of Japan where the rice is of exceptional quality (yagata?? I am not familiar with Japanese names but it sounded like that), so he plays particular attention to the handling and preparation of  the rice (at a place like Ishikawa, you realize that rice is an ingredient that we, in the West,should  take seriously as great rice is not … just rice, indeed). The service here is world class (couple of waitresses and some few chefs) and the decor tasteful.    I tried to discretely take the pics of my food, discretely I insist  as  Japanese do not like that sort of distraction, especially in such intimate settings (in some of the restaurants that I will visit later on, photo taking is banned— at Ishikawa they are so nice that they won’t tell you anything,  but play close attention at the behavior of the other patrons and you’ll get what I mean ) , so as I usually do, out of respect to the privacy of other diners, I refrained from taking pictures of the room when it was full of patrons.

Ishikawa (2)Kaiseki is my favourite type of Japanese meal for its strong focus on all sorts of seasonal produce. It is also the kind of meal that I do approach with a lot of anxiety (positive / constructive anxiety that is),  because I remember that I, too, come from a country with food of deep and extreme nuances/subtleties/complexity , therefore condemned to be oftenly  mis-interpreted / mis-judged because as diners, we  mostly have no time with how things are supposed to be,  rather interested to expect things to be what we want them to be . I remember, couple of years ago, inviting a long time food journalist/cook/experienced foodie to eat a dish of cassava leaves cooked in coconut milk. A dish of the kind that I like a lot since its description is ordinary, its execution pertains to a totally different registry. In facts, you need to find the proper cassava leaves, cook it for at least 6-7 hrs with the right amount of quality coconut milk (popular in some African cuisines ) and its final taste will depend on your palate and ability to keep enhancing the flavor with as little as coconut milk, water, garlic, onions, salt , your leaves and deep understanding of how fire can impart sublime taste to your food. I ensured that a long time experienced cook, a granny actually, cooked it, because I wanted that friend to start with a version of that dish cooked  by “hands and a palate ” of considerable  experience. That friend/foodie/cook’s verdict on that day was straightfoward: it’s bad, it is just leaves that he  would have boiled, nothing more and that all the attention to details and long time cooking was pure Bullshit. The granny was upset and accused that dude of ignorance.  Both reactions were expected, but  I simply asked my friend to try, as much as he could, to remember that supposedly ‘disgusting taste of simple boiled leaves’ but …since he loves food…. to keep his mind open and give a chance to that dish, wherever he finds it. But more importantly, to do it himself and try replicating that exact memory of taste. 10 years later, this is the dish that my friend admires the most, cooks the most, etc. Of course, this sounds like a fairy tale   — I know, i know …. we are ALL mostly pessimistic by nature,  and tend to be  bored with  nice stories lol — but there’s a reason I brought the “fairy tale” here:  Kaiseki suffers from the same faith…its complexity, its depth, its purpose  is not always  evident, especially for non Japanese palates/tastes.  Even for someone like me who has cooked seriously for almost two decades, and have  studied and practiced a lot with the nuances of Japanese fares for the past 3 years (it was  important for me to spend some time learning/understanding/practicising with one type of cuisine before starting to assess it) , I had to go out of my way in understanding one important element:  the work of the texture and exceptional focus on the details  is for the Japanese leading Chefs far more important than how it is valued elsewhere.

The food report:

Blanched blowfish tossed with Japanese herbs, grated white  radish sauce.  Basically a julienne of  veggies with morsels of blowfish. Tasty, but not a testament to high level kaiseki cooking  ( ordinary for a restaurant of this reputation) as it lacked a sign or two of restaurant quality brilliance (anyone could pull out this sort of ordinary flavors , in an effortlessly way ) . 6/10

Ishikawa (3)

Deep fried shitake mushroom with minced Japanese duck,sliced duck breast, dried shitake mushroom: the quality of both the duck and the mushroom was impressive, but there was more. There was technique (the cooking of both the duck and the mushroom superbly achieved in letting the deep meaty flavor of the duck expressing itself, the mushroom timely roasted so that its earthy flavor is left unaltered while the mushroom is cooked enough and nicely seasoned to spectacular mouthfeel ) and an inspired touch (it is easy to extract decent flavors out of  duck and mushroom, but harder to  get duck and mushroom complementing each other this well. Exciting 10/10

Ishikawa (4)

White miso soup with savory rice cake. The quality of the ingredients continues to be, as I’d expect from a restaurant of this reputation, of the highest order. Such comment also applies to the technical execution of the food: as mastered as it gets ,meaning the balance of flavors is spot on, seasoning judicious (never too salty, never bland). The beauty of great kaiseki cooking is to extract the most out of the least, and that is what they’ve accomplished successfully: deep ,  balanced, delicious  and complex flavors out of a simple rice cake and miso soup. Miso soup is one of those things that escapes attention when done well but which failure you will quickly notice, so it is easy to take such great work of this soup for granted . Excellent Miso soup like this one I was sampling is a rare treat,even in Tokyo, as I came to realise. 9/10

Ishikawa (5)

Sea bream sashimi . I am not too sure what one should expect from seabream. There’s no exceptional seabream flesh, there are just great and bad ones. This was of the great sort. The quality of the seaweed high. As great as ..great fresh seabream flesh tastes.

Ishikawa (6)

Seared Ise Lobster with vinegared soya sauce – quality lobster, one piece served raw (sashimi), the other seared. The quality of an ingredient is always half the battle/ the quality of this lobster was high. There was  a true fresh taste of the sea when eating the raw lobster, which was a reminder that no ordinary lobster was served. Then you had the charcoal grilled piece, which did not fail to remind that quality seafood cooked using a flavor-enhancing cooking method like charcoal grilling does ultimately water the mouth. Delicious as one would expect,the soya sauce is,of course, of the non ordinary sort  8/10

Ishikawa (7)

Charcoal grilled horsehead snapper flavored with salted bonito innards sauce is a technique that I will steal from them as I love charcoal-grilling fish at home (using a hibachi charcoal bbq grill) but I was looking for new ways to enhance the natural flavor of charcoal grilled seafood. Bonito innards sauce is exactly what I was looking for: a distracted palate would think that you’ll get the same palatable impact using just salt .Well,no…there is indeed an impression of  ‘that is easy to replicate’ when flavoring fish with salted  bonito innards sauce, but the level of the  complexity of the resulting flavor is not that easy to emulate. This sauce matched beautifully with the snapper.  Whether it is street food or fine dining, I do not have  unrealistic expectations when it comes  to charcoal grill seafood. I just expect an exceptional understanding of what makes a simple piece of fish ..tasting great! Which is what they did. Superb  9/10

Gluten bread with walnut and dried sea cucumber . The sea cucumber oceanic flavor, striking (in a very very good way). I am usually accused of being very conservative about drying / and or dry-aging seafood, but that is because I find that seafood drying   and/or drying aging is oftently misunderstood (you really need to know which seafood is truely enhanced by such process ). This sea cucumber was timely dried, the exciting mouthfeel and aromas are a testament to its high  quality and this is an instance where drying seafood  adds — rather than substracting — to the pleasure of eating food.  8/10

Ishikawa (8)

Fresh water eel was flawless in all aspects: top quality eel, the tsume sauce highly enjoyable both in texture and taste, the mashed taro packed with vibrant fresh earthy flavors. As it is the case with all the other offerings, the ingredients are complementary BUT in an inspired/thoughtful/witty  way (only the 1st offering tasted and felt like an ordinary assemblage of food items). Flawless. 9/10

Ishikawa (9)

Hot pot of snow crab, tofu and seasonal vegetable. That the ingredients would remain of very high quality was not a surprise anymore,  so it’s in the work of the broth that I had high expectations. They were met: the broth had depth/complexity, its taste exciting.  A world class hot pot, with a benchmark tofu (I am a huge fan of tofu as it is one of those little things that is easy to overlook but that can marvel when executed masterfully ….the tofu,here, impossibly soft, its taste not bold at all and yet so revealing in subtleties) . 10/10

Ishikawa (10)

Steamed rice, seabream paste and pickled vegetables. I won’t rate this dish as my opinion is sadly..biaised.Biaised because the seabream paste was reminescent of our canned tuna in the western world, therefore I am unable to appreciate that seabream paste as I wished … because I can’t genuinely get excited about flavors and texture of this sort. Needless to stress that there is no fault here (it’s one perfect legit version of a  seabream paste), just a clash with a personal perception. What I will do,though,is NOT to overlook the star of this dish, the rice. Again, the Chef seemed to have mentioned Yagata (???) — correct me if I am wrong — as the place of origin of his rice. This, to put it boldly, was spectacular rice with superlative flavor and texture. That he steamed his rice like a master at his craft is not the sole reason behind that incredible bowl of rice  (10/10 for that benchmark rice). At some point, they transformed the dish into their take of the ochazuke dish (combination of green tea/steamed rice) which, on this instance, combined the spectacular rice, a perfect broth, nori, the seabream paste and sesame seeds. The overall was tasty.

Ishikawa (11)

Sweet red beans,Yuzu citrus ager and cream cheese with toasted wafer featured quality red beans which sweetness is not overwhelming but judicious, the yuzu citrus ager flawless in texture and adding necessary acidic balance, the cream cheese is a far better version of the standard cream cheese as its soft consistency coupled with superb lactic mouthfeel did stole the show . It is easy to overlook simple ingredients like those (red beans, cream cheese) as  they are oftently taken for granted, therefore we tend to be uninvolved when we use them. This dessert was a reminder that doing so (underestimating such humble/common   ingredients) is a mistake as cream cheese/red beans/yuzu citrus ager  done this well and tasting this good can be exciting.   8/10

Overall food rating: 8/10 (Category: top tier Kaiseki in  Tokyo)  Kaiseki cuisine (in this case, Chef Ishikawa’s take on it) is very simple in appearance, thefore it can sometimes  gives the wrong impression  that it is hard to get excited about,  but  its  subtleties can  reveal a lot more than what its first impressions may suggest. Ishikawa was about that, and much more: great service , a sense of place, ingredients of the highest quality and more importantly …. a great sense of taste. Ishikawa has an understanding of flavor combination that floats my boat (always that little inspired touch that imparts either surprise or joy in mouth,for eg the rice cake of the miso soup –not the classic texture of rice cake, rather a texture close to marshmallow and it happened to be more effective than the other sorts of rice cakes in its intent to surprise/please. Or a zest of orange skin that tentalized and added a thoughtful kick to the snow crab’s broth ). I loved Ishikawa.

What I think weeks later: That rice, that rice …I do not know if their rice is always that stellar, but the one I was having was like no other rice.

Ristorante Dal Pescatore
Type of Cuisine: Updated Haute Italian (Classics of  Mantuan cuisine, Lombardy)
Michelin Stars: 3
Event: Lunch on Thursday June 14th, 2012 12:00
Addr: Località Runate – 46013 Canneto sull’Oglio , Mantova
Phone:+39.0376.723001
Email: santini@dalpescatore.com
URL: http://www.dalpescatore.com

Service: 10/10 Mostly young, well behaved Gentlemen with great tact. I am French, so they spoke French to me, and listening to Italians talking in French, with an Italian accent, is always pure joy to me. It has its charm, a charm that lingers on my mind.
Overall food rating: 8.5/10 The Santinis have an amazing sense of taste as largely proven by the fabulous ravioli di faraona,  the stunning  tomato compote,  great risotto, outstanding reduction to the braised  beef shoulder,  benchmark torta di amaretti.  And at a time when everyone thinks that we’ve seen it all with a  polenta, they manage to deliver one against which I will judge all  other polentas. The only reason I give it a 8.5/10, as opposed to a 10, is because the overall impression I have of this meal is  one of an  overall Very good-to-excellent (8.5/10) classic 3 star Michelin meal rather than one of benchmark level (10/10).  Regardless, this is exactly  the  type of classic 3 star Michelin I like most and I would run back to Dal Pescatore way before thinking about going back to Michelin star restaurants that I have rated with a 10/10.  As always, a subjective matter based on personal experiences, etc.
Overall dining experience: 10/10 I have rarely felt so happy in a restaurant, Michelin starred or not. It goes without saying that at this level of dining, every little detail counts and each one  found all along this meal simply scored high on my appreciation scale: the plating, the beautiful and elegant country home decor,  the countryside, the charming and down to earth wait staff met all along this meal , and the qualities I expect from a top dining destination just kept piling up while I was there.

 

To call a restaurant ‘the best in the world’,  you either do it for marketing purpose / generating hype  (for eg, San Pelegrino  World best restaurant’s ranking  ) or you do it based on personal preferences, obviously.  And NO..you do not need to visit every single restaurant in the world to have a good idea of what you could define as YOUR  “best restaurant in the world (only someone who has  no clue of what professional cooking and the high end restaurant level is really about would need to reassure himself that way..a bit as if you would feel the need to visit every single country  of this globe to get to the conclusion that Americans are among the best at playing Basketball.. ).  For me, for my taste, with respect to what I value as real great “artisan Chef’ cooking, coupled with my profound love for Italian cooking and the countryside of  beautiful Italy, Dal Pescatore is  “THE  best restaurant in the world”.

Around two years ago when I decided to review restaurants (NOT really something that I like to do, reasons are explained here, and I do NOT  systematically think about reviews wherever I go, or on whatever I eat,  Lol!), I knew exactly what I wanted in  my reviews: avoiding style at all costs and focusing on what I believe to matter most: assessing the (relative) value of the restaurant food that I am eating.  Ironically, by ‘assessing the value of my restaurant meal”, I went one step further and removed …the price factor…. out of the equation. That is because on top of the already explained reasons that led me to review restaurants, I had one major quibble (with most opinions about restaurant reviews) that jumped to my attention: what if the $$$ was not taken into consideration??  Apparently, from most answers I have gathered throughout the years, most would have found their meals to be excellent had the price been lower! Interesting…So, oftently it is worthy of raves because it was affordable. Let’s take $$$ out of the picture then and focus on what I have in my plate. Make no mistake: I understand  the notion of value for my bucks, but I am interested by one thing ONLY: the deliciousness of the food that I am eating way before its value gets lost in ‘value for money’  interpretation.

Restaurant reviewing is, of course, not limited to one or two aspects of a dining experience. And it does not  have to be something special neither. I personally refuse the idea of  restaurant reviewing on a professional level for a very simple reason: I don’t see why something as personal as this  (talking about the food you eat) would be remunerative , unless you go way beyond the basic restaurant scripts and books of recipes as it is the case for  few  exceptional food journalists  like Quebec’s Marie-Claude Lortie, Perico Légasse in France, John Mariani in the US .  I know,  it (reviewing restaurant as a job) is a pointer, a way to be better informed.  But you have this in tons of  opinions over the web,  and those people are not renumerated. I know some will argue that a professional food critic will provide you with stylish write-ups and professionalism. BUT  that is not what I want in a restaurant review: like it or not, I do not eat ‘style’ nor ‘a sense of professionalism’ nor ‘megalomania expressed through writings”.  I eat food and I just want to know what is offered, how it is made, to what relative level of cooking is the kitchen reaching out to.

There is also the widely preached bogus belief that  anonymous reviews may hide personal agendas.  Even a saint can hide an agenda.  We  all know that.  More importantly, a  normal diner   at a restaurant is anonymous, shall I remind this? And when you dine at a restaurant, guess what…you have opinions on what you have just paid for, with, as it should normally happen… your own hard earned money.  Those opinions can be expressed in many ways: verbally, in writings, etc. So, I do not see any problem with comments from  anonymous or well known sources. They both can either  hide agendas or be honest. No one will ever have any  control over this, anyways. Desperate harmful and insulting views with no constructive and no honest purpose —- which is the only thing that would make sense to fear from an anonymous review–  should obviously NOT be encouraged and this applies to  celeb faces hiding  agendas of restaurant propaganda .  Either way, there should be no  excuse to intimidate freedom of speech.  The debate over anonymous opinions is a debate full of nonsense, a creation of some of the industry’s watchdogs,  a debate pertaining to ancient times when big Daddy, scared of the judgements of others, would command you to show your face before you can  think and judge accordingly.  But humanity has evolved and people  paying for what they consume, with their  own hard earned money, should never accept that the restaurant industry and some of their watchdogs  take control over what we should have as opinions.

Who you are, as a restaurant reporter,  makes absolutely no difference: this type of opinions (about restaurants) are subjective anyways, no matter how credible you might think you are, and consequently, knowing what you like or not, what you are hiding or not,  is of utter irrelevance. We should do this (sharing our opinion) for the simple sake of sharing knowledge but certainly not as an exercise of potential serious  influence on the choices of others. As far as I am concerned, my agenda is clear: it’s written here  and as explained, I wanted to experience for myself the journey of  an independent voice completely detached from the restaurant industry.  I wanted to be able to rave –or not — about what I felt authentically deserving of its raves –or not –, to be able to freely convey what I really had in mind as opposed to be influenced by outside elements.  Naturally, I can afford behaving this way (fully enjoying the role of  a normal diner,  being independent from the industry, mocking at style or etiquette) and abide by my own principles no matter who says what —  only because I have no commercial interest in the restaurant business . I took time to write this because there is nowadays a universal debate around the subject (of anonymous restaurant reviews), a non-debate in my pertinacious view, thus my two little cents on this matter.  This is my opinion, and I’ll proudly and obdurately drink to that, Rfaol!

Before I write about the current reviewed restaurant – Every gourmand’s dream is to find the  best value restaurant at the very top level of world’s fine dining. Once every 5  years or so, I  stumble upon one and lately,  it is in Chicaco, Illinois. It is L2o, a restaurant that I  have discovered back in the days of Chef Laurent Gras. It was back then already deserving its 3 stars. Then Chef Francis Brennan took control of the kitchen, and the solid 3 star Michelin performance kept rising to the top. Now, that Chef Brennan left, it was downgraded to a 1 star Michelin restaurant and I recently had a meal there, under its present 1 star Michelin assignment,  and everyone at my table (they are regulars of world’s haute dining extravaganza) agreed: it is, between you and me, the current best value at the very top Michelin star dining level, and Chef Matthew Kirkley is, for now, the most underrated Chef in the world. You get a top 3 star Michelin dining at an official 1 star Michelin. Other great discovery, lately: La Table d’Aki (after more than 2 decades alongside Bernard Pacaud of 3 star Michelin L’Ambroisie, Chef Akihiro Horikoshi has opened his own little bistrot and is unleashing some of the secrets that made of Chef Pacaud one of the most respected icons of La France gourmande. A great way to sample the sense of classic culinaric savourishness of Chef Pacaud, brought to us by Aki, at very sweet $$$. Check that out: Table D’Aki, 49, rue Vaneau, 7th Arr, Paris.  Phone: 01 45 44 43 48).

And now, our featuring restaurant review (Lunch on Thurs June 14th, 2012 at noon):

Dal Pescatore, its cuisine, its Chefs –  Dal Pescatore is  a restaurant of haute Italian cuisine balanced between innovation and tradition. The latter (balanced between innovation and tradition)  being a description that is dear to them; on their web site they do insist on this, and it is also, based on my meal there, a realistic portray of their cooking style. Innovation here means that it brings an updated approach to a style of Italian Haute dining that remains classic (with a focus on its surrounding regional fares: for ie risottos, nearby Mantuan pasta dishes, other Italian classics especially from their local Lombardy region ), but it is by no means into  futuristic culinary styles. They do also insist on the food being wholesome.  It is among restaurant Magazine top 50 best tables of the world, a member of the prestigious ‘Les Grandes Tables du Monde” as well as earning three Michelin stars since 1996 (only seven Italian restaurants boast three stars). It is considered by Paul Bocuse, the pope of French gastronomy and many top culinary journalists such as Gilles Pudlowski and John Mariani as well as frequent patrons of the haute dining scene as  the very best restaurant in the world. High profile chefs such as Anne-Sophie Pic had their lifetime’s best meal here. The soul of Dal Pescatore, Chef Nadia Santini (one of her sons, Giovanni,  is nowadays an active Chef at this  restaurant  as well as their legendary Mama Bruna / I recommend that you read their story on their web site, it is an interesting read – it’s surely fun to observe how they evolved from a 1920s countryside tavern to the top of world’s Alta cucina, for ie, or how Nadia Santini went from studies in Political Sciences to the position of  one of world’s most respected 3 star Michelin Chefs / It is also amazing to note that Chef Nadia Santini rejects the idea of a brigade in a kitchen; she is one of the very rare top Chefs around the globe who thinks that hierarchy is unnecessary in a kitchen and that everyone should work as equal members of one team)  is frequently mentioned as one of the top 3 best female Chefs in the world alongside  Pic (Maison Pic, France) and Elena Arzak (Arzak, Spain).  Many grand Chefs have also trained and honed their culinary philosophy here: LA’s Sotto Chef Steve Samson , Celebrity Chef Todd English, Malibu’s Granita Restaurant Chef Jennifer Naylor, Chicago’s Spiaggia Chefs Sarah Grueneberg, Tony Mantuano and many more. Other  high profile Chefs like Gordon Ramsay, Giorgio Locatelli and top British Chef Angela Hartnett have expressed great admiration for DP. It is always admirable  to learn that such a Grand Chef like Nadia Santini (who, after numerous years of excelling at such top level,  would be in the excusable position of saying ‘I have nothing to prove anymore’)  is always in her kitchen  in a world where ‘embryo’ cooks with a lot left to be proven are busy parading afar from where they are supposed to be found!

Decor –  A mix of classic and contemporary elegance with emphasis  on ‘ la gioia di vivere ‘ , the joy of life, as easily expressed by the possibility of indulging in one of Italians favourite custom ‘Mangia fuori’  on their  veranda in summer,  evidences of cozyness  (fireplaces, the joyful color scheme of the 3 dining rooms, the wooden floor  that gives the room a warm and intimate feel), the  artworks on the wall. Pastel colored walls (in pure Northern Italian decorating style , the colors pay respect to various elements of the surrounding countryside:  lakes, earth, etc), beautifully laid tables positioned for privacy.  Think of the restaurant as a  sophisticated  country house  with  a peaceful view on a well  kept garden.

Location –  Dal Pescatore is located in the village of Runate, municipality of Canneto sull’Oglio, in the province of Mantova (region of Lombardia),  North of  Parma, East of Milan. Around 65 km from Verona Intl Airport, 115 kms from Milan Linate Airport, 150 kms from Milan Malpensa Airport. I’d suggest you include a dinner here within a tour of Lombardy’s main attractions (historical cities of Mantova, Modena, Cremona, Parma / the urban life of  Milan / scenic places like lakes Maggiore, Como, Garda). Hire a car.

Produce–  I have always admired Chefs who are really close to the land, to the point of growing most of their own food. I have always favored Chefs who are really close to their local produce and artisans. That is perhaps why I always had a soft spot for the  work of Chef Alain Passard at L’Arpège, Chef Patrice Gelbart who used to work at ‘Aux Berges du Cérou’ or Chef Craig Shelton who was at the helm of the  Ryland Inn in Whitehouse, New Jersey. I remember my excitement when, during a dinner at the Ryland Inn (Chef Shelton does not work there since years, now), Chef Shelton kept rushing between his garden and his kitchen making sure that optimal freshness was present on our plates. He had that strict  ‘xxx minutes maximum delay’ ..5 or 7 mins if I remember properly (Chef Shelton was a pioneer of the farm-to-table movement on the East Coast in the US) …in between picking the ingredient, getting it cooked and served. Of course, Chef Shelton is an exceptionally skilled Chef and I would have never mentioned this had his food not been of stellar mention. Years later, here I am in Canneto sull’Oglio and the Santinis have that exact same philosophy at heart: they raise most of their vegetables on the premises.

The food report

I started with a tomato compote of stunning marinda (from Sardinia, Italy)  tomato flavor 10/10.  It’s a great example of why Italian food is so well respected: startling simplicity and beautiful produce. Italians know how to make you rediscover the real flavor of an ingredient. I am not rating this with a 10 just for the produce alone: a  touch of beautifully aged balsamic and inspired hands brought this tomato to palatable triumph.

Followed by Porcini, Fegato di Vitello (Veal liver), romarino (rosemary) – Flawless cooking technique as shown all along this meal. The mushroom packed with deep earthy flavors that complemented so well with the veal liver. No quibble here: cooking achieved beautifully and flavors as good as you can get from a nicely prepared veal liver. 8/10

Then, Tortelli di Zucca (Zucca, Amaretti, Mostarda, e Parmigiano Reggiano) – tortelli with pumpkin, amaretti biscuits,  mostarda (a type of candied fruit and mustard chutney condiment and a speciality of Lombardia) and Parmesan – Star Chef Todd English has always praised Dal Pescatore for for being the place where he learned everything about pasta and  the work of the dough. Pasta making is indeed pushed to high level of conception, here. It is artisanal pasta, hand made on the premises. Pasta can’t be fresher than this: they make it only when you order. One Pasta signature dish of Dal Pescatore is Tortelli di Zucca, and a Mantuan classic:  made of pumpkin (Zucca), nutmeg, a bit of cinnamon, cloves, mostarda (A ‘glacé fruit’  preserved  in a spicy syrup), Italian almond-flavored cookies (Amaretti) and the iconic cheese of this region: their Parmigiano-Reggiano. They are using, in Mantua, an ingredient that adds so much to pasta: pumpkin, as expected,  does indeed add amazing texture and superb flavor.  Its sweet, and yet savory nature teasing the palate. As a quick reference, if you had sampled Chef Todd Stein’s iconic “Caramelli dish” (pasta filled with butternut squash, sage, amaretti crumbs) when he was at the helm of Restaurant Cibo Matto in Chicago – that dish made  it to America’s best pasta dishes of several top food magazines —  then think of Tortelli di Zucca as its elder (not served the same way, and not fully identical, but the basic idea and also ingredients behind both dishes are similar) .  Dal Pescatore’s version was flawless: the mostarda enhancing the pumpkin with lots of panache, the pasta itself is impeccably executed, its texture utterly refined, the taste is of course a bit less rich and rustic compared to the tortelli di zucca I tried at the other places in the region but this is understandable since this is fine dining and not rustic dining. Also, the Santinis focus a lot on good healthy food, therefore food that’s  not overwhelmingly rich nor too rustic. What justifies, in my opinion, a 3 star Michelin meal is its depth of precision in balancing, better than many others, the flavors, textures and  other cooking aspects (timing of the cooking, judicious choice of the ingredient combination, effective usage of heat, etc) that are involved on a dish, all things achieved brilliantly on this dish. PS: Try this recipe at home . Excellent. 9/10

Ravioli di Faraona – Guinea fowl ravioli was of benchmark 3 star Michelin material. The preparation of the pasta, its impeccable texture, the outstanding balance of flavors, the superb mouthfeel are just a fraction of the superlaives I could use to discribe the amazement of this dish. 10/10

Then Branzino con olio extravergine umbro, Prezzemolo, Acciughe e Capperi di Salina – Excellent seabass that retained its well known enjoyable mild flavor, its flesh was firm and immaculately white as any top quality fresh seabass has to, the cooking achieved to ideal moisture retention.  8.5/10

Followed by Risotto con pistilli di zafferano e aceto balsamico tradizionale di Modena (sometimes it is ‘Risotto (Vialone Nano) con pistilli di Zafferano e Aceto Balsamico Tradizionale ) – Saffron risotto with traditional Balsamic vinegar from Modena  – They grow their own saffron on the premises and this is thoughtful: it has nothing to do with the average  saffron I am accustomed to, and that you find in most saffron risotti of the region. This saffron has a superior subtle aromatic freshness that, on its own, transforms their risotto into a unique one.  But the kitchen goes beyond the full satisfaction of their spice, and as stands true to a good Il Bagatto, it brings another secret weapon to the center stage of the show: the ethereal aged authentic Modena balsamic vinegar with its mesmerizing long finish flavor. Vialone Nano, well known for absorbing liquid better than many other rices,  is indeed the appropriate rice that needed to be used for this risotto dish. Of this dish, I’ll remember the great technique, the superb taste that can only come from a top quality stock, the  proper heat regulation and excellent texture.   9/10

Cappello da Prete di Manzo al Barbera e Polenta Gialla di Storo – braised shoulder of beef   slowly cooked in Barbera wine with  polenta  –  Cappello del prete is a cut of beef ideal for braising (although, in my view,  not quite at the level of what a meat like  beef cheeks can deliver when it’s braised to its  prime) . The meat was cooked to tender consistency for long hours in a rich Barbera wine based sauce. This dish, due to its comforting nature could have been  predictably less memorable but it was not: the sauce was reduced as it should, the delicious juice-infused beefy meat  kept   an ideal tender consistency to it, the exemplary polenta (if you see a cook looking down on polenta…it is not a Chef, it is just a lesser cook who badly needs to get a taste of a polenta like this one so that he will forever understand how he was never made aware of the full potential that lies ahead of such a supposedly simple fare). The reduced sauce was remarkable, even for this level of dining. 9/10

Amaretti Torta –  For years, I have made Amaretti torta many times (this  as well as torta sabbiosa, zabaione and chiacchere are among my favourite Italian desserts/cakes), and I just like tasting it whenever it is baked by others, just to see how far they push it,  therefore an appealing pick for me. This one had a good ratio of the basic ingredients necessary to make this cake (choco chips, amaretti cookies, etc). The amaretti base was impeccably made, the cake itself cooled down to room temp, had proper moist consistency and was packed with a depth of enticing chocolate, coffee and almond aromas. Easily, a benchmark amaretti torta  10/10

I was warned by some of my Italian foodie friends that on Italy’s best tables,  I should not expect petits fours of the standard found on France’s best 3 star Michelin tables. They were wrong: the array of fabulous petits fours (various chocolate creations, mini fruit tart, etc)  on display could have been served at a top 3 star Michelin table in France and I would see no difference. They were that great, and I had a huge smile when I sampled the solo  cherry featuring among those petits fours:  I urge anyone to find me a better cherry! 10/10

My short conclusion on this meal at Dal Pescatore –  The strength of this meal I just had at DP lies in (1) how this cuisine  is entirely symbiotic with its environment and  (2) how most of the dishes are perfected:  the pastas I had would set the bar for their artistry in colors, their flawless textures,  their delectable stuffings.  The risotto I have just tasted is also of that level of culinary mastery.  I was quite surprised (in a good way) by this performance, even by the standards expected at this level of dining. Almost everything was copacetic all along this meal.  The minimum at such standards of dining  is food that’s  refined and well done, for sure,  but  it was still remarkable to find items as eventful as some that I have just tasted. Many among world’s most talented Chefs have a spectacular culinaric sense, but few have an exceptional palate. Whoever has cooked the ravioli faraona, the tomato compote, the petits fours  and the amaretti torta can be counted amongst the latter. I don’t know Dal Pescatore enoughly well so I can’t really tell which dish  was cooked by Chef Nadia Santini, her son, or by Mama Bruna, etc —  something I generally like to know since each person has a signature cooking touch and that aspect matters to me —  but  I could observe a common denominator in their cooking as a team: they favor harmonious flavours. I wanted a repast exempt from what I perceive as the UNECESSARY (the pipettes, the foams, the paintings on the plate, and tons of other gimmicks), a meal focusing on the pleasure of eating real food, enjoying the best local produce. You can eat very well at low cost in Italy (If you stumble upon a bad cook in Italy, my guess is that it is not a cook…it is an impersonator who just wants to make a quick buck…because here, it is not the ‘buzz’ that dictates who you are —some cooks in some cities will recognize themselves in the latest statement —  it is oftently real talent! Hard working Real Chefs cooking for real….), but on this occasion, I wanted this simple and delicious cuisine expressed in its most refined version. That is exactly why I went to DP and that is also what I got.

From an aphorism of France’s 20th century best known writer, Curnonsky: “Good cooking is when things taste of what they are.”. Curnonsky would have been very happy with most dishes of this meal: wherever things looked simple, they were elevated with brio, but never through gimmicks and only with inspired emphasis on their very own nature. Simplicity, I’ll always reiterate, is nice only when it is in the hands of a gifted Chef.

In fine, for the food on this meal, I’ll underline the careful balance of flavors on all of the dishes, the importance of never roaming away from the comfort zone of a nice hearty classic dish (their meat, their pasta dishes) while adding the touch of superior inspiration and culinaric effort expected at this echelon .

PS: Wine – One of my favourite all time red wines accompanied this meal. It’s a 2008 Pergole Torte Sangiovese (memorable licorice aromas, perfectly balanced tannins). Talking about their wine list, it not only suits to all budgets and covers a big part of the globe (of course Italy and France, but also Australia, Lebanon, New Zeland, etc), but how thoughtful was that to classify it by type of wines (for ie, Franciorta – Trento classico e altri spumanti, Bianchi Italiani, Rossi Italiani, etc), then by vintage years. Here’s a sommelier who perfectly understands the importance of a logically well conceived wine list. Another great moment: a glass of giulio ferrari 2001, a must when it comes to bubbles.

PROS (of this  meal at Dal Pescatore):  In the days leading to my meal at DP, I have enjoyed Mantuan food at some serious trattorias  of the region.I was also lucky enough to have sampled the food of two  talented nonnas living in the region,too.  So, my experience and expectations of my meal at DP was  different, from, say, the standard food traveller who would have just visited DP with, in mind, some  general knowledge of Italian food (as opposed to accurate information  about Mantuan food and what should be expected from an  interpretation of this specific cuisine). There are things  that I am not fond of, such as the tad-less-runnier  texture of the risotti that Classic Mantuan cuisine tend to favor, but that is just a matter of preference and should not be assessed as inferior to the sort of a bit-more-runnier textured  risotti that can be found, for example, in the region of Veneto. It is just two different ways of taking the risotto.  DP clearly offered a perfected interpretation of Mantuan Classics.  I had a great time, here and this (great food, great wine, top service, nothing overworked but to the contrary brought up in a natural appealing way may it be in the behaviour of the staff, the presentation of the food, etc) is exactly what I do expect from a 3 star Michelin dining venture.
CONS (of this meal at Dal Pescatore): When a heart is happy, there’s nothing to pique at.

WHAT I THINK MONTHS LATER – Your judgement of a meal goes down to who you are.  I am someone who believes that greatness is about doing the most with the least. So simplicity done this well is,  to me, the definition of perfection. It’s a classic place, so if classic is not your thing, you have tons of tables for you: Noma, Thierry Marx, The Fat Duck, Alinea, etc. If you want noise, buzz, hype, trend, there are tons of popular bistrots and restaurants around the world that will fit the bill. On the other hand, if like me, you believe in great classic cooking, then DP is a benchmark table. For me, for my taste, with respect to what  I value as  real great cooking, Dal Pescatore is an example of what I would define as a “best restaurant in the world”. I loved Dal Pescatore.

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I will be honest with you, I get bored reviewing restaurants. I initially didn’t even want to do this (read this on my 3 star Michelin web site). As a matter of fact, I am now reviewing just 10-20% of the places that I am visiting  because many of them are not offering food that would justify that I spend time writing about . When I keep saying to people that I am not a true foodie, I guess you have right there a perfect confirmation of what I am talking about (I respect foodies and believe that they are the best architects of the newly-found enthusiasm for exciting dining experiences, but I know myself enoughly well to assert that I do not have their genuine enthusiam. I am just a cold hunter for what I believe is food that stands out in my view, but I don’t get any satisfaction in eating out just for the pleasure of doing so). To find motivation in continuing to write, I will vary once in a while between restaurant reviews, interviews of the greatest Chefs around the globe and culinary reportages.

This is only my second interview with one of the grand Chefs of the globe. Previous interview was with Chef Corey Lee, Ex 3 star Michelin Chef who was at the helm of the French Laundry (CA) when this restaurant was among Restaurant Magazine’s top 5 best tables of the world. Chef Lee is now at Restaurant Benu, SF (I am planning a culinary trip to SF in  the future which will include Manresa, Benu, FL, Bouchon, Ubuntu, Saison, Atelier Crenn but Benu won’t be reviewed since Chef Lee was interviewed here. Sounds not cool, but I find it more important to remain loyal to my principles.). As a reminder of my strict code of ethics: the restaurants which Chefs I am interviewing will never be reviewed. This reaches out to the very 1st rule behind my decision of reviewing restaurants: never interacting with the staff of restaurants that I review. An interview is an interaction, so no review!

This time, I am interviewing Chef Luisa Valazza of 3 star Michelin Al Sorriso in the city of Sorriso. Her restaurant is known, in world’s finest dining circles, as one of the very best of the world. Chef Valazza is also the perfect choice for the  type of Chefs that I praise a lot: an artisan Chef, far from the big buzz, busy behind her stoves, the only place we need a talented Chef to shine. Before publishing the interview, I want to thank Chefs like Corey Lee and Luisa Valazza for being down to earth, open to answer any questions coming from any of their customers. This sounds like a small detail, but in a world where many Chefs forget where they came from, and what brought them to the highest praises, it’s touching to see Chefs, among the very best in their domain, finding time and humility to answer the questions of their real customers, you and I, anonymous Joes!

Last but not least, Chef Valazza being Italian and not British, I dearly hope that you will remain open minded and thankful to her efforts to express herself in English. I am myself French and I feel flattered (and am thankful to them) to see English people sometimes trying their best to share with me in my own language. So let’s remain open minded and get the most out of this constructive interview :

Question #1: Chef Valazza , you have been at the helm of your  3 star Michelin table for a while now. In retrospective, would you be able to pint point the exact evolution steps that made you evolve from a 1 star to a second then to a 3rd. For ie: have there been very precise actions that got you going from a 1st to 2nd star. Then from a 2nd to a 3rd? Did you make major changes to your cooking in between each of those steps? Or has this been the fruit of improvement in service, decor?  This is a question that I thought interesting to ask since many 3 star Michelin Chefs would simply respond that they got the 3rd star upon continuous hard work. Although that is surely true, it would be very informative to be more accurate about those steps of evolution.

 

My  first coming  in tu  the ciuisine it was on  November 1981  because  the   chef  we had  went away , so  i  decided  that  the  better  way it was to take  the  responsability of  the  Cuisine  , tu have a continualy  style.

Whit great work i had  the   first  Michelin  star on  1982  a Surprice,  and  continuing in to the pledge  and reserch i had  the satisfaction to have  the  2d star  even a  surprice. on 1988. i was crying .
I was feeling  more  responsable, bat  the  passion  and  thee desire of beeng  better geve to me the  sprein to  continuing  to reserce  the  best way  to an expression on my  plaite the  taste  and  the  parfum  of the Italian  cuisine.

all these bring  mee after  10  years  to have  with  a great  surprice  the  3rd  Michelin  star. with  great  and  hard  work  i crowned the  dream of  evry  chef.

 

Question #2: Italy has great produce and a cuisine that’s mosly glorious in its simplicity. But it slightly differs from region to region. What type of cooking do you offer: a recap of Italian cuisine from all corners of Italy?  Or Italian Cuisine from your  region of Piedmont only?  And how would you consider your cooking: a modern take or a personal re-interpretation of  Italian cooking ?

 

On  my  cuisine  thereis not only an interpretation of the  Piemontese  cuisine  but  i am looking in th the  region  around  Piemonte , introducing also even  fish from  the see , ( Sardegna , Sicily , Liguria  and everywhere there are better product. )  My  cuisine is  a cuisine of  reserce of the  traditional Italian cuisine in a modern Key.

 

Question #3: I have heard that you are a self-made Chef. So no trainning at all? Just going from home cooking up to 3 michelin star excellence?

 

Yes  I am professor of Italian Lecterture and  come  from University to the cuisine , on  my  family  my  mother  was also a professor  but she cooked at home and i never  tuch a pot before.

when i Married  my  husband  i  prefered  to do his job  , starting  first study  of  Italian cuisine book  from  old  and  new  cuisine  

 

Question #4: Many 3 star Michelin restaurants have some signature dishes that are the imprint of their culinaric work. For ie, the seabass/caviar at l’Ambroisie, the Eel toast at LeDoyen, etc.  I believe  this makes sense since at 3 star Michelin standard, the level of dining is so high that it needs to leave its imprints. To a first time diner at your 3 star Michelin restaurant, what can you recommend as signature dishes? What inspired you in creating those signature dishes and  what reflexion/message did you want to communicate through those dishes?

 

My  important plait are  1st  the  ”  patata  all’uovo gratinata  al  tarufo d’Alba ”     2d   ”  fungo porcino farcito con olio e aglio di Vessalico  ”  3rd   ”  The  green  ravioli  with Bettelmatt cheese and wild herbs  “

The  message i transmet to the  guest  is  the  semplicity, great product, great  taste.

 

Question #5 – Piedmont seems like the ideal place to open a restaurant: self-sufficient (wines, cheeses, meats, etc are found in this region). Was this the primary reason that led to the opening of your 3 star Michelin table in the beginning? What about your clientele: are they mostly gastronomic travelers to Piedmont? Italians? Foreigners?

 

The  reason we open a restaurant in  Piemonte  is  that we are  Piemontese  from Here  Luisa is  from SORISO  and  Angelo  From  BOCA  near SORISO

My  clientele are  gourmet and  people they like good Cuisine  , must of  them are foreigner  from all ower the Word .
Hope  you  cann understand every  thing i send you  my  best  regards

Luisa  Valazza


Victor’s Gourmet-Restaurant Schloss Berg
Event: Dinner at  Victor’s Gourmet-Restaurant Schloss Berg
When: Friday September 16th 2011,  7PM
Michelin stars: 3
Addr: Schloßstraße 27-29, D-66706 Perl-Nennig/Mosel
Email: info@victors-gourmet.de
URL: http://www.victors-gourmet.de/englisch/gourmet_restaurant/index.php
Chef Bau’s web site:  http://www.christian-bau.de
Phone: 49 (0) 68 66/79-458
Type of cuisine:  Modern French/Cosmopolitan

Overall food rating (by 3 star Michelin standards)10/10 Chef  Bau is a  magician with the exceptional ability of those few who will always set the bar (the precision and depth of  his cooking skills is of prime mention), for others to follow. He is to food what  a virtuoso is to music. An exceptional virtuoso.

Service:   10 /10 They are mostly young, open minded and hard working. Their hard work shows.
Overall Dining experience: 10/10 This is different from the grand Parisian 3 Michelin stars, and yet
it provided, on this dinner, an overall dining experience that is as exciting as the best ones found in France.
Food rating:  Exceptional (10), Excellent (9), Very good (8), Good (7)

 

I measure the genius of a Chef  in his  ability to showcase  a  substantial depth of skills  that his peers can’t accomplish as succesfully.    For those in the know, Chef Christian Bau has the skills for others to follow, especially his exceptional precise work of shapes, colors and flavors. I have no clue if he is there all the time behind his kitchen, but when he is cooking, which was the case on that evening, there is no doubt in my mind that he is among the few truely  gifted Chefs of the globe.

Before going ahead, a quick declaration of respect  to one of the   the world’s most exciting Chefs of our time, El Bulli’s Adria . As we all know, El Bulli has closed its doors (as a restaurant) in July.  I am buying all your books, Chef, and shall practice all your tricks! So that the amazing artist that I saw in you remains present in my mind, the mind of a classic-cuisine gourmand, btw! Proof that even the most traditionalists among us have embraced your cult! Hasta siempre, Jefe! As for those who are looking after the next clone of Adria:  forget clones, folks! Your best souvenirs are ..your best souvenirs.  They perfume your memories till you lose it, and that is it.

Wow, this has been  the shortest but most intense constructive trip I ever had in Europe:  four little days  of culinary congress, meetings, exchanges.  Only a few knows this, but aside from  Sciences, Litterature, Economics and Politics, one of my long time passion has been the research of enhancing flavor combinations in classic food.  Basically, what Jefe Ferran Adria does with progressive cooking at El Bulli , I do the same with classic cuisine. Where the latest cook who has just completed his culinary degree tells you that he is excited to test progressive cuisine because there’s not much  to discover with a simple classic filet mignon, I spend timeless moments in  my kitchen finding the ingredients or best cooking technique to ‘rejuvenate’  that  classic filet mignon.  This is why you won’t fail  to realize that my favourite Chefs mostly happen  —- whether they’ve chosen to partake in the progressive cooking trend or not — to   have a great depth of mastery  in classic cooking.  As soon as I have some time,  I will try to write about those congresses I’ve just talked about (truly interesting for us, gourmands from all around the world).  Then I had to end this European mini tour with —of course —  a bit of self-pampering:  I had either El Celler de Can Roca (Girona) or one of Germany’s top 3 star Michelin tables on my short list of tables I’d be interested to visit since a long time.  Spain is my type of  country. It’s a place where I’ll go back oftently anyways,  it’s even a place where there are big chances that I spend the rest of my life.   So I went  for Germany this time. Destination: Perl.  Perl-Nennig.   My final choice: Victor’s Gourmet-Restaurant Schloss Berg.

The city of  Perl-Nennig, where Victor’s Gourmet-Restaurant Schloss Berg  is located,  is  in a geographical area that is famous for its vineyards, castles (the restaurant Victor’s Gourmet-Restaurant Schloss Berg happens to be is in a renaissance castle)  and scenic surroundings that I unfortunately did not take time to explore on this visit, but if this is of interest for you, I’d recommend you have a look at Rick Steve‘s article on that region. This trip there was the conclusion of months of been puzzled between Chef Bau‘s restaurant where it is located, and another German 3-star Michelin:  Waldhotel Sonnora‘s restaurant.  Waldhotel Sonnora  was actually my very 1st choice for its more classical cooking,  but since it sounded too remote and way too complicated to get there by train (my only mean of transport during this trip),  I ended opting for Victor Gourmet-Restaurant  Schloss Berg. The thing that attracted me to  both 3-star Michelin restaurants is their  reputation for consistency.  I have rarely sat at a 3-star Michelin with food consistently good from the 1st amuse bouche to the last mignardise, one of the few exceptions being the last meal at L’Ambroisie in Paris, or the last meals at Joel Robuchon’s Hotel du Parc and Fredy Girardet in 1995 (both are now closed, since) where each dish lived up to what I do expect at this level of dining. A suggestion: if you are in Perl Nennig and have hired a car, head to the tiny Luxembourg town of Remich for refuel (it’s at approx 3,4 kms from Nennig). It will be less expensive to refuel there. And Remich is a little town I’d recommend that you visit, especially in summer (it’s lively!).

My take on Chef Bau’s  Victor’s Gourmet-Restaurant Schloss Berg:  Known as one of the most brilliant 3-star Michelin Chefs around the globe, Christian Bau has chosen not to create a restaurant empire like many of his peers. Instead, he prefers perfecting his cooking in the kitchen of his triple-starred Michelin stronghold of Perl-Nennig. An aspect that I  value a lot in a Chef’s philosophy (reminder: on top of being completely independent from anything  related to the restaurant world, I do also insist on mostly dining  at restaurants where you have the actual Chef behind his stoves instead of running after popularity contests and leaving his customers to name bearers). He first earned an initial Michelin star in 1998, followed by a second one in 1999, and was awarded his third in 2005. A third Michelin star that he retains since then.

Many, among some of the connoisseurs of world’s finest tables, argue that the only reason Chef Bau’s restaurant is not a worldwide attraction has got to do with its secluded location (the restaurant is located in the remote German’s Saarland  state, a territory bordering France and Luxembourg). In my opinion, the location  is far from being an issue: it is situated at 30 mins drive from the major urban area of Luxembourg-city.  Those connoisseurs did  also express their dissatisfaction over the fact that Chef Bau’s talent  is not recognized by worldwide restaurant listings like the S Pellegrino’s Top 100 world best dining ventures, an observation to which I’ll append my personal  opinion:

If you play attention at that list, you quickly realize that most of the featuring restaurants are ones that did set  themselves apart by their persistent adoption  of a given culinary trend:  for ie, the molecular movement (Fat Duck, El Bulli, Alinea etc), the ‘rise’ of  bosky cuisine (Noma, for ie), the unique progressive touches of Mugaritz or Quique Da Costa,  the unorthodox style of Iñaki Aizpitarte’s Le Chateaubriand, etc.  But of course, being unique in a daring way does not necessarily mean  being among the best (or does it? I’ll leave this to your discretion), which brings us back to our featuring restaurant review:  Chef Bau is currently not making the headlines of world’s gastronomy perhaps because he is not trying to follow trends for the sake of popularity nor trying to reinvent the wheel, and that did not stop him from being, in facts,  at the very top.  Bau has spent years alongside legendary German Chef Harald Wohlfahrt (perhaps one of the few Chefs that I admire the most, for his amazing food, naturally, but also for one of the most fabulous Chef quotes ‘’Don’t cook out of ambition because this is what your food will taste like’’), prior to his appointment as Chef of Victor’s Gourmet-restaurant Schloss Berg in 1997.

NO PHOTO RESTRICTIONAs/per the house, photo taking is normally forbidden to everyone, normal diners or not. I was fine with that rule, because my point is to experience things the way a normal diner would experience it (this blog sole intent is to share just with close friends and relatives. In the process, I am sharing it with the rest of the web, for just knowledge sharing as the sole motivation). But they told me that on that evening, a bunch of food bloggers and food journalists were paying a visit to them and were allowed to take pics, therefore that restriction was loosened and I could thereore feel free to seize the occasion and take pics of my meal, which I did. I am taking the time to write this because I believe in  ‘honesty” as the first mandatory step of anything we shall aim at.

The  menu:  it is a tasting menu, at the discretion of the Chef,  that they call ‘voyage culinaire” for its international influences.  You can be served   4,  6, 8 or 10 courses , but whatever set of courses you are opting for, they will also offer 8,9 free extra nibbles +  an array of mignardises. And those are outstanding nibbles! This is one of the most affordable 3 Star Michelin tables.

Decor:  Omnipresence of  light warm  tones in an overall decor that is nicely balanced between elements of victorian and contemporary design .  Having myself spent  time studying the influence of colors on a diner’s appetite, that specific aspect naturally caught my attention at this restaurant: whether it  was their intent or not, color psychology is better mastered here than at any other restaurant that comes to mind. A beautiful and smart use of appetizing colors; for ie the light brown  of their wooden floors or the discrete sparse  touches of red  (mini flower pots of gorgeous red roses on the table, on this evening) follow the principle of  the ‘appetizing color’ theme.

Food

I led off with a parade of  bite-size savoury  appetizers that showcased  ingenuity:

As an ie, cornet with   tenderloin, Räucheraalcreme (smoked eel cream ) & chives – finely hand-cut meat to a consistency that’s ideal for tartares, accurate seasoning and mix-ins;  at the art of intensifying taste and flavor, you can’t go wrong when you pair a perfectly conceived beef tartare with the addictive richness of a well composed smoked eel cream. Not to forget  the  elegant and ideal aromatic substitute to onion: the chives. That was naturally eventful and it deserves its full 10/10 marks

-Parmesan crust with yuzu confiture had a  terrific crunchy cheesy appeal marrying perfectly with the yuzu flavor 10/10

The array of  impressive nibbles went on with

– Jabugo Bellota ‘Puro’ (I’m a big fan of this ‘crème de la crème’ well praised ham; the bellota type is truly sublime – As I’ve learned with time, the Spaniards always back buzz with effective accomplishments. Not just blabla and wind just to cash in mileages of advertising non deserved visibility;) atop a flawless and delicious creative risotto-inspired mini ball of rice. 10/10

-Majorcan gamba  with lardo and caviar had an addictive multi-dimensional parade of marine fresh  flavors 10/10

– Crab cracker with hamachi, fennel & apple, green tea biscuit with lobster and kimizu was a show-stopper for its surprising balance of complex  tastes and textures. It showed in terms of “culinary prouesse” the humongous depth of technical mastery of Chef Christian Bau. That depth kept shining throughout the entire meal, a rare occurence at any level of dining. 10/10

-Bio carrot  with yogurt and coriander (the left side photo) was simply startling: I’d not be surprised to learn that  it would be hard  to find a better veloute of carrot than this. The kick of coriander  adding an extra dimension of remarkable tastes. This came along a refined veggie sushi and phenomenal moussy take on carrots 10/10

There was also a plate of 5 creations based on bluefin tuna with Miso, soja and cucumber. It will be hard to put in words the level of impressive successful complexity at play on each of those 5 morsels. Startling! 10/10

Not one single flaw throughout that exposition of superb  mini culinary concoctions. Nine mini courses  before the main dishes arrive, imagine! Generosity is the motto.

The first main course arrived:

A construction around oyster. A succulent lucious and juicy poached oyster was paired with oyster-flavored refined chips, pearl-looking creations  oozing of amazing fresh oysteriness, combava as the citrus enhancer and algae (passe-pierre) for a concerto of pure  palatable amazement . Complex, exciting and so thoughtful 10/10

Sea spider took me by surprise. I expected some kind of tempura sea-spider. The sea spider came as a meaty roll, this was actually reminescent of crab meat imho  but it was sea spider. Part of the appeal of this dish is its clever conceptualization:  you can see   that each item was diligently thought and carefully selected  in relation to the next (I have rarely seen a Chef pairing so flawlessly and excitingly veggies with seafood. It sounds like an easy thing and most of the time it’s a common affair, but the way Chef Bau marries veggies and seafood make them pass as items of the same  species).  The flavour of  the seafood  is maintained in its pure form, its taste as delicate as it should.  He adds lots of  extra textural and taste dimensions to all his dishes (I could count at least 8 different components on that dish) and what turns usually as a big risk in most talented hands  is like a piece of cake for him. To epitomize what I’ve just asserted, a creamy velouté of green veggies poured over this dish tasted like a tantalizing seafood enhancer to the sea spider rather than tasting of some futile veggie cream thrown against seafood. 10/10

The next offering (which I forgot to take a picture of ) was goose liver  from the Landes (au torchon) wrapped by top quality seaweed. I have to admit that I was lucky to have sampled some stunning quality foie gras (duck and sometimes goose as well) in the past (in Quebec, France and in some other countries), but this one has a phenomenal taste that I won’t forget as long as my memory serves me. A modern take on a ragout of mushrooms with a citrusy hint of sudachi (a citrus fruit) complemented the dish. This course  had great finesse with a mouthfeel worthy of superlatives. 10/10

A serving of artichoke from France’s region of Bretagne rose as the epitomy of the perfect artichoke-centric dish: it had jabugo bellota ham , parmesan foam and artichoke root sauce imparting an impressive depth of  enticing flavours to this dish. The care, composition and  cooking mastery  behind this dish were herculean in scope, the presentation immaculate. As with each menu item  that I was served all along this tasting, accurate cooking times were skilfully surveyed and the technique, impeccable. The taste, a pure bliss with each mouthful insisting on the next. 10/10

The next course  exalted by a delicious meaty piece of irreproachable fresh prawn (the Gamberoni was cooked à la plancha and kept its genuine marine flavor). The small green “globes” you see on the picture are made of peas and were packed with unusual exquisite taste.  A cream of Kombuseaweed had impressive taste sensation that stood out in a very distinct way and lightened the dish. Another item that was mingling so well in this successful concerto of tastes and textures was Jasmin rice broth with coconut infusion: it  was a fun and creative take on what looks like rice crispy  but  would then give rice crispy a newly discovered refined state. Here’s a dish that attracts me  towards its creativity.  10/10

A plate of  Atlantic turbot was next.  The fish on its own had perfect flasky consistency and the flesh,  translucent. The exquisite moistness of the fish was superb. It was combined with sweet potato dots, the brilliant addition of a mouth watering gingery sauce, the crunchy nutty dimension of the hazelnuts that was topping the fish.   A sensational culinary creation with ingredients which sourcing is exemplary and perhaps one of my lifetime favourite cosmopolitan dish (there was, once all items were mixed together, a middle Eastern feel to this dish that propulsed me in heaven – literally). Chef Bau count among the exceptional few who can offer some of the most creative and exciting cosmopolitan dishes of our era.  10/10

Bresse-Pigeon from Mieral – This  preparation perfectly accented the natural flavors of the fowl. The pigeon’s meat  retaining its natural ideal dark texture and a meaty juicy  mouthfeel. Delicious pigeon that kept its enjoyable gamey taste vibrant. Another take on this bird also featured on this dish: a perfect pigeon-goose liver flan (you don’t see it on the picture because I ate it way before I thought of taking the picture..Rfaol..) which conception was simply stellar. On the right side of the pic, the little nutty-covered sphere you see was also pigeon’s meat surrounded by hazelnuts (well done). The dots are made of carrot cream (particularly delicious). There was also a jus of smoked tea and spices that — to my surprise — tasted like  the best  match to the meaty fowl. A bit as if I was telling you that a reduction made of smoked tea & spices  &  the meat’s sauce was far tastier and made more sense (in mouth)  than just the meat’s sauce alone. That was the case, here. 10/10

Nebraska beef – This serving  had  lots of flavors imparted into the beef  with the meat  having a  smooth melting texture, cooked equally thoughout,  fully meaty and shining  through pretty well due to non inclusion of  extraneous  ingredients and a judiciousness of the seasoning  that is right on. The sauce is rich and deep, a square of back and short rib (you don’t see it clearly on the picture) was tasty, the Japanese egg plant puree well done, the dots of black garlic adding a nice kick, the overall clever and highly satisfying. 9/10

Champagner Bellini was a collection of sweet creations around peach and  raspberry in various renditions:  sorbet, mousse, a ragout (of peach).  Champagne was additionally poured in the center of the plate. A ravishing dish (really beautiful to espy with its visually pleasant carefully constructed decorative features). Technically, not one single flaw. 9/10

This was the modern and refined take of the kitchen on the theme of a   banana split. The chocolate elements  had the accurate ratio of cream/chocolate and ideal texture (as firm as it should, with a rich  chocolate colour).  The chip of banana was packed with addictive fruity flavor. As with all creations of this kitchen: a lot of work is put in the details, the refinement and the delicious taste. A joyous inspired dessert 9/10

An array of top quality petits fours brought an end to this startling dinner experience. This was  really stunning  food after stunning food and the meal  joins my 1995 dinners at JR and Girardet, 2009 dinner at Pierre Gagnaire (Paris) + 2011 meal at L’Ambroisie in my all time favourite 3 star Michelin dining occurrences

 

Service: It’s amazing to see such a young staff excelling in professionalism and showing such a genuine desire to please their hosts.

Pros: A technically gifted and creative Chef with a vast array of skills. A table of exception where everything is pure exciting perfection. It’s one of those few tables around the world, where I would be tempted to go back again and again. I’ll never be in a position to humanly eat at all existing restaurants in the world, but deep inside of me, if such survey could make sense, this table would get  my vote in the top 5 best restaurants of the globe.  And it’s not even expensive!

Cons: Nothing wrong.

Conclusion: That  was pure genius food. Sure, I love French food and International  cuisine (the cooking, here, is mainly high end Franco-Japanese but you can expect touches from other parts of the world as well) as well so I was seduced, but the real reason I felt for this restaurant lies in Chef Chistian Bau exceptional skills. Many Chefs are scared to go beyond the common boundaries. Or when they do it, it’s usually with inconsistencies. But Chef Bau goes ages ahead, blending an impressive quantity of ingredients with astonishing efficiency.  Bau is a Genius with a big G!

WHAT I THINK MONTHS LATER:  I gathered, from various   emails  received following this review, that some other  restaurants do offer equal cooking performance. When asked what they were, I was in for a surprise: most were tables I  was already familiar with and although offering Modern International cuisine,  the skills of those kitchen brigades never came close to half  of the skills showcased by Chef  Bau.   It was interesting to observe that the Chefs at the restaurants that are supposedly at the same level of  VGSB would do great with 3 to 5  ingredients,  but would perform poorly as soon as they would get to the count of  6 or  7  ingredients on the plate.  In contrast,  Chef Bau could align 8 to 15  elements with stunning precision and harmony as proven on this reported meal.  A reminder   that  what could look similar at first glance do not necessarily have the same depth of mastery behind them.