Posts Tagged ‘3 star michelin’

PG01Event : Lunch at Pierre Gagnaire, Paris
When: Wednesday  November 11th 2015, 12:00
Michelin stars: 3
Addr: 6,rue Balzac, 75008 Paris
URL: http://www.pierre-gagnaire.com/
Phone:  +33 1 58 36 12 50
Type of cuisine: French (classically  French at its core, mostly contemporary in its presentation, at times cosmopolitan  in its work of the flavors, using many  exotical ingredients , though, as it is generally  the case with most 3 star Michelin restaurants in Paris, the kitchen at PG puts the finest produce  from France in the forefront of their cooking).

Rating: Exceptional (10), Excellent (9), Very good (8), Good (7)
Overall food rating: 9.5/10 Creative French cooking of the highest level.  Perhaps the cooking of ex Chefs like Jacques Maximin/Olivier Roellinger, or (more recently) Bernard Pacaud / Alain Passard do fit a bit more with what I’d feel comfortable to rate with a 10/10 at this level of French cuisine as I think that Roellinger, Maximin, Pacaud or Passard would have delivered far more exciting versions of the brunoise of vegetables as well as the cucumber soup —– , and although the “ghocchi” and “Cèpes confits, noix, blette paquet” were excellent at what the kitchen was trying to convey (see their respective reviews below), my gut feeling is that the aforementioned Chefs would have replaced them by food items of assertive flavors pertaining to traditional French cuisine – especially Pacaud and Maximin – which, for my taste, is the only way that this meal at PG could have been bettered  .
Regardless,  that is just a personal impression. What you need to know is that PG kitchen brigade’s is one of world class quality. There were certainly many exceptional dishes as you’ll see in the account below.

Service: 10/10
Overall Dining experience: 9/10 Excellent

I am seizing the opportunity of a short trip to  Paris to eat at a 3 star Michelin table that I haven’t tried for over a decade, Pierre Gagnaire.

 

There is a considerable number of  food items served at Pierre Gagnaire. For example, my   starter (untitled  AUTOMNE) will come in   a series of  starters. The same applies to the   main course and  dessert.

I did opt for the A La Carte menu).

PG02The meal started  with two series  of   nibbles (calamari of superb quality marinated in soya, a brunoise of vegetables in a cold soup of cucumber, the brunoise as well as the cold soup were Ok…but I was disappointed that a kitchen brigade of this quality could not deliver a better version of that amuse bouche –  , some cuttlefish ink’s gelée  of spectacular maritime fragrance and a texture designed by the Greek goddess of beauty, Aphrodite, because it was so  pretty to espy,  a superlative lemon paste, an excellent bisque of crab, and many more items – all of great standard at the exception of the brunoise of vegetables in a cold soup of cucumber).  The lemon paste, in particular, had a dazzling taste  which exciting mouthfeel   is hard to imagine even at this dining level.  All in all, 8/10 for the nibbles. Serious  stuff.

My starter was:

AUTOMNE
IMG_3174Cocotte d’aromatiques dans laquelle on fume quelques instants un gros gnocchi au Laguiole – velouté Vert d’automne, graines et pousses de moutarde – Gnocchi on a bed of vegetables. the gnocchi  having the texture of tofu…but in this case, that is not a bad thing at all. Rather a beautiful touch of creativity. I suspect that it is with items like this that some may perceive such meal as uneven (made of ups and downs) since this is certainly not an item designed to wow, but then that would be a complete misunderstanding of what should be expected here: this is a perfectly well conceived  twist on a  piece of gnocchi served with some steamed  vegetables underneath and it was not of the boring kind (both the vegetables and the special sort of gnocchi had vibrant textures and tasted of what they should).  8/10
PG - NOIX DE RIS DE VEAUNoix de ris de veau laquée d’un suc de carotte à l’argouse, pulpe de reine-claude au tamarin – Caramelized sweetbreads that were a  world away from their  tired looking versions, the meaty consistency successful (just the right moist consistency, not mushy) , the overall taken to an even higher level of amazement due to the addition of the tamarind. A dish that could turn into a flop  in the hands of many  kitchen brigades (from the perspective of someone who has cooked with exotical ingredients while understanding the fundamentals of French cuisine, this  is actually a combination that is logical  , but it is also very easy to misjudge the proper quantity of tamarind needed to make such combination exciting)  even at this level, but here it was a demonstration of what a benchmark example of  tamarind mixed with  sweetbreads can look, smell  and taste like. An excellent way of updating a French classic dish. 10/10
PG-Terrine d’anguille au pavot bleu, céleris branches.Terrine d’anguille au pavot bleu, céleri. Gelée de pain de seigle – Quality eel was succesfully paired with celery and a jelly of rye bread. One  of those items which intent is not to dazzle. The intent behind this dish is  to combine  ingredients that most people would not think successful  as a whole  (eel, celeri, rye bread). I have no problem with this   philosophy but in the hands of the majority of cooks it is either a recipe for disaster or an annoying assembly of  ingredients.  Here, you taste that dish and realize that what you just had is a set of matching elements that simply work  really well against all odds.

Infusion de navet daïkon au vin jaune du Jura, écrevisses pattes rougesInfusion de navet daïkon au vin jaune du Jura, écrevisses pattes rouges, oxalis et feuilles de capucine – Crawfish(boiled), daikon radish, white wine, oxalis, nasturtium leaves.  Dazzling contrast  of flavors (sweet/sour/salty) that is technically hard to get this right even at this level. 10/10

PG2 - cèpes confits, noix, blette paquetCèpes confits, noix, blette paquet – I have oftently read that PG takes risks that do sometimes not pay off. This is one of those dishes that could easily be perceived as unsuccessful. Well, as mentioned elsewhere, I do not agree with the suggestion that PG’s cooking is sometimes off. It may not be to one’s taste, but it is certainly not what I would categorize as occasionally faulty. Take this dish: its effect is basically similar to what you’ll get with a juxtaposition of a layer of custard, mushrooms and nuts. All of great quality, for sure, but potentially boring too…??  Now, what about this being a take on the Japanese  Chawanmushi? Not that boring anymore,hein? lol. There are different versions of the Chawanmushi and this one was extremely subtle flavor-wise (some people may even find it bland, but is is not bland…just full of  very  subtle umami flavors) – a take on a perfectly legit  example of the the Chawanmushi.

The main course I chose was AGNEAU (the lamb):

PG- LambCarré d’agneau de l’Aveyron frotté d’origan – the lamb from Aveyron is known for its quality, and this Carré d’agneau did justice to its reputation. Excellent on all fronts: taste, texture, seasoning. A flawless Carré d’agneau. 9/10

Papillons Noirs, datte medjoul, kinjisoPapillons Noirs, datte medjoul, kinjiso – pasta made of black pudding was shaped as butterflies and was served with a mixture similar to chilli paste but without the distracting piquancy. Date palm was added to the dish. This, for my taste,  was sensational (complex middle eastern flavors,  the date palm  blending excitingly well with the  aforementioned chilli paste-alike mixture). It takes a Chef with an incredible palate to create  dishes of this sort.   10/10

Selle en crépine, carpaccio de betterave rouge, betterave blanche au Roquefort.Selle en crépine, carpaccio de betterave rouge, betterave blanche au Roquefort. – The exceptional  lamb from Aveyron made a second appearance. It was paired with a carpaccio of  superlative beets. 10/10

crumble Vert, ails roses sablés, chorizo, cébetteCrumble vert, ails roses sablés, chorizo, cébette – sauteed cabbage, garlic, chorizo was a classic dish but not of  the tired sort,- extremely flavorful. Another exciting dish. 9/10

Soufflé à la vanille de Tahiti, crème glacée Soufflé à la vanille de Tahiti, crème glacée – Finished my meal with a benchmark vanilla soufflé which depth of flavor can only come from eggs and milk of exceptional quality. 10/10

BISCUIT SOUFFLE - CRUS DE CHOCOLATI was less impressed with the Soufflé of chocolate –  , which although generously portioned  and tasting of top quality chocolate was not as exciting as other Soufflé of chocolate I had at lesser restaurants. 7/10

The mignardises at Pierre Gagnaire were also of great standard.

PROS:  They master the fundamentals of French cooking  in a way that few can pretend to, even by the finest 3 star Michelin French cooking standards. Exciting flavors when they cook or reinterpret French classics (Soufflé à la vanille, Crumble Vert/ails roses sablés/chorizo/cébette, Selle en crépine/carpaccio de betterave rouge/betterave blanche au Roquefort). Then, at times, it is possible that you’ll travel to places where  the flavors are   subtle  (the case of Japan, during this meal), but that does not mean the cooking is off. The journey around the globe took me to the Middle East, too and it was a stopover not to forget (Papillons Noirs, datte medjoul, kinjiso).

CONS: The brunoise of vegetables / soup of cucumber was ordinary –the quality of the  produce was great, for sure, but a brunoise of vegetables should dazzle at this level, a cold soup of cucumber too — and that surprised me given the overall fabulous journey.

PG03Bottom line: The kitchen here is helmed by Chef Michel Nave, a 2004 MOF. As most MOFs from the 1990s/2000s, Chef Nave cooking is deeply rooted in Classic French cuisine (meaning the flavors are generally intense/rich, the meal marked by the expected consommé/veloutés/mousseline/meringue/marmelade), with, of course, its own twists (twists that obviously make their French food look and feel contemporary) . Here at PG, the creativity they are talking about covers non conventional ingredient combination (by French cooking standards, although, in France, nowadays, this  is is not as unusual as it used to be ), executed with a very high level of technique, top notch ingredients and an exceptional sense of  combining unlikely textures/flavors/ingredients  (many kitchen brigades do try to  blend  unlikely textures/flavors…but they are generally just basically assembling ingredients with little interraction between each other).

What I think days later: A true world class food destination with superb French gourmet food  to match. As with plenty of high end French restaurants, nowadays, PG also explores non French flavors, so ensure you are familiar and do appreciate such flavors too.

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Restaurant: Ishikawa
Address: 〒162-0825 東京都新宿区 神楽坂5−37 高村ビル1F
Date and time of the meal: 18/11/2014 17:30
Type of cuisine: Kaiseki
Phone:03-5225-0173
Tabelog: 4.33/5
Michelin stars: 3
URL: http://www.kagurazaka-ishikawa.co.jp/

Ishikawa (1)Kagurazaka Ishikawa is a well known kaiseki house in the area of Shinjuku (Shinjuku is vast, though, so keep in mind that if you stay close to the Shinjuku JR station,  Ishikawa is really NOT in the vincinity….;p). They have been operating for 11 years now. Chef Ishikawa explained that he comes from a part of Japan where the rice is of exceptional quality (yagata?? I am not familiar with Japanese names but it sounded like that), so he plays particular attention to the handling and preparation of  the rice (at a place like Ishikawa, you realize that rice is an ingredient that we, in the West,should  take seriously as great rice is not … just rice, indeed). The service here is world class (couple of waitresses and some few chefs) and the decor tasteful.    I tried to discretely take the pics of my food, discretely I insist  as  Japanese do not like that sort of distraction, especially in such intimate settings (in some of the restaurants that I will visit later on, photo taking is banned— at Ishikawa they are so nice that they won’t tell you anything,  but play close attention at the behavior of the other patrons and you’ll get what I mean ) , so as I usually do, out of respect to the privacy of other diners, I refrained from taking pictures of the room when it was full of patrons.

Ishikawa (2)Kaiseki is my favourite type of Japanese meal for its strong focus on all sorts of seasonal produce. It is also the kind of meal that I do approach with a lot of anxiety (positive / constructive anxiety that is),  because I remember that I, too, come from a country with food of deep and extreme nuances/subtleties/complexity , therefore condemned to be oftenly  mis-interpreted / mis-judged because as diners, we  mostly have no time with how things are supposed to be,  rather interested to expect things to be what we want them to be . I remember, couple of years ago, inviting a long time food journalist/cook/experienced foodie to eat a dish of cassava leaves cooked in coconut milk. A dish of the kind that I like a lot since its description is ordinary, its execution pertains to a totally different registry. In facts, you need to find the proper cassava leaves, cook it for at least 6-7 hrs with the right amount of quality coconut milk (popular in some African cuisines ) and its final taste will depend on your palate and ability to keep enhancing the flavor with as little as coconut milk, water, garlic, onions, salt , your leaves and deep understanding of how fire can impart sublime taste to your food. I ensured that a long time experienced cook, a granny actually, cooked it, because I wanted that friend to start with a version of that dish cooked  by “hands and a palate ” of considerable  experience. That friend/foodie/cook’s verdict on that day was straightfoward: it’s bad, it is just leaves that he  would have boiled, nothing more and that all the attention to details and long time cooking was pure Bullshit. The granny was upset and accused that dude of ignorance.  Both reactions were expected, but  I simply asked my friend to try, as much as he could, to remember that supposedly ‘disgusting taste of simple boiled leaves’ but …since he loves food…. to keep his mind open and give a chance to that dish, wherever he finds it. But more importantly, to do it himself and try replicating that exact memory of taste. 10 years later, this is the dish that my friend admires the most, cooks the most, etc. Of course, this sounds like a fairy tale   — I know, i know …. we are ALL mostly pessimistic by nature,  and tend to be  bored with  nice stories lol — but there’s a reason I brought the “fairy tale” here:  Kaiseki suffers from the same faith…its complexity, its depth, its purpose  is not always  evident, especially for non Japanese palates/tastes.  Even for someone like me who has cooked seriously for almost two decades, and have  studied and practiced a lot with the nuances of Japanese fares for the past 3 years (it was  important for me to spend some time learning/understanding/practicising with one type of cuisine before starting to assess it) , I had to go out of my way in understanding one important element:  the work of the texture and exceptional focus on the details  is for the Japanese leading Chefs far more important than how it is valued elsewhere.

The food report:

Blanched blowfish tossed with Japanese herbs, grated white  radish sauce.  Basically a julienne of  veggies with morsels of blowfish. Tasty, but not a testament to high level kaiseki cooking  ( ordinary for a restaurant of this reputation) as it lacked a sign or two of restaurant quality brilliance (anyone could pull out this sort of ordinary flavors , in an effortlessly way ) . 6/10

Ishikawa (3)

Deep fried shitake mushroom with minced Japanese duck,sliced duck breast, dried shitake mushroom: the quality of both the duck and the mushroom was impressive, but there was more. There was technique (the cooking of both the duck and the mushroom superbly achieved in letting the deep meaty flavor of the duck expressing itself, the mushroom timely roasted so that its earthy flavor is left unaltered while the mushroom is cooked enough and nicely seasoned to spectacular mouthfeel ) and an inspired touch (it is easy to extract decent flavors out of  duck and mushroom, but harder to  get duck and mushroom complementing each other this well. Exciting 10/10

Ishikawa (4)

White miso soup with savory rice cake. The quality of the ingredients continues to be, as I’d expect from a restaurant of this reputation, of the highest order. Such comment also applies to the technical execution of the food: as mastered as it gets ,meaning the balance of flavors is spot on, seasoning judicious (never too salty, never bland). The beauty of great kaiseki cooking is to extract the most out of the least, and that is what they’ve accomplished successfully: deep ,  balanced, delicious  and complex flavors out of a simple rice cake and miso soup. Miso soup is one of those things that escapes attention when done well but which failure you will quickly notice, so it is easy to take such great work of this soup for granted . Excellent Miso soup like this one I was sampling is a rare treat,even in Tokyo, as I came to realise. 9/10

Ishikawa (5)

Sea bream sashimi . I am not too sure what one should expect from seabream. There’s no exceptional seabream flesh, there are just great and bad ones. This was of the great sort. The quality of the seaweed high. As great as ..great fresh seabream flesh tastes.

Ishikawa (6)

Seared Ise Lobster with vinegared soya sauce – quality lobster, one piece served raw (sashimi), the other seared. The quality of an ingredient is always half the battle/ the quality of this lobster was high. There was  a true fresh taste of the sea when eating the raw lobster, which was a reminder that no ordinary lobster was served. Then you had the charcoal grilled piece, which did not fail to remind that quality seafood cooked using a flavor-enhancing cooking method like charcoal grilling does ultimately water the mouth. Delicious as one would expect,the soya sauce is,of course, of the non ordinary sort  8/10

Ishikawa (7)

Charcoal grilled horsehead snapper flavored with salted bonito innards sauce is a technique that I will steal from them as I love charcoal-grilling fish at home (using a hibachi charcoal bbq grill) but I was looking for new ways to enhance the natural flavor of charcoal grilled seafood. Bonito innards sauce is exactly what I was looking for: a distracted palate would think that you’ll get the same palatable impact using just salt .Well,no…there is indeed an impression of  ‘that is easy to replicate’ when flavoring fish with salted  bonito innards sauce, but the level of the  complexity of the resulting flavor is not that easy to emulate. This sauce matched beautifully with the snapper.  Whether it is street food or fine dining, I do not have  unrealistic expectations when it comes  to charcoal grill seafood. I just expect an exceptional understanding of what makes a simple piece of fish ..tasting great! Which is what they did. Superb  9/10

Gluten bread with walnut and dried sea cucumber . The sea cucumber oceanic flavor, striking (in a very very good way). I am usually accused of being very conservative about drying / and or dry-aging seafood, but that is because I find that seafood drying   and/or drying aging is oftently misunderstood (you really need to know which seafood is truely enhanced by such process ). This sea cucumber was timely dried, the exciting mouthfeel and aromas are a testament to its high  quality and this is an instance where drying seafood  adds — rather than substracting — to the pleasure of eating food.  8/10

Ishikawa (8)

Fresh water eel was flawless in all aspects: top quality eel, the tsume sauce highly enjoyable both in texture and taste, the mashed taro packed with vibrant fresh earthy flavors. As it is the case with all the other offerings, the ingredients are complementary BUT in an inspired/thoughtful/witty  way (only the 1st offering tasted and felt like an ordinary assemblage of food items). Flawless. 9/10

Ishikawa (9)

Hot pot of snow crab, tofu and seasonal vegetable. That the ingredients would remain of very high quality was not a surprise anymore,  so it’s in the work of the broth that I had high expectations. They were met: the broth had depth/complexity, its taste exciting.  A world class hot pot, with a benchmark tofu (I am a huge fan of tofu as it is one of those little things that is easy to overlook but that can marvel when executed masterfully ….the tofu,here, impossibly soft, its taste not bold at all and yet so revealing in subtleties) . 10/10

Ishikawa (10)

Steamed rice, seabream paste and pickled vegetables. I won’t rate this dish as my opinion is sadly..biaised.Biaised because the seabream paste was reminescent of our canned tuna in the western world, therefore I am unable to appreciate that seabream paste as I wished … because I can’t genuinely get excited about flavors and texture of this sort. Needless to stress that there is no fault here (it’s one perfect legit version of a  seabream paste), just a clash with a personal perception. What I will do,though,is NOT to overlook the star of this dish, the rice. Again, the Chef seemed to have mentioned Yagata (???) — correct me if I am wrong — as the place of origin of his rice. This, to put it boldly, was spectacular rice with superlative flavor and texture. That he steamed his rice like a master at his craft is not the sole reason behind that incredible bowl of rice  (10/10 for that benchmark rice). At some point, they transformed the dish into their take of the ochazuke dish (combination of green tea/steamed rice) which, on this instance, combined the spectacular rice, a perfect broth, nori, the seabream paste and sesame seeds. The overall was tasty.

Ishikawa (11)

Sweet red beans,Yuzu citrus ager and cream cheese with toasted wafer featured quality red beans which sweetness is not overwhelming but judicious, the yuzu citrus ager flawless in texture and adding necessary acidic balance, the cream cheese is a far better version of the standard cream cheese as its soft consistency coupled with superb lactic mouthfeel did stole the show . It is easy to overlook simple ingredients like those (red beans, cream cheese) as  they are oftently taken for granted, therefore we tend to be uninvolved when we use them. This dessert was a reminder that doing so (underestimating such humble/common   ingredients) is a mistake as cream cheese/red beans/yuzu citrus ager  done this well and tasting this good can be exciting.   8/10

Overall food rating: 8/10 (Category: top tier Kaiseki in  Tokyo)  Kaiseki cuisine (in this case, Chef Ishikawa’s take on it) is very simple in appearance, thefore it can sometimes  gives the wrong impression  that it is hard to get excited about,  but  its  subtleties can  reveal a lot more than what its first impressions may suggest. Ishikawa was about that, and much more: great service , a sense of place, ingredients of the highest quality and more importantly …. a great sense of taste. Ishikawa has an understanding of flavor combination that floats my boat (always that little inspired touch that imparts either surprise or joy in mouth,for eg the rice cake of the miso soup –not the classic texture of rice cake, rather a texture close to marshmallow and it happened to be more effective than the other sorts of rice cakes in its intent to surprise/please. Or a zest of orange skin that tentalized and added a thoughtful kick to the snow crab’s broth ). I loved Ishikawa.

What I think weeks later: That rice, that rice …I do not know if their rice is always that stellar, but the one I was having was like no other rice.

Event: Lunch at restaurant Le Louis XV, Monte Carlo
When: Saturday September 21 2013, 12:15
Michelin stars: 3
Type of cuisine:  Haute Classic  Provençale (with North Italian touches)
Addr: Hôtel de Paris, Place du Casino, MC 98000 Principauté de Monaco
Phone: +377 98 06 88 64
Url: http://www.alain-ducasse.com/en/restaurant/le-louis-xv-alain-ducasse

ImageI am a bit busy with other things, so sorry for keeping this brief. In a nutshell: I went back to two old personal favourites that I have not visited for many years, 3 star Michelin L’Arpège in Paris ( reviewed here) as well as 3 Star Michelin Le Louis XV in Monte Carlo (current review).

I was with my wife, so the report will  benefit from  the better pictures (than those of my humble pocket camera) of her more sophisticated camera as well as her additional views. Please find below the usual ‘Pros’, ‘Cons’, Overall ‘food’ and ‘service’ scores.  A month after my meals, I always add  a ‘What I think a month later’ section  that you’ll see completely at the bottom of each of my reviews, so that you’ll get a feel of how my perception of my meal has evolved in time.

ImageThe meal started with their long time offering of crudités (carrots, celery, radish, etc),  typical of  the region as it could remind a bit  of nearby  Nice’s raw vegetables served with an accompaniment of sauce (Nice’s bagna caùda). A fun idea, I have to give that to them, since it showcases the vegetables of the region, but this kind of serving  really shines if the vegetables are going beyond the ordinary: those were as good as any celery or carrot or radish I was sampling all along my stay on the French Riviera.  But the dip  (made of olives and egg, emulsified with oil like a mayonnaise) was a benchmark of its kind, with glamourous texture and a depth of  taste as rich  and as exciting in mouth as it gets. I do not know if that was wowness..I just know that you won’t easily find dips of this level.  It’s for creations of this kind that I go to restaurants.

ImageThey are known for their lovely bread offerings, of which I picked a pain baguette (Yep, I am a huge fan of Pains Baguettes, and do expect them to be at their best on the  grand  tables of France  and this one was no exception  as they have baked an excellent one by the finest artisan Boulanger standards that I am used to, in France 9/10), and tomato bread (7/10 too salty to be enjoyable and the tomato flavor was not as stunning I would have liked).

ImageVelouté rafraichi de courgette trompette, homard bleu court-bouillonné, caillé de brebis – A cold velouté of courgette trompette  (courgette trompette is a type of squash), adorned with a piece of boiled lobster and sheep’s curd. Delicious idea as I have   sampled many exciting versions of this kind of velouté mixed with sheep’s curd, but this dish, although well done as expected at this level of dining, had flavors too discrete  (the velouté, the sheep’s curd, and even the lobster) to make any great impression, for me. The velouté itself would benefit from a richer taste, the sheep’s curd from more expressive milky flavor. Both my wife and I thought that it was designed to not shock ( for eg, the lobster had no aggressive marine robustness so that it harmoniously complements the mild tasting velouté and  sheep’s curd) with strong flavors so that it  reaches out to the most. We respect the harmoniously calibrated flavors but had no fun.  I am not asking for the moon, and do remain very realistic, trust me, …couple of days before, in nearby Nice, a simple bistrot like Bistrot D’Antoine blew me away with food as simple as this.    6/10

ImageCookpot de petit épautre, girolles et jeunes légumes – Cookpot of tiny spelt, girolle mushrooms,  vegetables (radish, artichoke, carrots). It was cooked in a stock of carrots and parsley, some barley added to the mix. Nice sweet/salty sensation, but dishes cooked this traditional way do usually deliver lingering aromas that I failed to enjoy with this serving. For example, parsley and carrots express themselves beautifully using pot cooking techniques, but on this dish  they ended being discrete to my palate.  Again, another classic dish executed properly (there won’t be any technical fault to be noticed here), but a dish like this should be an opportunity for its ingredients to express their deep natural aromas.  6/10

ImageLoup de la méditérannée (seabass) en filet piqué d’Olives, garniture et bouillon d’un minestrone, basilic pilé au mortier – Tasty fish, cooked properly (seasoned carefully, absolutely no reproach about the doneness, temperature) , fleshy as it should and served with carrots, celery,  white beans. 7/10

ImagePoitrine de Pigeonneau des Alpes de haute Provence, foie gras de canard, pommes de terre nouvelles sur la braise, jus gouteux aux abats – The squab successfully rosy, but its taste not as deep  and as exciting as the one I had couple of days before  at L’Arpège. It came with a nicely plump piece of seared foie gras, precisely seared with good grill  marks, but I found it lacking of the full liver flavor of some of its exciting versions. Again, no reproach for the cooking and the quality of the ingredients is great, but such classic dish can and should excite in mouth, which was not the case for me.  6/10

ImageThen the generous cart of top quality cheese – France’s finest tables have that big pressure of having to offer cheeses of world class standard, and Louis XV’s cheese cart is an examplary one. All cheeses sampled showcased respective textures, tastes and body that were  in their prime state. France’s highly regarded cheese-maturer Bernard Antony had his widely praised aged comté available and it is admirable to see how the folks at le Louis XV did justice to his famous cheese with remarkable storage technique and care,   all features that sound simple in theory but that seem to fail in the hands of even very ambitious tables. The piece of comté, I was sampling, evolving onto  expected toasty hazelnut aromas, subtle grassy and toffee notes progressively complementing the rich and complex intensity of the  flavours. This was, in regard to what is expected at its age (3 yrs) , a superb  sample of the comté.  We’ve also enjoyed some superb Fourme d’ ambert, Camembert Jort lait cru as well as  some nearby goat cheeses (which names I forgot since this  was my first time trying them), all cheeses of benchmark mention.

Many years after being blown away by their classic desserts of Baba au Rhum and  Le Louis XV au croustillant de pralin , I did not bother perusing the dessert menu and ordered the two items. My wife (her first time at le Louis XV) does not like Baba au Rhum and she went with a soufflé of apricot.

ImageBaba au Rhum –  Le Louis XV’s version of the Baba au rhum has always been, with regards to the finest ones I had in France (being French, those found in France have naturally   been those I  am the most familiar with, and I won’t hide the fact that I prefer them to any of their other European versions), one personal favourite. It remains as great as the first one I had  here, in 1990, with flawless yeast raised dough, delicate spongy texture, the golden color superbly achieved. In typical Louis XV style, the presentation is an elegant piece of theater with several choices of top quality rhum to chose from, the cake offered in a golden dome . There is no expectations to have over a baba au rhum, a baba au rhum  is a baba au rhum, not an exploration of the moon, but this one remains a benchmark of its kind. 10/10

ImageLouis XV au croustillant de pralin–  A hazelnut biscuit wrapped in  a ganache of dark chocolate. Alain Ducasse’s famous refined take (sort of ) on a chocolate crispy brunch bar. The ganache  having  smooth glamourous texture showcasing great precision from the pastry team, and  the hazelnut mousse airy texture as enticing as I remember it from last time (they do not have the same Pastry Chef as on my last visit, here).  An  8/10 this time.

ImageSoufflé d’Abricot –  Properly risen soufflé, but the sourness should have been better controlled (that was way too strong for the soufflé to be enjoyable ). 7/10 as/per my wife, a score that I share ….. but come to think about it, I’d not be surprised to learn that that bold  sourness is perhaps appreciated by many people. We both are just not  fans of big  sour flavor in soufflés.

ImageChocolate, petits fours  –  This is to be taken with a grain of salt since there’s definitely no matter of serious displeasure here, but I found the chocolate offering, although of   good quality as you might expect from such place, to still not reach the heights it could have in the hands of an exceptional artisan chocolatier, to take an  example. I gather this is  real nitpicking, that it is a restaurant, not a chocolatier,  and it would be stupid to put down the overall appreciation of my meal on the pretext of such observation, but there are couple of 3 star Michelin destinations – even in the US for example, let alone throughout Europe – that are offering a better variety of chocolate closer to what I am referring to.  7/10 for the chocolate (in view of  what I am expecting at this level of dining), but in total fairness, there’s really few 3 stars offering the type of outstanding chocolate  of the level of an exceptional artisan chocolatier. The mignardises left me with almost similar  impression:  good execution and tasting fine of course, but not of the level of, say, the outstanding petits fours I once had at Pacaud’s L’Ambroisie (where concentration of flavor, stunning taste and glamourous definition of textures rivaled each other). It is all in the details, I know, and that is why top dining destinations like Le Louis XV do exist: for the  opportunity to go deep into the details of a stellar dining experience. 8/10 for the petits fours (again, in comparison to what I am used to at this standard of dining).

PROS : One of world’s most richly decorated dining rooms, sublime service, the lovely  experience of being there.  The Baba. The benchmark cheeses.

CONS :  I miss a more personal and authoritative cooking imprint  like I  have sometimes enjoyed from Chefs like Bernard Pacaud, Maximin or Roellinger,  and  at numerous  humble eateries all along the Mediterranean coast, or even here, years ago,  under Cerutti.

Overall food performance: 7/10    Good and properly executed cuisine for this  genre (Classic French/Med), the Ducasse philosophy applied as far as keeping the fares simple and respectful of the ingredients, but this is my favourite type of cooking, so I know well what I need to expect from it, which is deeper expression of the flavors (exactly as many restaurants manage to do with classic cooking of this sort on the Italian riviera or  as Chef Cerrutti  actually did when I was here many years ago)  and that is where I was a bit less impressed. And No, it’s not a case where ‘’my palate may have evolved since that time, so perhaps my expectations are not realistic anymore’’’  (such theory would make no sense: I have just re-visited L’Arpège  after almost the same amount of years of no-show and was still blown away by the fabulous taste of some of their creations).  All in all, my general impression of the  savouries matches an overall score  of  6/10, which is good enough, though not great,  but I found that the pastry team did quite a remarkable job (I was very impressed with the Baba au rhum being as stellar as  over a decade ago, perfected and so delicious, and despite the way-too-sour soufflé and my severe observations on the mignardises, this pastry team has the solid and reliable skills expected at this level) to deserve an extra point for their performance, which justifies the overall  food performance score of 7/10.  That said, it’s hard to reach a wide conscensus with what I am looking for in this type of cuisine, so I can understand why the focus is on flavors that can be acceptable to  the most.

Service: 10/10  They know with whom they can be a bit more formal or casual, while always offering the highest standards of hospitality and being professional. They litterally read in your mind, Lol. A great example of this is when my wife (really not a fan of this kind of grand luxury setting)  revealed to me that upon entering the restaurant she was afraid to feel out of place, but that the behaviour of the staff gave the impression that she was at home, only the decor was far more elegant and she was pampered like a queen, Lol. Everything, in the end, looked normal to her, which says a lot about the genuine effort of this team to adapt to its guests  in a customized manner. I am sure if I’d gracefully ask them to stop holding the chair for me when I return to my table  (I come from an intellectual background that prohibits  admiration for that sort of royal treatment…but of course, I was there dining, having fun, so I was not going to stop them from doing what they are supposed to do ), they’d oblige. Such  is the impression I got: the customer first and foremost  as  they seem to be genuinely opened to whatever may satisfy.

Décor:  Belle époque grandeur, Christofle gold flatware, marble, chandeliers, trolley of bread, trolley of cheese, trolley of herbal teas. I love old world interior designs and architectures, so seating there and admiring this opulent décor was naturally a feast for my eyes.

CLOUIS XV, MONTE CARLO - SEPTEMBER 21ST 2013 - YOUR HUMBLE HOSTonclusion: I may not have been floored by the overall food performance on this specific lunch (remember, nothing was wrong with the food, it is just that I tend to be partial to strong /bold/eventful  flavors like those found in the dip of the crudités or while enjoying my baba au rhum ) , but Le Louis XV is a  dining experience of superlative attributes (stunning decor, world class service, cheeses of the highest standards , choices of wines that will please the most demanding wine lovers and I can go on and on with the qualities).

Added in Oct 2013 – What I think a month later:  Hard to not like le Louis XV, it’s packed with so much charms, so many qualities and it’s an incredibly beautiful restaurant.  And yes, the experience of being there remains second to none!  And hey, it’s the Mediterranean coast, the sun, the amazing views.  It’s also one of the rare places in the world where you can feel the genuine interest of the staff to always improve and please their guests, and they take criticisms really well. They take nothing for granted, which is an extraordinary feature and one that can’t be said of plenty of  restaurants around the globe. Now this: when that velouté arrived at our  table,  my wife  had this to say ‘ah, a velouté, you can’t go wrong with that, this dish will be very flavorful, there is no doubt about this”, to which I added ‘we can’t go wrong with the rest of this  meal neither…look, some sheep’s curd,  vegetable cookpot…obvious signs of deep joyous flavors…’, then we started eating and were both really surprised that the flavors were this discrete. Both my wife and I are not the kind of persons who will look down on what the most do take for granted, so we both do believe that greatness can be achieved with even the simplest food items, we both are opened to the idea that a simple velouté can be stellar even if it’s tough to make a bad one, therefore  this is not a case where the diner attended a meal with the  wrong expectations.  To the contrary,  we are sold to / and are very familiar with classic cooking of this sort and we are not the kind to attend a classical meal with  visions of modern cooking in mind. It’s not even as if we could not  figure out perfect scores for this type of classic cooking neither: I have just (couple of days prior to this meal at le Louis XV) rated  plenty of classic French bistrot  dishes with 10/10 scores, such as the lobster bisque at Bistrot D’Antoine (Nice), the Riz au lait  at Le Casse Noix (Paris), let alone the instances when I’ve never hesitated to score a simple crème brulée with a 10/10 (if it ranks among the finest I ever had, why not? Being simple and classic does not mean that a dish is condemned to be average!). What’s more classic French than those dishes?? And I am French, grew up and spent half of my life in France, so lobster bisque, riz au lait, crème caramel have been for me what a hamburger is to an American. It’s not even the fact that I can’t figure a way to assign a perfect score to classic dishes or meals at the highest  levels of Michelin star standards since I had many meals from Chefs like Jacques Maximin, Olivier Roellinger, Christian Constant, Gerard Besson that I scored with a 10.  Most, if not all of them, not behind the stoves anymore but  within the past recent two years, I still have not lost my ability to keep scoring highly anything that stands out and that is classic haute French or Italian (since the cooking at Le Louis XV is inspired by both type of cuisines):  a  score of  10/10 for a classic meal at Pacaud’s L’Ambroisie, some few 10/10 dishes at  Il Luogo di Aimo e Nadia in Milan (classic), a classic Ravioli di Faraona – Guinea fowl ravioli at Dal Pescatore in Canneto sull’Oglio, and actually, right here at le Louis XV, a classic dessert like the Baba au rhum. I took the time to write all of that as a reminder that this is an instance where the kitchen was booting with an advantage: they had the diners on their side. Later on, someone who knows Le Louis XV told me that he is certain that the less expensive menus would have fared better.  Perhaps, since it is true that sometimes you have  kitchen brigades  that seem stronger on some of their menus, but again, sheep’s curd, cookpot cooking, those are known notions of flavor enhancement.  So impart  more  zing in those savouries (like when Frank Cerutti was in that kitchen; nowadays he is still around in his role of supervising Alain Ducasse’s restaurants in Monaco, while Dominique Lory is the current Chef at le Louis XV) and I’ll be a happy camper, because on the food department, there are highlights that few restaurants around the globe do this well (for eg, that Baba au rhum. If you ever think that it is not rocket science to find a Baba done this well, then  think twice! — For many ppl, the best of the Classic desserts of Alain Ducasse is the croustillant de pralin. To me, it’s the Baba).

Restaurant L’Arpège
Type of Cuisine: French (Alain Passard’s own interpreted classic French cuisine)
Michelin Stars: 3
Event: Lunch on Tuesday September 17th 2013, 12:30
Addr:  84 Rue de Varenne  75007 Paris, France
Phone: 01 47 05 09 06
URL:  http://www.alain-passard.com

Before getting to the point, just a quick overview of some of the latest main changes in France’s restaurant scene:  as most know, Yannick Alléno has left Le Meurice (this was not a surprise since it was no secret that Chef Alléno was  looking for some new challenge).  It will be interesting to see if  Le Meurice will keep its 3 stars when next year’s Michelin stars will be published (though, according to Gilles Pudlowski, Le Meurice will benefit from Alain Ducasse’s association — click here for that article) . Not that I will miss Yannick Alléno (I am not a big fan of Chef Yannick Alléno), but he at least has proven to be capable of  pulling off   proper French haute 3 star Michelin standards . The legendary Marc Veyrat, a chef that I never had the chance to get to know, made a comeback (See Gilles Pudlowski’s article on the return of Chef Veyrat).

In an article of  Le Figaro about the 2013 Michelin stars of France, the article can be found here, my attention went to a comment from Cath98.  She writes about the elitism of most of those Michelin star Chefs, which is actually not the reason I mention her comment here (people  always think that what others do wrong is  elitism/bad/etc,  then when they  get to replace the wrong ones,  they inevitably end up doing the same thing… but done differently..lol…one elite is always replaced by another..elite,…if you have hard time getting this, think of Fidel Castro –he was reproaching Battista to stick to power..humm….. ). What I found interesting though is her comment about the militant-less attitude of most of those big Chefs.  She is absolutely right: how on earth, do you rise to such heights and have just the average BS speech about terroir/local produce  to content yourself with? I am all for the terroir, have fought for it since my tender age, but we all got this one  by now! In the UK, a chef like  Gordon Ramsay fights for wise fishing (ref: his actions against abusive shark consumption).  So, Michelin star Chefs, especially in France:  ” au violon,  il est temps de jouer  d’autres airs …svp“”!

One last note in the “off-record’ section of this post:  I need to drop a few lines  on one of the best interviews a Chef ever offered:  it is one that Chef Guy Savoy had with Agents d’entretien. You can find that interview here. Guy Savoy has always been a first rate human being, the Mahatma Ghandi of the stoves, a monument of positive vibes  and that review will inspire many, not only those interested in food.

Paris remains one of world’s REAL finest gourmand destinations, indeed – With the incredible exciting gourmand destinations like San Sebastian, Barcelona, San Francisco,  Madrid, Rome, Tokyo, London, Hong Kong,  stunning non upscale food that can be found in Ecuador, Taiwan, Malaysia,  I was starting to fear that my dear Paris just could not handle a candle anymore to its world gourmand competitors.  But the 4 recent visits here is re-assuring:  for sure, if you do no search at all and simply push open the door of whatever eatery you find on your way, you will inevitably be disappointed. Do not forget: this is one of the most visited cities of the globe, so fake cooks abound to grab their  share of the cake.  On the other hand, Paris finest eateries  easily justify  the position of Paris as still a REAL world gourmet destination, and I’ll name a few that have absolutely seduced me recently, on my 2,3 recent visits to Paris:  La Table D’Aki (Chef Aki was the fish cook at 3 star Michelin L’Ambroisie for the past 20 years. He now has his own fish-centric bistrot where the technique remains 3 stars for anyone seriously familiar with the matter, the setting is of the bistrot type and I find the price reasonable given both the quality of the produce and skills . This, for me, along with Bistrot La Marine in Cagnes sur Mer,  is currently the idea of what I have of a #1  seafood French classic bistrot anywhere around the globe), Officina Schenatti (one of the finest Italian bistrots outside of Italy. No surprise here: Chef Ivan Schenatti has been, for a long time, the mastermind behind Emporio Armani’s haute dining. He now has has his own little bistrot with bona fide skills oozing where it should: in the plates. To continue with  the theme of the great Chefs who are enoughly humble and respect their  customers (they are the few remaining GREAT ones who are found where they are expected: in their kitchen  instead of showing off  huge ego by delegating their incapacity to work seriously to name bearers),  I’ll drop a word on the very popular  L’Ami Jean: there is nothing like this anyhwhere else around the globe. YES, it is full of tourists, barely no locals. But who cares?? It is the food, ….! Rfaol! I love Chef Stéphane Jégo rustic food, because when his rustic rich French basque-inspire food is in its prime (not always, based on my experiences there) , it is divinely delicious. That is all that counts for me. The hordes of tourists have obviously got it. And locals do not flock here because it is a bit too $$$ for most French.  I am no exception: it is $$  for  me too, but I’d rather wait and spare a bit of money, eat a great rustic bistrot  meal here, once in a long while,  rather than attending  several  laughable attempts at what a bistrot might be.   L’Ami Jean has its drawbacks and they need to be repeated to anyone that does not know this: it is cramped, it is noisy, it is not the best place for a romantic meal. But I love it!   Another keepers: Restaurant Kei as well as Le Sergent recruteur .   I should not hijack this article on L’Arpège to those findings, but to be brief, other findings that make of Paris one of world’s very best:  Sola (A 1 star Michelin that would be 2 or 3 anywhere else; needless to add more. But what a gem of world class Japanese/French cooking and there is more to this place), the Pithivier of Eric Briffard at Le Cinq (Le Cinq is a real 3 star Michelin that has officially just 2 stars) , the Lièvre à la royale of Pierre Gagnaire/Senderens  (remember:  the best of French classic food being rich by nature, it shines in its full glory during game season).  Nah, you won’t find anything close to those anywhere else.  Last but not least, one of world’s current most talent Chefs, David Toutain, seem to be interested by a return on the food scene.

ARPEGE, PARIS (1)Back to my homeland (France) re-visiting L’Arpège (4th visit only in 15 years),  as well as another 3 star Michelin place that was reviewed later, le Louis XV.

The importance of the ‘gesture’ (IOTG) in cooking has long been pioneered by Chef Alain Passard (no need to introduce Chef Passard, which second grand passions are music and arts/  just google his name and you’ll have plenty of infos on one of France’s most celebrated Chef, whose restaurant L’Arpège – named after the musical technique called arpeggio — has kept its 3 Michelin stars since 1996). What passes as pure BS for plenty of lesser cooks, oftently because they just can’t bother understanding its deep meaning,  is actually one of the most important concepts in cooking: like it or not, the eye, the touch, the feel, the smell  set apart the better Chefs from the lesser ones. Many will tell you that they know all of that, alas few do really have the right eye/feel/smell and touch (which obviously explains why most restaurants have average cooks) and it’s easy, given that you are interested in such details (which I hope you do if you decided to take a chance on such pricey meals) , to perceive a developed sense of those matters:  the end result will always end up as inspired (or not)  as the care and deep ability of its creator to feel/touch/smell her/his produce. Fan or not of Alain Passard, there’s one thing you can’t reproach him:  he is one of the few who genuinely walked the walk when it comes to the subject of the ‘importance of the gesture’ (The IOTG).

Chef Passard,  with whom my interractions have always been limited to a simply ‘hello Chef’ when he tours the dining room, is a Chef that I have read a lot about.  But if I was a journalist,  I would have some interesting material to cover with him. His genuine passion for vegetables is not just another refrain recited by yet another Chef.  But it’s his views on the IOTG that has always caught my attention.  Of course,  parts of his views on the IOTG can be better understood by himself only:   as an example, the way he moves his hands, the importance of the notion of distance in his movements, those are elements no one else than  himself can really apply. But the IOTG is behind everything you want to do properly: take a tennis player for example. The way he/she moves his/her legs, the way he/she moves her/his arms, therefore the gesture,  plays a significant role in his/her attitude, therefore his/her  game.  Same logic applies to food: the way you cut your meat, carefully or nervously, the way you pick that carrot, carefully or carelessly, the way you cook your food, patiently or hastily, will of course always affect the end result. There is a reason,  in spite of nowadays need for speed, that I still insist on spending time with long hours of carefully slow cooking.

The IOTG goes beyond the ability of  feeling/smelling and having a great eye (essential for a real Chef) for your produce. You need, of course, to also understand the interaction between nature and the produce, you need to deeply understand how one specific ingredient reacts to an array of cooking techniques and temperatures. You need to understand the steps of the evolution of each single vegetable and fruit. You need to do the samething with meats, poultry, fish, etc. You need, and that is essential, to have memory of the flavors that were created before you. Or else, what are you really carrying on? What are you really improving upon? What can you be proud of if there’s nothing you can  refer to ? All things that everyone seems to take for granted, but how many have REALLY proven to be capable of mastering those. How many  cooks have bothered spending their time understanding and mastering the tastes of yesterday? How many really know, master and can reproduce the various traditional versions of a  Lièvre à la Royale?  How many are actually..real CHEFS, present for real in their kitchen? REAL great Chefs are  rare nowadays and we obviously see why.

The reason of the  previous paragraphs is to explain why I keep going back to L’Arpège. Alain Passard is there in his restaurant, away from the syndrome of the fake cooks parading on TV. And he did and still do something simply amazing (again, my admiration for Chef passard has nothing to do with my appreciation of my meals here. I had great as well as less impressive meals here, as anyone can have great and less impressive ones at their favourite restaurants) : applying himself to transmit the real taste of yesterday to his brigade, then building  — on that memory of taste – the creations of today. And they are doing it in an unusual way, their own way. Passard calling it his ‘cuisine légumière’ (they focus more on their work of the veggies than the average restaurants, with the veggies oftently the star, veggies that come directly from his own farms, the poultry or the seafood their equal, in contrast of the big majority of tables where the veggie is usually an afterthought, its presence serving as an accoutrement . Others have called it peasant food (for its mostly bold presentations and pure unfussy flavors) . Call it the way you want, but it is a ‘cuisine  d’auteur’ in which the brigade tries its best to interpret Alain Passard’s soulful vision of classic French cuisine. My admiration for Chef Passard has of course nothing to do with the appreciation of his food (Passard or not, if I value a food item as great or bad, I’ll point it out regardless of who cooked it), it has more to do with the fact that he is among those very few Chefs who are excelling at bridging the past with the present. They have that incredible ability to communicate the ‘uncommunicable”: memory of taste. Last summer, in Milan, I stumble upon another great Chef of this standing: Chef Aimo Moroni. I was impressed to see how Chef Moroni managed to embark his younger Chefs in a genuine mastery of the flavors of ‘yestergenerations’. Which inevitably allows a cuisine that transcends time.  There are less and less of them, those real great Chefs, and they are the last chance for the next generation of cooks to become REAL great Chefs.

THE MEAL

Before the usual vegetable tartlets, the kitchen served a feuilleté of vegetables. A feuilleté with superb airy texture and sublime buttery taste. Carrots,thyme and peppers were the star veggies of that feuilleté.

ARPEGE, PARIS - SUSHI LEGUMIER

Then sushi legumier (sushi of beet ). If you are going to make sushi crumbles  easily like this, better do something else.

ARPEGE, PARIS - OEUF EN COQUE

The serving of amuse bouches continued: Coquetier  liqueur d’érable  (a tiny egg shell filled with a creamy  mix of Xérès vinegar, egg yolk, maple liquor)   sounds way more interesting than what it tasted since  It was dominated  by a  vinegary taste that  overpowered  the best component of  that amuse, the egg yolk. Fresh egg yolk of stunning quality does not need the distraction of superfluous strong vinegar taste. Maple liquor..why not? but the kitchen took no advantage of that component neither, the liquor adding nothing  discernible here. My wife commented that ‘any Oeuf en coque that is this tiny …boots with a visual disadvantage…a sizeable egg opens the appetite ‘. Indeed, it was a tiny egg

ARPEGE, PARIS - VEGETABLE TARTLETS

Seems like the amuse-bouches had no intent to amuse on this lunch: the celebrated vegetable tartlets (filling of mousses of various seasonal vegetables) looking big on photos, but disappointingly minuscule in reality (I appreciate delicate creations…but not to the point of not being able to discern anything) , so tiny (about the size of our Canadian penny, no more than 20mm in diameter) that it was hard to properly enjoy their taste and make an opinion about them.  Even upon deploying tremendous efforts to focus on whatever discernible flavor that was  left, they tasted nothing special as far  as I am concerned. The level of those  amuse-bouches we were sampling on this lunch was weak ( 4/10 for the amuse-bouches)

ARPEGE, PARIS - TOMATES, HUILE DE SUREAU

Then carpaccio of tomato/ huile de sureau.  Finally a dish showcasing  Passard’s cooking philosophy, the one that appealed to me for its  ability to extract the most out of the least. This dish did just that: stellar tomato taste with exciting seasoning (huile de sureau).  9/10

ARPEGE, PARIS - GAZPACHO

Gazpacho de tomate, creme glacée moutarde is an example of creativity (rework of the gazpacho) paired with amazing deliciousness. Not many great kitchens can extract this much excitement from a gazpacho. The mustard ice cream adding incredible depth of flavour, but what amazed me with this dish is that many can copy it, but I doubt that the perfected textures and work of the taste can be reproduced even by the most skilled brigades.  For what it is (a creative gazpacho), this dish is of benchmark material. 10/10

ARPEGE, PARIS - RAVIOLES POTAGERES

Then, their legendary fines ravioles potageres. I read about comparisons with Chinese wonton soups, but  If you cook  both versions (Passard’s recipe is easy to find online) you will quickly realize that they have nothing in common apart the fact that they are boiled pastas. The ultra refined al dente pasta (another thing that you’ll realize when trying to replicate  this recipe is the amount of patience and long practice that is needed, even by professional cooks, to get to this level of precise refinement of both the stock and the texture of the pasta ) is a work of world class precision, and again that is what I call fabulous creativity (not many kitchen brigades would think about proposing ravioles the way they are doing it). The pastas were stuffed with seasonal vegetables, the one with beets tasting really of beets…but the others we were trying could have been whatever vegetable we would want them to be and it would not matter because they had no distinct taste. Furthermore, the taste of the broth (parfum de Melisse, on this instance) was one of such aggressive minerality (like a tisane high on mineral aromas, which means not a pleasant tisane) that I found this dish hard to enjoy. 5/10 (Still, keep in mind that this broth and the content of the ravioles varies a lot depending on the seasons, so there are chances you’ll stumble upon far more enjoyable ones).

ARPEGE, PARIS - AIGUILLETTE DE HOMARD

Aiguillette de homard bleu nuit acidulé au miel nouveau, transparence de navet globe au romarin –  For my taste, most boiled lobsters (this one was boiled), as great as they might be,  can’t hold a candle to the finest grilled ones (for palatable impact) and sweetness (the lobster was slightly honey-flavored) to seafood dish is just another road block on my way to enjoy the marine freshness of the lobster. It was cooked right, as evidenced by the tender flesh of the lobster, but exciting this was not  6/10

ARPEGE, PARIS - SOLE

Sole poached in vin jaune was delicious and its cooking without reproach, the accompanying pieces of octopus not startling, but properly tenderized. 7/10 for the fish (it came with nicely smoked potatoes, chives and cabbage)

ARPEGE, PARIS - CORN RISOTTO

Corn risotto/parsley emulsion is the kind of dish that many ambitious tables will take for granted because it looks simple  and sounds easy to create, but the reality might tell a different story: the stunning corn flavor was enhanced by a balanced and addictive creamy-ness that you can’t just provoke by adding cream to corn. I love this kind of dish since it  lures  into believing that you can replicate it. Yes, anyone can re-create this recipe, but few will be able to replicate the exact depth of eventful flavors of this dish.  Inspired!  10/10

ARPEGE, PARIS - Robe des champs Arlequin a l'huile d'argan

Robe des champs Arlequin à l’huile d’argan, merguez légumière, aubergine d’autrefois, courgette ronde de Nice, carotte white satin is a creatively constructed dish of  semolina, vegetables (beets, tomatoes,carrots), vegetable sausage….  but I was disappointed by a dry vegetable sausage that was oddly sweet and salty in a non appetizing way. The bitterness of the rest of that dish was the other major problem. Not a pleasant dish at all, for me and my wife was even more critical of that dish . 0/10

ARPEGE, PARIS - AGNEAU

Things then took the direction of the finer dishes of this meal: my wife’s T-bone d’agneau de Lozère aux feuilles de figuier, aubergine à la flamme (roasted T-bone of lamb — the image on the left or above, depending on your web browser’s display settings) would be a crowd pleaser at a world class steakhouse (fabulous taste) and my piece of pigeon/cardamom was a benchmark beautifully rosy (ideal doneness) bird with exciting taste. 8/10 for the lamb, 10/10 for the pigeon, but scores will never be high enough to convey the real great pleasure that my wife and I were having with both the lamb and pigeon. Exciting. Also, ppl talk a lot about the beautiful  dishes at l’Arpege, and we were eyeing at an example of just that: the way my wife’s dish was constructed was of unusual  supreme visual appeal  (hard to tell  when looking at that pic, but definitely easy on the eyes in reality).

ARPEGE, PARIS - PIGEON

The pigeon came with white beans that had such an amazing  mid eastern flavour profile.

ARPEGE, PARIS - VELOUTÉ

Red pepper velouté was another benchmark offering of its kind, with superb creamy texture, joyous mouthfeel, the feast went on with the exciting combination of an addictive speck cream. A lesson in the art of taking a familiar dish and turn it into something profoundly inspiring. 10/10

ARPEGE, PARIS - CHEESE

To end the meal, a well kept aged Comte from Maitre affineur Bernard Anthony and a superb piece of moelleux du revard.

ARPEGE, PARIS - MILLE FEUILLE

Then their millefeuille (blackberry ,thyme) which is indeed light and an enjoyable alternative to its classic version (7/10), and a rework of the classic ile flottante that showcased a creative mind but which, for me, suffered from strong coffee flavour (6/10). My wife observed that the classic ile flottante fared better. I personally do not mind this creative take, but it was just difficult to cope with the strong coffee taste.

ARPEGE, PARIS - MIGNARDISES

A plate of mignardises comprised of vegetable-flavoured macarons (not as bad as I had anticipated), the nougat truely delicious, the apple tart shaped like a rose having nice buttery pastry with joyous apple flavour (8/10)

Prosthe young and dynamic sommeliere from the Czech republic.  Her wine suggestions by the glass were  so inspired (2)The superlative delicious pigeon/lamb/corn risotto, benchmark creative takes on the gazpacho/red pepper velouté. All items that many will pretend to be able to easily deliver, but few will really reach  out to the depth and deliciousness of those. Usually, when there are lesser impressive items in a meal, my overall impression is affected, but not in this case. Here my overall impression had just the finest dishes in mind (3)the very approachable and genuine Maitre D’ Helene Cousin. 

Consthe Arlequin robe des champs, lobster, ravioles potageres, vegetable tartlets (though, for the sake of accuracy, it is important to remind  that they do offer different versions of those, so you may be luckier than I was). Also, the gentleman who served most of our meal needs to explain the dishes a bit more, exactly like what Maitre D’ Helène Cousin did when she served the red pepper velouté

MEURSAULT LES TESSONS CLOS DE MON PLAISIRThe wine service:  A section that I add to my reviews when I am very  impressed by the wine service at a restaurant. The behaviour of the sommeliere from the Czech republic  was admirable in all possible aspects: being able to listen, share, never contradicting while making her point whenever necessary, etc. But all of that was done way better than  what passes as the norm for great hospitality standards (Helene Cousin also excels at that, but in the different role of the Maitre D’).  Right upon perusing the wine menu I knew I’d pick the  2008 Meursault  ”Tessons, Clos de Mon Plaisir”  from the domaine Roulot. She had other choices in mind for me as she pointed to amazing little gems that were less expensive and indeed of great quality. But I went with what I had in mind for the most part of this meal, and she never interfered. A first great classy act from her part. This Meursault is a type of  Bourgogne blanc wine that I highly  enjoy for its  balanced acidity/minerality, enticing  nose of ripe fruits, great level of  intensity/complexity. It will continue to age well, there’s no doubt about that, but it’s already a top flight flacon). Me chosing that Meursault was also a trap:  was my sommelière going to be passive and not flag wine/dish pairings that made no sense (it is surprising how many sommelier/e/s even at highly regarded restaurants do fall into that trap)? NO she never fell into that trap! She is a very present/focused/competent  sommelière as she  tactfully intervened whenever necessary.  The way she did that and the suggestions she had is about the difference between a great sommelière (which she is) Vs a standard  sommelier-e. For me, a great wine pairing has nothing to do with showing off pricey wines. It should be about  finding, even among the more affordable ones, the wines that turn into true gems because their pairing to a specific dish is flawless.  It’s exactly what she did.  A world class sommeliere.

Service/Ambience:  Professional.  The younger waiters and waitresses looking very serious, though their youth and energy makes the whole effect not heavy (as in way too serious).  Maitre D’ Helene Cousin truely embodying the concept of L’Arpège — which is the theme  of  a ‘maison de cuisine’, a house imagined by   Alain Passard where he receives his guests in a cosy environment (which explains why you do not have the huge space between the tables / grand luxury, etc…of most of the grand restaurants of Paris) — with cordial and yet professional demeanour. I like this approach of being genuine/approachable (The sommelière from the Czech Republic also followed  this approach faithfully) since it reminds us that, after all, the most important is that the customer is there to have fun.  The only suggestion I would have is  that the gentleman who served most of our meal needs to be a tad more chatty in his description of his dishes. All in all, they are French, I am French, so communication was naturally flawless.

Decor:  The interior decor is oftently described as understated.  But this place is all about details, so the idea, as Chef Passard has  widely explained to numerous medias, is to  replicate the ambience of a house. Thus, no grand formal luxury,  but the apparent understated warmth of the art-deco inspired  home that Passard has imagined for his guests: pear tree wood panels (designed by Jean-Christophe Plantrou) sparsely adorned with  few of his paintings,  some glass etching works, some retro style chrome-armed chairs, ebene de macassar material (this material is elementary in classifying L’Arpège interior deco as Art deco). Passard replacing the usual flowers on the tables, by vegetables.

Overall food rating (by the highest Classic French 3 star Michelin standards): 8/10**  I was immensely impressed with  the best dishes of this meal which were so inspired  and had such high impact (on my palate) that the lesser items were long forgiven (though, not forgotten…which is the sole reason I am not giving a 10/10 to this meal. Trust me, I am tempted to give that 10, Lol.. but have opted to remain rational)! There are always restaurant meals which finest dishes are  impressive, but this one was  something else.  The heights of this meal, for their  benchmark joyous flavors and superb creativity, will rarely be paralleled. As with any restaurant meal that impresses, I do not know if  L’Arpège can do this all the time. All I know is that the best dishes of this meal I just had, are …. true benchmarks, by any top dining standards and will be remembered as long as my memory serves me right. It is rare that an 8/10 meal delivers dishes far superior to a 10/10 meal (for eg, a flawless high level meal but with no particular heights) and this was one of those rare cases. Soul satisfaction    ***Two months after this meal, I raised the score of my lunch at L’Arpège to a 10/10. It might sound  controversial to assign a perfect score to a meal where many items triggered indifference from my part (the amuse bouches, the ravioles potagères, just to name a few), but at the end of the round, and with hindsight, I was left with a much more important reflection:  even among world’s very best, few Chefs have the  exceptional palate found behind the finest dishes of that meal (referring to the incredible heights of deliciousness of the better dishes that they’ve cooked. And where many would reproduce those simple looking food presentations only to end up with  items of ordinary effect (which happens a lot because many kitchen brigades/cooks simply can’t make the difference between EASY vs SIMPLE), L’Arpège offers plenty of inspired touches to admire  for those with an eye for details.  If such heights would have been the norm I’d play it rough (referring to the lesser dishes), but is is not. It is not the norm. It is NOT! What I like the most with L’Arpège is that they have opted to be different (from the conventional fla fla of luxury dining), NOT  for the sake of just being different because it’s trendy, BUT because they truly are.

ARPEGE, PARISConclusion: I prefer a table that does not rests on its laurels like this one, rather than places where everything is uniformly done well but without soul/inspiration.  The better dishes of this meal were true moments of  divine ‘gourmand’ enjoyment. I’ll also  add this: for me, being creative is doing things the way few are thinking about doing them. The way they have thought their ravioles  (that level of finesse in creating those ravioles  and the thought they did put in working its taste – the fact that I did not like it substracts nothing from the true creativity of that dish — ) has nothing to do with what most ambitious kitchen brigades  would think about doing with a bowl/some pasta/some vegetable and water in their hands. The gazpacho, the corn risotto, the red pepper etc..same thing: easy sounding creations  that tons of kitchen brigades can do, BUT rarely with this level of utter refinement, attention to details, and superlative work of the taste.

For something safe all the way, which is not my thang, this meal (I judge meals, not restaurants) was obviously not perfect. But if for you, the higher highs can potentially …potentially, I wrote…rise to benchmark  levels (the case of  this lunch), then this would be a standard bearing one. My wife argued that despite the benchmark lamb/pigeon and the fact that she highly regards this place as one of world’s finest (especially for its refreshing and successful different approach of French/Cosmopolitan cooking), an 8 over 10 will be an accurate score for  the overall food performance of this lunch.  I think that when your higher highs are far better than restaurants of your rank (which was the case on this lunch), then you deserve a 10/10….but way too many items left me wanting for more on this lunch (lobster, ravioles potageres, arlequin Robe des Champs), which in the end leaves me with the 8/10 as a fair overall score (update November 2013: a score that  has NOT stood the test of time – SEE my addendum, written in red, to the overall score section ) . More importantly, L’Arpège  continues to rank among  the stronger  3 star Michelin destinations around the globe, one of my few favourite.

Added in October 2013 – What I think a month later :   I purposely add this section to all my reviews because there’s of course different stages of the appreciation of a meal.  There is the  ‘right-off the bat’ stage  which is obviously the freshest impressions you have, then of course what you think about it later on. Some people think that you should always wait before  unveiling your thoughts about a meal, which to me is akin to  manipulating reality. It’s one thing to think for a while before making an important decision, but if  talking about the appreciation  of your meal does  require some second thoughts, then I am afraid you are just sharing a portion of the reality. What you’ve read before was my fresh impressions. What you’ll read next is where I stand a month  later: that meal at L’Arpège could be perceived as  a crash or a triumph depending on who you are as a diner. A crash if you think of a restaurant as that robot who’s supposed to  read in your mind and  feed you with the exact bites you want, which I think would be a naïve approach to dining. A triumph if you understand that a meal needs to be judged on the back of the heights it can reach, not in terms of this is good, that is less good and that is a bit better. Then, there’s also this important observation to make: there’s a reason some restaurants deserve their  3 star Michelin rank (needless to stress that for me, this is a strong 3 star when it ‘’touches the sky’’’ as it did on that meal). And that reason is the same that makes  a Porsche, a Lamborghini or a Ferrari  all well praised cars: the details!  If for you a Porsche is simply an assemblage or metal, nothing more, then do not bother with it! You are losing your time. Same thing for this meal at L’Arpège: if for you  that Arlequin of legumes is just a take on the couscous, or those ravioles are just interpretations of wonton soups, please do yourself a favor:  stick to the numerous canteens you won’t fail to find on your way.  Leave those to people who can appreciate the details / thoughts that were invested in those dishes. I do not mean to sound  rude by saying so, just pragmatic as you’d want to constructively tell to anyone who can’t properly appreciate a great song in its full nuances to simply stay away from it. Despite how easy as it sounds (upon reading many reports about their cooking), what I was sampling  takes, in facts,  a lot of training, efforts and skills (it’s one thing you not like a dish, it is another thing to trim it down to what it is not) . When this brigade at L’Arpège performs like  it did on this meal (referring to the finest dishes of this meal, obviously), the analogy I’ll consider is one related to sports, the 100 metres race: this brigade powered through the finish line when many of its peers are still at the starting blocks.

Restaurant: Chef’s Table at Brooklyn Fare
Brooklyn Fare, 200 Schermerhorn St, Brooklyn, NY 11217,
Phone:+1 718-243-0050
Type of cuisine: Contemporary Cosmopolitan (mostly seafood,  a bit like a ‘kaiseki’ meal, but eclectic)
Michelin stars: 3
Date and time:  Saturday August 24th, 2013  19:00

NO PHOTO RESTRICTIONNo picture and note taking, as/per the restaurant’s policies, —which are, to me, reasonable requests  — , do  indeed allow for a more enjoyable meal free of distractions. I was not there to review my meal neither. So I’ll go with my  general impression of my dinner, essentially focusing on the perceived subjective strengths and weaknesses of my meal..

The beauty with living in Montreal is that it is just a few hours drive away from New York, so  a short weekend there was the perfect excuse to re-try the stronghold of a Chef that I have admired since a long time (though, as you’ll see in my conclusion, I still do not agree with his current  3 star Michelin assignment) , Chef Ramirez (I am a big fan of Chef Ramirez since I first tried his cooking in his days at restaurant Tru in Chicago). This was only my second visit there in 3 years.

Overall food rating 8/10 as an overall rating There were numerous  bite sized  courses. Sam Sifton’s following summary is the best way to describe what was on offer: ‘’’’ a luxe sushi bar, a meal at Momofuku Ko, and a course taken in the kitchen at Eleven Madison Park, without being anything at all like any of those. The food is French and Japanese and Italian, combined’’.  The only thing he missed is that, with an eye for details, you will notice couple of strong touches of Nuevo latino cooking too.  In a nutshell, we  had plenty of seafood served at times in   sashimi style (nothing special, a 6/10 in view of what I’d expect from sashimis at a 3 star Michelin, though the quality of ingredient was high, as expected), sometimes paired along eclectically crafted mousses/ jellies (his play on textures is fun, a clin d’oeil at kaiseki style cuisine, but not exceptional, again…in view of what you’d expect from this level of dining),  Japanese rice mixed with sea-urchin to provide a risotto-like effect (creamy and delicious risotto that I liked a lot, comfortably an 8/10, an item that would have been a crowd pleaser at any level of dining, anyways), their now signature sea urchin/truffle combo atop a brioche (I doubt someone familiar with Japanese cuisine would be floored, but a western eye and palate will find it fun to look at, flavorful, nicely thought 9/10) , we also enjoyed a really well thought vegetable-flavored sorbet elevated by a pleasant citrusy tone(Spot on depth of flavor. On each of my two visits, I realized that Chef Ramirez work really well his vegetable-based  sorbet. Not only are they daring (audacious ingredient combinations), but they taste great as well as having fabulous texture. It’s a sorbet I know,  but he does them better than many. There’s something deeply ‘nuevo latino’ in this sorbet’s flavor profile a 8/10 at a 3 star Michelin table (the quality of sorbet / ice cream, etc is  obviously high at this level, enoughly high for this sorbet, as fabulous as it was, to be a very good sorbet, but no more), way more if we were trading  on 1 star Michelin grounds.). But he also incorporates, rethinks some American dishes too.  Quality of ingredient here is even superior to what most high end tables of this rank do mostly offer in North America. And for the amount of luxurious ingredients you are getting, you’ll pay more at other restaurants.  . Stunning ingredients, as he even reach out to Japan for some of his ingredients . Virtually no one is re-inventing the wheel when it comes to cooking, even at the highest levels of dining,   and with that in mind, I  find Chef Ramirez to express a beautiful inspired creativity. His combo of sea urchin and black truffle is not novel, but in his hands it continues to be  an appealing offering for this genre of dining style. That said, although fun and consistently well executed, this is certainly  no benchmark cooking performance  for  this style of contemporary cosmop craftsmanship, neither.

Décor/Ambience/welcoming: the stainless counter seating experience makes this place somehow ‘special’ among its 3 star Michelin peers. It’s  refreshing to have such intimacy between the diners, the Chef presence, the casual yet refined setting. On my two visits  here, Chef Ramirez was mostly quiet, a shy person and it is pleasant to see a Chef not yelling at his sous chefs. A proof that you do not need to act stupid in order to be inspired. Perhaps  some find the  no photo taking, no note taking policies a bit brutal, but it does, at least, allow for  a very serene ambience. I had no problem at all with those rules. It certainly does not make fun blog reports, but I rather enjoy my meal this way –whenever I get the opportunity — rather than stopping at each course to either take a pic or write about the course. Not too sure how he’d react if I’d break the rules, lol, but I am an easy customer so I abide by the rules and just enjoy my food. In that regard, I’ve always enjoyed my meals here. The reservation process is the only aspect  I found a bit tough.

PROS: Find me one single restaurant, anywhere around the globe, at any echelon of the dining spectrum, that offers that many luxurious food items on such a long tasting menu at less than $300! Caviar, Sea urchin, truffles, top quality foie gras, and all I can tell you is that such meal, anywhere else, would easily cost three time what was paid. At some point, they will have no other choice but to charge more or offer less luxurious items. For now, as a customer, guess what ………………..I CAN’T COMPLAIN, LOL!
CONS: I go to  3 star Michelin restaurants  with the sole intent to experience  two very precise elements (of course, subjective as always), or one of them (1) a benchmark work of  the flavors and/or (2)a benchmark work of the textures. To achieve that, you oftenty need to spend years and years to perfect  that singled-out  food item.  Or you need an incredible culinary ‘genius’ with  amazing instinct (for eg, Chef Jacques Maximin in his heydays). None of that came out of my two dinners here, which is why, for me, it’s a place that I like, but not a place where I’d go for what I am looking for at a 3 Michelin standard of dining.

Chef Ramirez, a culinary genius? That seems to be an  opinion shared by many food journalists and food bloggers in New York, an opinion that I unfortunately do not share.  To be precise, Chef Ramirez has the sort of creativity that will surprise some diners, though not as many diners as what those food journalists/food bloggers would like to believe. For eg, if you travel a lot, you’ll quickly realize that he is really good at observing what is done abroad, learning from that  and trying his best to make something fun/interesting with his own sense of creativity. Inevitably, his work will offer nice little surprising touches to some. Now, awarding 3 star Michelin for what he is doing, I believe that’s a bit too much.  I can see how a Japanese itamae who has spent decades perfecting his craft in Tokyo, to take an example, would deserve a 3 star Michelin. I can see, how a young Chef like Pascal Barbot (L’Astrance), covering contemporary international cooking too, does, to some extent, fully deserve his 3 stars. There are extremely talented Chefs who are indeed crafting  Nuevo latino food  that is so remarkable that I would understand their eventual/potential 3 star assignment.  A Chef like Christian Bau is a a peerless icon  of  contemporary cosmopolitan haute dining, creating dishes of extreme and deep beautiful complexity and his 3 stars are a good example of what I can understand.  But Chef Ramirez –with all due respect — is not at  those levels, as far as I am concerned.

That said, there was undoubtly some strong skills and pretty presentations in each of the numerous small dishes that were served. At least, here, there’s a personal authoritative/personal imprint with a Chef who’s there,  hard at work and who has the courage to cover various cooking styles (a courageous risk, since everyone who has been in a kitchen knows that the only way to be the / or one of the / standard-bearer (s) in cooking is to stick to one style and perfect it forever).

Conclusion: As a 3 star Michelin destination, by now, you know what I think. As a Chef’s table, as a refreshingly different concept from what most of its peers are offering, this is indeed nice.

I can’t manage — because of a lack of time —  the ‘comments’ section in timely manner. So, I’ll publish questions received by emails and that I found interesting to share with you.  Off topic comments will be discarded.

Q&A –Matt B asks if there’s any 3 star I find deserving of its rank on NYC? Answer:  Matt,  I think Per Se is the restaurant that gets closer to what most do expect from a 3 star Michelin destination. I personally do not understand the other 3 star Michelin NYC ratings, but again…that is just ME.

Event: Lunch at restaurant Le Calandre, Sarmeola di Rubano
When: Saturday, June 16th 2012  12:00
Michelin stars: 3
Type of cuisine:  Haute Italian (Mix of Classic & Contemporary)
Addr: Via Liguria, 1  35030 Sarmeola di Rubano, Padova
Phone: 049 635200
Url: http://www.calandre.com/

Overall food performance: 7/10  I am forgiving the ‘just ok’  initial part of this meal, since the ending was so spectacular on this Saturday June 16th 2012 lunch. Based solely on the savouries, I would rate this meal with a 6 over 10 since, although technically flawless, the savouries dishes appeared to me as average compared to what I came to expect at this level of dining. But the dessert part was so spectacular and stood as exceptional even by 3 star Michelin standards, thus the extra point. I think 7 over 10 is fair for this overall food performance .  It is worth reading the section “What I think months later” (at the bottom of current review)
Service: 10/10 A great balance between being professional and yet fun, charming. I find that 3 star Michelin standards of service, tranposed in an Italian context,  adds a zest of appeal that I have hard time putting in words. Might be the magic of the gioia di vivere.
Overall Dining experience: 8/10 They do a lot to make the dining experience optimal: the decor, the choice of dinnerware , the modern ambience, the fun and playful interraction with the staff. It is amazing how they balance so well the formal (3 star Michelin standads of service and what goes along is respected and fully applied) with the casual (how fun..fun..fun..fun were those folks on this lunch! Amazing). For me, not a benchmark on that aspect (I prefer the grand classic dining experiences), but in total fairness, a very good dining experience (hence my 8/10 mark).

INTRO – This concludes an  interesting journey of  several days in  Northern Italy (Lombardy, Veneto,  and Liguria). Tiring to say the least, but this is Italy: a borderless  ‘open-air candy store’ where everything is tempting. It is, as we all know, one of those rare countries where each parcel of  land worths its weight in gold.  This is  not my first time in Italy, and everytime I visit this country, I regret of not having spent more time.

Gastronomy is, to me, as important as culture, history and architectures. Italy obviously offers plenty of those and this trip was the excuse to enjoy some great food as well as visiting as many historical vestiges as I could in such a short period of time. The dining part  (((( I have always paid attention to Michelin starred ventures only in France. Just recently, in Germany. In Italy, I preferred traditional dining destinations of which my long time favourite has been Da Maria ristorante in Zanco  Di Villadeati, Piemonte now in good company with my  ‘coup de coeur’  of this gourmand week in Northern Italy : A cantina de Mananan in Corniglia – Cinque Terre .   This is the first time that I am trying some Michelin star restaurants in Italy))))  of this journey is crazy:  quick lunch at 2 star Michelin Trussardi alla Scala in Milan on Wednesday, a big lunch at 3 star Michelin Dal Pescatore in Canneto sull’Oglio on Thursday, a  dinner on Tuesday at 3 star Michelin La Pergola in Rome, then a 3.5 hrs fast train to Milan, quick lunch at 2 star Michelin Trussardi alla Scala in Milan on Wednesday, a big lunch at 3 star Michelin Dal Pescatore in Canneto sull’Oglio on Thursday, this Saturday’s lunch at Le Calandre as well as a  dinner at the iconic 2 star Michelin Il Luogo di Aimo e Nadia in Milan later on,  in the evening  of that same day.
(for those who may ask: I never review restaurant meals when I am eating with other ppl since I personally find it mannerless to take notes of my meal in such occurence, the only exception is when I dine with my wife since she is supportive of my ideal of  knowledge sharing ) . It is absurd to enjoy as many meals in seven days, alongside so many places to visit, but absolutely understandable given the circumstances. I only regret to have missed a dinner at 3 star Osteria Francescana that some of my foodie friends  have invited me to partake in.  Alas  I was just too exhausted and could not make it to Modena.

I came here  to Le Calandre because I heard  that Chef  Massimiliano Alajmo was mastering, to a level that outstands what is usually found at most tables pertaining to this caliber of dining,  the aspect of food that I favor the most: unveiling what’s left to be discovered from traditional  cuisine. He (Chef Alajmo) is doing it with a fresh new (modern) approach, though: from what I gathered, the cooking techniques are mostly modern, but the intent is to push traditional fares to their contemporary revised versions.   In a world where there is a lot of babbling about classic  cuisine being boring, you would think that  trendy modern cooking would bring the supposedly exciting palatable emotions that comes along,  but years after the rise of  those novel cooking trends, few modernist Chefs are really capable of offering the true excitement that pertains to the splendid impact that classic food can unleash in skilled hands (the Spaniards remain among  the very few  whose depth of modern cooking creativity can  indeed rise at palatable heights of  the fabulous taste of the kind of successful classic cooking that I am praising). So many people are lured by the superficial aspect of food that they can’t even make a difference between an average, above average, superior or excellent straightforward food item such a soup or a tartare. You get the idea:  I pushed opened the door to Chef Alajmo’s dining room  expecting  classic food’s inspired creations to be brought to their  glory.

Chef Alajmo was the youngest Chef to have been awarded three Michelin stars for his creations at his restaurant Le Calandre (he still holds those since 2002).  He started with some studies in restaurant management, which obviously explains his great business sense with several restaurants, a food store,  books, and plenty of other entrepreneurship ideas you will not fail to notice on his web site. Before taking over the kitchen at Le Calandre (a family affair,  his mum was the previous Chef there), he worked for several Italian restaurants (for ie, Ja Navalge in Moena)  as well as a relatively brief presence alongside France’s  star Michelin Chefs Michel Guerard (perhaps the focus on light food that I sensed on most of the dishes during this meal came from here) and Marc Veyrat (It would be interesting that a journalist ask him a bit more about what he thinks of Veyrat and what he learned from that phase – I have always been curious about  Veyrat and regret to have never been able to sample his modernist creations when he was actively behind the stoves. I do not know Veyrat so it was impossible for me to identify any Veyrat’s  influences all along the meal I was sampling at Le Calandre). Despite his young age, Chef Alajmo has been a mentor to many successful Italian Chefs such as Chef Stefano Merlo (Rossini’s in Bangkok) or Relais Galu’s Sergio Preziosa.  In 2012, Chef Alajmo’s Le Calandre restaurant features in Restaurant Magazine top 50 best restaurants of the globe.

The restaurant Le Calandre is situated in Sarmeola di Rubano, at approx 6 kms away from the city of Padova, less than 50 kms away from Venezzia.  The restaurant itself is inside the family’s restaurant/hotel  building  (They have another of their numerous restaurants in that building:  Il Calandrino).  The inside decor is contemporary minimalist- chic with tones of black and grey, no tablecloth on the tables. The room itself has elements of great artistic value such as the tables made of a  century-old   type of ash-oak tree wood as well as dinnerware/Italian hand blown crystal glassware worth of prime attention (they seem to pride themselves for putting lots of  thoughts and care in this aspect of the dining experience;  as an  ie  many restaurants have famous sommeliers who serve great wines and yet you look at the size or shape of some of their  wine glasses and have quibbles to raise. At le Calandre, even such detail is not overlooked as clearly demonstrated by glasses designed for optimal flow of the wine onto your palate) . It would be interesting to incorporate some ideas of a great Venetian achitect like Carlo Scarpa in that contemporary interior.

Wine list: Over a thousand of wines, catering to all budgets, presented on an electronic display device (Ipad). Needless to describe that wine list since you can peruse it  online (I found it very practical to have the wine list on the web). They do also, I am pretty sure, have more gems that do not necessarily feature on that online list. On this lunch, they initially served some glasses of Bruno Paillard Brut Assemblage 1999, then followed by  some  choices of wine by the glass that I appreciated a lot (I chose the default wine pairing to the ingredienti tasting menu). The highlight of this  wine pairing was, for me, the  2007 Domaine Vincent Girardin Meursault Les Narvaux.

NO PHOTO RESTRICTIONAs/per the house, photo taking is forbidden to normal diners. All my life I have always respected people’s right to dine peacefully, virtually never photo shooting other diners or a full room, so in an empty room (which was the case during this meal), I do not see why I should refrain from taking pics of my meal since there’s absolutely no one that I am disturbing. I therefore discretely took those pics whenever the staff would not be in the dining room.

On with the FOOD:

Vegetable salad comprising of marinated beets, boiled carrots,  sunflower cream, celery, tomatoes.  The idea was to present the veggies in various textures (crunchy, dried, boiled, marinated, etc)  and temperatures with layers of different piquant flavors (gingery, and dijon mustard in this case).  Playful and interesting although I wished that some ingredients of this dish would have left a  higher  palatable impact as so oftenly  expressed by ingredients in the Mediterranea (especially the tomatoes and the beets)  7.5/10

Next was  cream of tomato/marinated and sauteed aubergine, fresh basil  (Sorry for having taken the picture after sampling the food). The tomato part was essentially a take  on the idea of a gazpacho. Top quality Sardinian Paue Carasau tomato featured on this dish.  Refreshing with an interesting  use of complimentary ingredients. 7/10

Followed by  Ricciola raw fish carpaccio and a  tartare of seafood and red meat. Lemon cream bringing the needed balance of acidity to the seafood,  caviar adding extra textural dimension and cabbage was served alongside those ingredients. Good, objectively, but “standard” for  this level  7/10

Then linguine (spelt linguine), black truffle, scallops, cuttlefish cream – the overall dish was properly cooked, had good flavors  and was prettily presented on  stone support.
Good, but again nothing out of the ordinary of what is to be expected at  this level of dining  7/10

Most of the dishes served to that point were paired with a fabulous Meursault Les Narvaux 2007 (Domaine Vincent Girardin).

Next was Rose risotto/peach/ginger. Chef Alajmo oftenly came in the dining room, exchanging with his customers,  and he explained to me that this is his reference to Italian renaissance art. A great idea indeed, playful, creative  and this was certainly a good risotto with rice achieved at ideal bite, the cheese counterpoint matching really well with the aromas of the rose, ginger and peach flavors adding to the complexity of the dish in a perfectly well balanced way. Very good. 8/10

Followed by veal cutlet and sweetbreads/curry sauce – The veal  being of prime quality, the curry sauce thickened ideally and tasting good. On the side, a classically made fresh green salad.  But at the end of the day, it is a piece of quality veal that’s  nicely executed (I could have enjoyed that at home or at any level of the dining spectrum), nothing more.  7/10

Then lamb chops served with a  cabbage roll. Nice acidity coming from that roll of cabbage, but another “standard / nothing special”  dish. A roll of cabbage hardly the base for  anything exciting at such level of dining, although indeed  Good 7/10 (this was paired with a glass of Il Poggione San Leopoldo 2004,  an interesting blend of Sangiovese, Cabernet Sauvignon and  Cabernet Franc, barrel-aged for 12 months in French oak, and that  expressed superb structure and long enjoyable fruity finish of dark berries.

Whereas the previous dishes were certainly all well executed,  I found them to be a bit short on sparks. Still, the overall  experience  itself (with the fun and yet professional service,  the charming ambience, the way they go above and beyond to make every little moment as  memorable as it can be) was so fantastic   that nothing was going to alter my high appreciation of their work.  Well, it is as if they did not want me to leave with the impression that the kitchen could not deliver.  The proof:  a big surprise would follow next,  and it would come from the  kitchen ->

They suggested that I move to a different room, where I’d be alone to enjoy the dessert phase of  my tasting menu.  That phase is untitled ‘Game of Chocolate 2012’. In the room, some music is played with the sole intent to connect memories
of the basics of life’s evolution with  different items of an array of mini desserts. Now, while the previous dishes varied in between 7 to 8/10 in my personal assessment, I was now in a completely different arithmetic logic (which in my case is just an extra effort to convey, in the best constructive way possible, the emotions and palatable impact brought to me by a dish). Interestingly, here’s what was written on a little piece of paper that I had to read prior to indulge in what was going to stand as the spectacular finale of this meal: “””In & Out choco game 2012 is something that we have all experienced before from our first heartbeats (IN) to our entrance into the world (OUT). During this passage, there is a moment of darkness that suddenly turns into pure light. IN & OUT is a simple expression of a large message”.  Rfaol, upon reading that note, I said to myself   “That is it, I got it now…Lol..the darkness was the first part of the meal (just kidding. The 1st part of the meal was no darkness at all) and now I was going to partake in the “pure light” phase of the meal. Laughs. Joke aside, this part was simply spectacular with an array of mini desserts that kept the bar of palatable excitement  to memorable heights. I’ll let the numbers convey how of an awe-inspiring level the choco game 2012 phase was: a delicious shot of dark choco was a benchmark of its kind (10/10), vanilla topped with a milky concoction of their own had my tongue leaving my mouth and start dancing in the room, Rfaol – It was that spectacular in mouth! A 10/10 for that vanilla/milk mixture. Then a shot of ginger/peach (10/10), some benchmark choco truffles (10.10), a shot of cold expresso with dulce di lecce underneath (10/10), a cracker with impossibly perfect sweet goat cheese in between (9/10), an impressive citrus flavored lollipop with white choco and pineapple (a Blast! 10/10 ), an exciting shot of their own take on pina colada and it went on and on with creative and exciting mini creations of that sort, but of world class perfection and palatable impact worth of superlatives.

A  fantastic end to a meal that started on less impressive grounds.

PROS: The spectacular ending to this meal (fabulous flavors brought to surprising palatable heights in each bite of that  memorable choco Game 2012 mise en scène) …
CONS: …had that same amazement being expressed towards the first part of this repast, the entire meal would have been an epic culinary achievement.  Regardless, this was still a very enjoyable experience and where many fail to seduce their customers, Le Calandre is succeeding at being a charm.

Ciao!

WHAT I THINK MONTHS LATER:  As a dining experience, what a charm! Lovely place where I certainly had plenty of fun as I had rarely enjoyed anywhere else, all dining levels taken into account (apart, of course, the life memorable simple food enjoyed on the beaches of my beloved Indian ocean ;p).  And the thoughts put in the modern and very zen décor have really seduced me. But  the food on that lunch featured un-remarkable  savouries — which although technically well executed (plating / textures as beautifully mastered  as I’ve  come to expect from any good 1,2 or 3 star Michelin)  and delivered with top quality ingredients — missed the palatable excitement that the sweets finally delivered. It was odd to eat in Italy and not associate one single of those savouries with the theme of “utter deliciousness”.  Showcasing great produce is one thing that I appreciate. Your ability to transform them into mouthfeels of  bliss is the reason I pay to sit at your table.  With that said, restaurants have changing menus and a menu that did not appeal to me at a given time means just that: at X time, it was just not my cup of tea and that perhaps on a  next occasion, another menu will better suit my expectations. As long as Le Calandre never roams away from the essential: at this level, food needs to be outstanding in its aim to  leave an imprint on my palate. Or else, each of the 3 stars will be scrutinized heavily. But I have to say this:  i had fun here, which is already a great achievement.

I can’t manage — because of a lack of time —  the ‘comments’ section in timely manner. So, I’ll publish questions received by emails and that I found interesting to share with you.  Off topic comments will be discarded.

Q&A – Marcus W asks how come such simple array of sweets  triggered that much superlative from my part. Answer: Marcus,  it is in the simple things that my focus triples! LOL. Their Pastry team delivered benchmark versions of what you are calling simple. And indeed, it is so simple that many do not bother perfecting them. They did, and that is why I was impressed.

Ristorante Dal Pescatore
Type of Cuisine: Updated Haute Italian (Classics of  Mantuan cuisine, Lombardy)
Michelin Stars: 3
Event: Lunch on Thursday June 14th, 2012 12:00
Addr: Località Runate – 46013 Canneto sull’Oglio , Mantova
Phone:+39.0376.723001
Email: santini@dalpescatore.com
URL: http://www.dalpescatore.com

Service: 10/10 Mostly young, well behaved Gentlemen with great tact. I am French, so they spoke French to me, and listening to Italians talking in French, with an Italian accent, is always pure joy to me. It has its charm, a charm that lingers on my mind.
Overall food rating: 8.5/10 The Santinis have an amazing sense of taste as largely proven by the fabulous ravioli di faraona,  the stunning  tomato compote,  great risotto, outstanding reduction to the braised  beef shoulder,  benchmark torta di amaretti.  And at a time when everyone thinks that we’ve seen it all with a  polenta, they manage to deliver one against which I will judge all  other polentas. The only reason I give it a 8.5/10, as opposed to a 10, is because the overall impression I have of this meal is  one of an  overall Very good-to-excellent (8.5/10) classic 3 star Michelin meal rather than one of benchmark level (10/10).  Regardless, this is exactly  the  type of classic 3 star Michelin I like most and I would run back to Dal Pescatore way before thinking about going back to Michelin star restaurants that I have rated with a 10/10.  As always, a subjective matter based on personal experiences, etc.
Overall dining experience: 10/10 I have rarely felt so happy in a restaurant, Michelin starred or not. It goes without saying that at this level of dining, every little detail counts and each one  found all along this meal simply scored high on my appreciation scale: the plating, the beautiful and elegant country home decor,  the countryside, the charming and down to earth wait staff met all along this meal , and the qualities I expect from a top dining destination just kept piling up while I was there.

Around two years ago when I decided to review restaurants (NOT really something that I like to do, reasons are explained here, and I do NOT  systematically think about reviews wherever I go, or on whatever I eat,  Lol!), I knew exactly what I wanted in  my reviews: avoiding style at all costs and focusing on what I believe to matter most: assessing the (relative) value of the restaurant food that I am eating.  Ironically, by ‘assessing the value of my restaurant meal”, I went one step further and removed …the price factor…. out of the equation. That is because on top of the already explained reasons that led me to review restaurants, I had one major quibble (with most opinions about restaurant reviews) that jumped to my attention: what if the $$$ was not taken into consideration??  Apparently, from most answers I have gathered throughout the years, most would have found their meals to be excellent had the price been lower! Interesting…So, oftently it is worthy of raves because it was affordable. Let’s take $$$ out of the picture then and focus on what I have in my plate. Make no mistake: I understand  the notion of value for my bucks, but I am interested by one thing ONLY: the deliciousness of the food that I am eating way before its value gets lost in ‘value for money’  interpretation.

Restaurant reviewing is, of course, not limited to one or two aspects of a dining experience. And it does not  have to be something special neither. I personally refuse the idea of  restaurant reviewing on a professional level for a very simple reason: I don’t see why something as personal as this  (talking about the food you eat) would be remunerative , unless you go way beyond the basic restaurant scripts and books of recipes as it is the case for  few  exceptional food journalists  like Quebec’s Marie-Claude Lortie, Perico Légasse in France, John Mariani in the US .  I know,  it (reviewing restaurant as a job) is a pointer, a way to be better informed.  But you have this in tons of  opinions over the web,  and those people are not renumerated. I know some will argue that a professional food critic will provide you with stylish write-ups and professionalism. BUT  that is not what I want in a restaurant review: like it or not, I do not eat ‘style’ nor ‘a sense of professionalism’ nor ‘megalomania expressed through writings”.  I eat food and I just want to know what is offered, how it is made, to what relative level of cooking is the kitchen reaching out to.

There is also the widely preached bogus belief that  anonymous reviews may hide personal agendas.  Even a saint can hide an agenda.  We  all know that.  More importantly, a  normal diner   at a restaurant is anonymous, shall I remind this? And when you dine at a restaurant, guess what…you have opinions on what you have just paid for, with, as it should normally happen… your own hard earned money.  Those opinions can be expressed in many ways: verbally, in writings, etc. So, I do not see any problem with comments from  anonymous or well known sources. They both can either  hide agendas or be honest. No one will ever have any  control over this, anyways. Desperate harmful and insulting views with no constructive and no honest purpose —- which is the only thing that would make sense to fear from an anonymous review–  should obviously NOT be encouraged and this applies to  celeb faces hiding  agendas of restaurant propaganda .  Either way, there should be no  excuse to intimidate freedom of speech.  The debate over anonymous opinions is a debate full of nonsense, a creation of some of the industry’s watchdogs,  a debate pertaining to ancient times when big Daddy, scared of the judgements of others, would command you to show your face before you can  think and judge accordingly.  But humanity has evolved and people  paying for what they consume, with their  own hard earned money, should never accept that the restaurant industry and some of their watchdogs  take control over what we should have as opinions.

Who you are, as a restaurant reporter,  makes absolutely no difference: this type of opinions (about restaurants) are subjective anyways, no matter how credible you might think you are, and consequently, knowing what you like or not, what you are hiding or not,  is of utter irrelevance. We should do this (sharing our opinion) for the simple sake of sharing knowledge but certainly not as an exercise of potential serious  influence on the choices of others. As far as I am concerned, my agenda is clear: it’s written here  and as explained, I wanted to experience for myself the journey of  an independent voice completely detached from the restaurant industry.  I wanted to be able to rave –or not — about what I felt authentically deserving of its raves –or not –, to be able to freely convey what I really had in mind as opposed to be influenced by outside elements.  Naturally, I can afford behaving this way (fully enjoying the role of  a normal diner,  being independent from the industry, mocking at style or etiquette) and abide by my own principles no matter who says what —  only because I have no commercial interest in the restaurant business . I took time to write this because there is nowadays a universal debate around the subject (of anonymous restaurant reviews), a non-debate in my pertinacious view, thus my two little cents on this matter.  This is my opinion, and I’ll proudly and obdurately drink to that, Rfaol!

Before I write about the current reviewed restaurant – Every gourmand’s dream is to find the  best value restaurant at the very top level of world’s fine dining. Once every 5  years or so, I  stumble upon one and lately,  it is in Chicaco, Illinois. It is L2o, a restaurant that I  have discovered back in the days of Chef Laurent Gras. It was back then already deserving its 3 stars. Then Chef Francis Brennan took control of the kitchen, and the solid 3 star Michelin performance kept rising to the top. Now, that Chef Brennan left, it was downgraded to a 1 star Michelin restaurant and I recently had a meal there, under its present 1 star Michelin assignment,  and everyone at my table (they are regulars of world’s haute dining extravaganza) agreed: it is, between you and me, the current best value at the very top Michelin star dining level, and Chef Matthew Kirkley is, for now, the most underrated Chef in the world. You get a top 3 star Michelin dining at an official 1 star Michelin. Other great discovery, lately: La Table d’Aki (after more than 2 decades alongside Bernard Pacaud of 3 star Michelin L’Ambroisie, Chef Akihiro Horikoshi has opened his own little bistrot and is unleashing some of the secrets that made of Chef Pacaud one of the most respected icons of La France gourmande. A great way to sample the sense of classic culinaric savourishness of Chef Pacaud, brought to us by Aki, at very sweet $$$. Check that out: Table D’Aki, 49, rue Vaneau, 7th Arr, Paris.  Phone: 01 45 44 43 48).

And now, our featuring restaurant review (Lunch on Thurs June 14th, 2012 at noon):

Dal Pescatore, its cuisine, its Chefs –  Dal Pescatore is  a restaurant of haute Italian cuisine balanced between innovation and tradition. The latter (balanced between innovation and tradition)  being a description that is dear to them; on their web site they do insist on this, and it is also, based on my meal there, a realistic portray of their cooking style. Innovation here means that it brings an updated approach to a style of Italian Haute dining that remains classic (with a focus on its surrounding regional fares: for ie risottos, nearby Mantuan pasta dishes, other Italian classics especially from their local Lombardy region ), but it is by no means into  futuristic culinary styles. They do also insist on the food being wholesome.  It is among restaurant Magazine top 50 best tables of the world, a member of the prestigious ‘Les Grandes Tables du Monde” as well as earning three Michelin stars since 1996 (only seven Italian restaurants boast three stars). It is considered by Paul Bocuse, the pope of French gastronomy and many top culinary journalists such as Gilles Pudlowski and John Mariani as well as frequent patrons of the haute dining scene as  the very best restaurant in the world. High profile chefs such as Anne-Sophie Pic had their lifetime’s best meal here. The soul of Dal Pescatore, Chef Nadia Santini (one of her sons, Giovanni,  is nowadays an active Chef at this  restaurant  as well as their legendary Mama Bruna / I recommend that you read their story on their web site, it is an interesting read – it’s surely fun to observe how they evolved from a 1920s countryside tavern to the top of world’s Alta cucina, for ie, or how Nadia Santini went from studies in Political Sciences to the position of  one of world’s most respected 3 star Michelin Chefs / It is also amazing to note that Chef Nadia Santini rejects the idea of a brigade in a kitchen; she is one of the very rare top Chefs around the globe who thinks that hierarchy is unnecessary in a kitchen and that everyone should work as equal members of one team)  is frequently mentioned as one of the top 3 best female Chefs in the world alongside  Pic (Maison Pic, France) and Elena Arzak (Arzak, Spain).  Many grand Chefs have also trained and honed their culinary philosophy here: LA’s Sotto Chef Steve Samson , Celebrity Chef Todd English, Malibu’s Granita Restaurant Chef Jennifer Naylor, Chicago’s Spiaggia Chefs Sarah Grueneberg, Tony Mantuano and many more. Other  high profile Chefs like Gordon Ramsay, Giorgio Locatelli and top British Chef Angela Hartnett have expressed great admiration for DP. It is always admirable  to learn that such a Grand Chef like Nadia Santini (who, after numerous years of excelling at such top level,  would be in the excusable position of saying ‘I have nothing to prove anymore’)  is always in her kitchen  in a world where ‘embryo’ cooks with a lot left to be proven are busy parading afar from where they are supposed to be found!

Decor –  A mix of classic and contemporary elegance with emphasis  on ‘ la gioia di vivere ‘ , the joy of life, as easily expressed by the possibility of indulging in one of Italians favourite custom ‘Mangia fuori’  on their  veranda in summer,  evidences of cozyness  (fireplaces, the joyful color scheme of the 3 dining rooms, the wooden floor  that gives the room a warm and intimate feel), the  artworks on the wall. Pastel colored walls (in pure Northern Italian decorating style , the colors pay respect to various elements of the surrounding countryside:  lakes, earth, etc), beautifully laid tables positioned for privacy.  Think of the restaurant as a  sophisticated  country house  with  a peaceful view on a well  kept garden.

Location –  Dal Pescatore is located in the village of Runate, municipality of Canneto sull’Oglio, in the province of Mantova (region of Lombardia),  North of  Parma, East of Milan. Around 65 km from Verona Intl Airport, 115 kms from Milan Linate Airport, 150 kms from Milan Malpensa Airport. I’d suggest you include a dinner here within a tour of Lombardy’s main attractions (historical cities of Mantova, Modena, Cremona, Parma / the urban life of  Milan / scenic places like lakes Maggiore, Como, Garda). Hire a car.

Produce–  I have always admired Chefs who are really close to the land, to the point of growing most of their own food. I have always favored Chefs who are really close to their local produce and artisans. That is perhaps why I always had a soft spot for the  work of Chef Alain Passard at L’Arpège, Chef Patrice Gelbart who used to work at ‘Aux Berges du Cérou’ or Chef Craig Shelton who was at the helm of the  Ryland Inn in Whitehouse, New Jersey. I remember my excitement when, during a dinner at the Ryland Inn (Chef Shelton does not work there since years, now), Chef Shelton kept rushing between his garden and his kitchen making sure that optimal freshness was present on our plates. He had that strict  ‘xxx minutes maximum delay’ ..5 or 7 mins if I remember properly (Chef Shelton was a pioneer of the farm-to-table movement on the East Coast in the US) …in between picking the ingredient, getting it cooked and served. Of course, Chef Shelton is an exceptionally skilled Chef and I would have never mentioned this had his food not been of stellar mention. Years later, here I am in Canneto sull’Oglio and the Santinis have that exact same philosophy at heart: they raise most of their vegetables on the premises.

The food report

I started with a tomato compote of stunning marinda (from Sardinia, Italy)  tomato flavor 10/10.  It’s a great example of why Italian food is so well respected: startling simplicity and beautiful produce. Italians know how to make you rediscover the real flavor of an ingredient. I am not rating this with a 10 just for the produce alone: a  touch of beautifully aged balsamic and inspired hands brought this tomato to palatable triumph.

Followed by Porcini, Fegato di Vitello (Veal liver), romarino (rosemary) – Flawless cooking technique as shown all along this meal. The mushroom packed with deep earthy flavors that complemented so well with the veal liver. No quibble here: cooking achieved beautifully and flavors as good as you can get from a nicely prepared veal liver. 8/10

Then, Tortelli di Zucca (Zucca, Amaretti, Mostarda, e Parmigiano Reggiano) – tortelli with pumpkin, amaretti biscuits,  mostarda (a type of candied fruit and mustard chutney condiment and a speciality of Lombardia) and Parmesan – Star Chef Todd English has always praised Dal Pescatore for for being the place where he learned everything about pasta and  the work of the dough. Pasta making is indeed pushed to high level of conception, here. It is artisanal pasta, hand made on the premises. Pasta can’t be fresher than this: they make it only when you order. One Pasta signature dish of Dal Pescatore is Tortelli di Zucca, and a Mantuan classic:  made of pumpkin (Zucca), nutmeg, a bit of cinnamon, cloves, mostarda (A ‘glacé fruit’  preserved  in a spicy syrup), Italian almond-flavored cookies (Amaretti) and the iconic cheese of this region: their Parmigiano-Reggiano. They are using, in Mantua, an ingredient that adds so much to pasta: pumpkin, as expected,  does indeed add amazing texture and superb flavor.  Its sweet, and yet savory nature teasing the palate. As a quick reference, if you had sampled Chef Todd Stein’s iconic “Caramelli dish” (pasta filled with butternut squash, sage, amaretti crumbs) when he was at the helm of Restaurant Cibo Matto in Chicago – that dish made  it to America’s best pasta dishes of several top food magazines —  then think of Tortelli di Zucca as its elder (not served the same way, and not fully identical, but the basic idea and also ingredients behind both dishes are similar) .  Dal Pescatore’s version was flawless: the mostarda enhancing the pumpkin with lots of panache, the pasta itself is impeccably executed, its texture utterly refined, the taste is of course a bit less rich and rustic compared to the tortelli di zucca I tried at the other places in the region but this is understandable since this is fine dining and not rustic dining. Also, the Santinis focus a lot on good healthy food, therefore food that’s  not overwhelmingly rich nor too rustic. What justifies, in my opinion, a 3 star Michelin meal is its depth of precision in balancing, better than many others, the flavors, textures and  other cooking aspects (timing of the cooking, judicious choice of the ingredient combination, effective usage of heat, etc) that are involved on a dish, all things achieved brilliantly on this dish. PS: Try this recipe at home . Excellent. 9/10

Ravioli di Faraona – Guinea fowl ravioli was of benchmark 3 star Michelin material. The preparation of the pasta, its impeccable texture, the outstanding balance of flavors, the superb mouthfeel are just a fraction of the superlaives I could use to discribe the amazement of this dish. 10/10

Then Branzino con olio extravergine umbro, Prezzemolo, Acciughe e Capperi di Salina – Excellent seabass that retained its well known enjoyable mild flavor, its flesh was firm and immaculately white as any top quality fresh seabass has to, the cooking achieved to ideal moisture retention.  8.5/10

Followed by Risotto con pistilli di zafferano e aceto balsamico tradizionale di Modena (sometimes it is ‘Risotto (Vialone Nano) con pistilli di Zafferano e Aceto Balsamico Tradizionale ) – Saffron risotto with traditional Balsamic vinegar from Modena  – They grow their own saffron on the premises and this is thoughtful: it has nothing to do with the average  saffron I am accustomed to, and that you find in most saffron risotti of the region. This saffron has a superior subtle aromatic freshness that, on its own, transforms their risotto into a unique one.  But the kitchen goes beyond the full satisfaction of their spice, and as stands true to a good Il Bagatto, it brings another secret weapon to the center stage of the show: the ethereal aged authentic Modena balsamic vinegar with its mesmerizing long finish flavor. Vialone Nano, well known for absorbing liquid better than many other rices,  is indeed the appropriate rice that needed to be used for this risotto dish. Of this dish, I’ll remember the great technique, the superb taste that can only come from a top quality stock, the  proper heat regulation and excellent texture.   9/10

Cappello da Prete di Manzo al Barbera e Polenta Gialla di Storo – braised shoulder of beef   slowly cooked in Barbera wine with  polenta  –  Cappello del prete is a cut of beef ideal for braising (although, in my view,  not quite at the level of what a meat like  beef cheeks can deliver when it’s braised to its  prime) . The meat was cooked to tender consistency for long hours in a rich Barbera wine based sauce. This dish, due to its comforting nature could have been  predictably less memorable but it was not: the sauce was reduced as it should, the delicious juice-infused beefy meat  kept   an ideal tender consistency to it, the exemplary polenta (if you see a cook looking down on polenta…it is not a Chef, it is just a lesser cook who badly needs to get a taste of a polenta like this one so that he will forever understand how he was never made aware of the full potential that lies ahead of such a supposedly simple fare). The reduced sauce was remarkable, even for this level of dining. 9/10

Amaretti Torta –  For years, I have made Amaretti torta many times (this  as well as torta sabbiosa, zabaione and chiacchere are among my favourite Italian desserts/cakes), and I just like tasting it whenever it is baked by others, just to see how far they push it,  therefore an appealing pick for me. This one had a good ratio of the basic ingredients necessary to make this cake (choco chips, amaretti cookies, etc). The amaretti base was impeccably made, the cake itself cooled down to room temp, had proper moist consistency and was packed with a depth of enticing chocolate, coffee and almond aromas. Easily, a benchmark amaretti torta  10/10

I was warned by some of my Italian foodie friends that on Italy’s best tables,  I should not expect petits fours of the standard found on France’s best 3 star Michelin tables. They were wrong: the array of fabulous petits fours (various chocolate creations, mini fruit tart, etc)  on display could have been served at a top 3 star Michelin table in France and I would see no difference. They were that great, and I had a huge smile when I sampled the solo  cherry featuring among those petits fours:  I urge anyone to find me a better cherry! 10/10

My short conclusion on this meal at Dal Pescatore –  The strength of this meal I just had at DP lies in (1) how this cuisine  is entirely symbiotic with its environment and  (2) how most of the dishes are perfected:  the pastas I had would set the bar for their artistry in colors, their flawless textures,  their delectable stuffings.  The risotto I have just tasted is also of that level of culinary mastery.  I was quite surprised (in a good way) by this performance, even by the standards expected at this level of dining. Almost everything was copacetic all along this meal.  The minimum at such standards of dining  is food that’s  refined and well done, for sure,  but  it was still remarkable to find items as eventful as some that I have just tasted. Many among world’s most talented Chefs have a spectacular culinaric sense, but few have an exceptional palate. Whoever has cooked the ravioli faraona, the tomato compote, the petits fours  and the amaretti torta can be counted amongst the latter. I don’t know Dal Pescatore enoughly well so I can’t really tell which dish  was cooked by Chef Nadia Santini, her son, or by Mama Bruna, etc —  something I generally like to know since each person has a signature cooking touch and that aspect matters to me —  but  I could observe a common denominator in their cooking as a team: they favor harmonious flavours. I wanted a repast exempt from what I perceive as the UNECESSARY (the pipettes, the foams, the paintings on the plate, and tons of other gimmicks), a meal focusing on the pleasure of eating real food, enjoying the best local produce. You can eat very well at low cost in Italy (If you stumble upon a bad cook in Italy, my guess is that it is not a cook…it is an impersonator who just wants to make a quick buck…because here, it is not the ‘buzz’ that dictates who you are —some cooks in some cities will recognize themselves in the latest statement —  it is oftently real talent! Hard working Real Chefs cooking for real….), but on this occasion, I wanted this simple and delicious cuisine expressed in its most refined version. That is exactly why I went to DP and that is also what I got.

From an aphorism of France’s 20th century best known writer, Curnonsky: “Good cooking is when things taste of what they are.”. Curnonsky would have been very happy with most dishes of this meal: wherever things looked simple, they were elevated with brio, but never through gimmicks and only with inspired emphasis on their very own nature. Simplicity, I’ll always reiterate, is nice only when it is in the hands of a gifted Chef.

In fine, for the food on this meal, I’ll underline the careful balance of flavors on all of the dishes, the importance of never roaming away from the comfort zone of a nice hearty classic dish (their meat, their pasta dishes) while adding the touch of superior inspiration and culinaric effort expected at this echelon .

PS: Wine – One of my favourite all time red wines accompanied this meal. It’s a 2008 Pergole Torte Sangiovese (memorable licorice aromas, perfectly balanced tannins). Talking about their wine list, it not only suits to all budgets and covers a big part of the globe (of course Italy and France, but also Australia, Lebanon, New Zeland, etc), but how thoughtful was that to classify it by type of wines (for ie, Franciorta – Trento classico e altri spumanti, Bianchi Italiani, Rossi Italiani, etc), then by vintage years. Here’s a sommelier who perfectly understands the importance of a logically well conceived wine list. Another great moment: a glass of giulio ferrari 2001, a must when it comes to bubbles.

PROS (of this  meal at Dal Pescatore):  In the days leading to my meal at DP, I have enjoyed Mantuan food at some serious trattorias  of the region.I was also lucky enough to have sampled the food of two  talented nonnas living in the region,too.  So, my experience and expectations of my meal at DP was  different, from, say, the standard food traveller who would have just visited DP with, i mind, some  general knowledge of Italian food (as opposed to accurate information  about Mantuan food and what should be expected from an  interpretation of this specific cuisine). There are things  that I am not fond of, such as the tad-less-runnier  texture of the risotti that Classic Mantuan cuisine tend to favor, but that is just a matter of preference and should not be assessed as inferior to the sort of a bit-more-runnier textured  risotti that can be found, for example, in the region of Veneto. It is just two different ways of taking the risotto.  DP clearly offered a perfected interpretation of Mantuan Classics.  I had a great time, here and this (great food, great wine, top service, nothing overworked but to the contrary brought up in a natural appealing way may it be in the behaviour of the staff, the presentation of the food, etc) is exactly what I do expect from a 3 star Michelin dining venture.
CONS (of this meal at Dal Pescatore): When a heart is happy, there’s nothing to pique at.

WHAT I THINK MONTHS LATER – Your judgement of a meal goes down to who you are.  I am someone who believes that greatness is about doing the most with the least. So simplicity done this well is,  to me, the definition of perfection. It’s a classic place, so if classic is not your thing, you have tons of tables for you: Noma, Thierry Marx, The Fat Duck, Alinea, etc. If you want noise, buzz, hype, trend, there are tons of popular bistrots and restaurants around the world that will fit the bill. On the other hand, if like me, you believe in great classic cooking, then DP is a benchmark table. For me, for my taste, with respect to what  I value as  real great cooking, Dal Pescatore is an example of what I would define as a “best restaurant in the world”. I loved Dal Pescatore.

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