Posts Tagged ‘gilles goujon oeuf pourri’

Auberge du Vieux Puits, Fontjoncouse
Type of Cuisine:  French (Haute cuisine)
Michelin Stars: 3
Addr: 5 Avenue Saint-Victor, 11360 Fontjoncouse, France
Phone: +33 4 68 44 07 37
Email: reception@aubergeduvieuxpuits.fr
URL:  http://www.aubergeduvieuxpuits.fr/en/
Service: 10/10 World class service that is at the same time fun , approachable but also Pro. The Goujon talk to their customers (Madame Goujon and Chef Goujon came to say hello to everyone), Chef Goujon (a salt of the earth kind of man, from what  I gathered)  is present in his kitchen at a time when your neighborhood bistrot cook thinks that he is too good to be found in a kitchen.
Overall food rating: 8/10 Very good performance.

“Puits” is French for a water well. There is an old (Vieux)  water well on the premises. The restaurant  is located in the village of Fontjoncouse (commune of Corbières, deparment of Aude) in the south of France.

To get to L’Auberge du vieux puits, you can either take a train to Narbonne (30 kms away) or fly to Perpignan  (66 kms from Fontjoncouse). Narbonne is a town that I have always liked for personal reasons that I do not need to explain on this blog,  but Perpignan is a big city. This time, I stayed in Perpignan because  I had another meal to attend at France’s 2017 best restaurant for steaks (according to Internationally acclaimed  steak expert Franck Ribière of the movie ‘Steak Revolution‘ ), Le Divil (reviewed here). During this short stay in Southern France, the long time ostreaphile that I am  wandered outside Perpignan and dropped by Leucate, one of the  destinations   of the French Mediterranean oyster. There, you have a  tiny area called Le centre ostréicole du  Grau de Leucate featuring a line-up of oyster stands selling the celebrated local oyster  Cap Leucate. An hour away from Leucate, I had  the opportunity to taste some  dazzling oysters in Bouzigues which is located on the northern side of  the  Étang de Thau (famous for its oysters). In Perpignan, I pursued with the spéciale de claire and pousses en claire of Alain Laugier Goulevant from Marennes-Oléron and  I feasted on some  cupped (creuses) Prat-Ar-coum  oysters  as well as some Aber-Vrach flat (plates)  oysters  of  Yvon Madec at the  seafood restaurant 7 ème Vague Boniface .  I also found some of my preferred oysters of France, Yves Papin ‘s bivalves, in Perpignan.  All world class oysters.

In 2016, L’Auberge du vieux puits was in the top 10 of the best restaurants of this globe, according to La Liste ( La Liste is the sole restaurant ranking system that takes into account  all major  press reviews,  dining  guides,  and crowd-sourced sites  around the world ).

Chef Gilles Goujon is some sort of   “Messiah” for the tiny village of Fontjoncouse (as youtube’d here) , a village of  less than  200 inhabitants,  as his restaurant is their main attraction, their local “economy” relies heavily on him (most jobs, in the village, are related to Gilles’s restaurant).  A  Meilleur Ouvrier de France (a prestigious award in the culinary world),   he  was the assistant of a true culinary luminary —NOT  the kind of self proclaimed ones and/or marketed as such,  that we keep hearing about, these days —,  Chef Roger Vergé (at Moulin de Mougins when that restaurant had 3 Michelin stars).  He also worked at Gérard Clor’s L’ Escale (Carry le rouet) when the restaurant had  2 Michelin stars as well as at  Michelin starred Le Petit Nice (in Marseille). In 2010, Gilles was France’s Chef of the year.  The professional magazine Le Chef  ranked Gilles Goujon  in the top 50 best Chefs in the world. Gilles has 5 Toques at Gault & Millau.

 

The village of Fontjoncouse itself is quiet, but if you stay there (the restaurant is attached to a mini hotel), then consider visiting the pretty village of Lagrasse , the ruined fortress of Peyrepertuse, and the abbey of Fontfroide. All well worth going out of your way for.

L’Auberge du Vieux Puits has  3 tasting menus (the names of the tasting menus refer  to the surrounding Pays Cathare, therefore you have names such as  “Bienvenue au pays“, “Quelques pas dans la Garrigue”  or  “Air de fêtes en Corbières” ) as well as the A la Carte items (3 starters, 3 seafood items, 3 items for the meats, 3 desserts.  I ate there twice:  lunch as well as dinner.

The lunch  did start with some amuse-bouches with fillings such as cream of truffle, gazpacho, calamari, bottarga, sauce gribiche ), some  bread called fougasse (their take on it — different, in looks, from  most traditional variations  of the  fougasse — would make us, in North America, think of a “cousin” of the english muffin) that you dip in olive oil (fleur d’huile d’Olive of  Moulin a huile du Partegal ). Then a Mediterranean oyster, oyster Tarbouriech,  lightly poached, with a reasonable briny taste and plenty of body, served with seawater jelly and some oyster tartare. All pleasant.

Cressonette are Cuckoo flower leaves (a terrestrial  “cousin” of the watercress) and they are a dream for any fan of the watercress (I am one of them), their vibrant fresh wildcress flavor (without the agressive bitterness that watercress can sometimes be accused of)  expressed excitingly well in the cold “coulis” that it was transformed into, the piece of frog leg (with, inside of it, a “coulant” of the spectacular cuckoo flower leaves, a match made in heaven) as well as some first-rate baby vegetables  (with a particularly outstanding piece of celery root) that it was paired with, were all examples of what you are blessed with, when superb sourcing flirts with fabulous cooking. The kick of saltiness of the “coulis” was not a mistake, in this specific case, but a necessary flavor enhancer.  A world class dish. 10/10

Tourte d’anguille (a pie of eel), saoule de vin en matelotte fumée girolles et champignons en fine croûte de pain cramat. The eel is marinated in wine for several hours, seasoned, coated in flour , pan-seared then “encased” in squid ink flavored cylindrical-shaped sliced bread. That sliced bread is actually the  “croûte (crust) de  pain (bread) cramat (comes from the French word ‘ cramé’ which means ‘burnt’ because that is the effect the kitchen was  looking for when crafting the  squid ink flavored sliced bread).   The marinade is then used to make the sauce that will be thickened with butter and enhanced by the taste of cognac/thyme/bay leaf/espelette pepper/mushrooms/carrots/onions/smoked bacon. Very good 8/10

The lunch did end with one of their most popular  desserts:

Vrai faux citron de Menton délicatement cassant, sorbet citrus bergamote et kumquat du Japon (citrus bergamot / kumquat sorbet ), crème thym citron (thyme and lemon cream), meringue croustillante (crispy meringue).  A blown sugar “lemon” filled with a sorbet of citrus bergamot and   kumquat,  meringue, thyme and lemon cream.  The kumquat‘s natural bitterness was  toned down (the kumquat that was used is of the Meiwa varietal, a kumquat that is sweeter than most kumquats – L’Auberge du Vieux puits gets theirs from Mas Bachès) , which allowed for a fine balance of taste sensation. Only the leaf was real, all the rest was a reproduction of the shape of a lemon.  I am not a fan of the trompe-l’œil technique (the illusion of  a lemon , in this case) , but truth be told, it was really well done ( it looked like a real lemon), especially the “rind” of the “fruit”, which…I swear…I thought was the real thing. Above all, it tasted great. 8/10

At dinner, I had:

Razor clam / Mussel – A gentleman fisherman named Charly (from Vandre, near the Mediterranean sea which is not far) brings them his jewels of the sea. All utterly fresh. The beautiful thing about seafood..obviously…it that its freshness cannot be mimicked. It is utterly fresh or it will be a disaster. Nothing in between. You would tell me that Charly snatches his razor clams  from the floor of the sea and ships them right away to the restaurant, I would believe you –  It was that fresh!  Those who love the trompe-l’œil technique will be pleased by an edible  shell (for both the razor clam and the mussel) mimicking perfectly the real thing. Amusing to the eye, and pleasant on the palate.

The next food item was  one of their signature dishes:

-Oeuf poule Carrus « pourri » de truffe melanosporum (truffled egg) , sur une purée de champignons (on a mushroom purée), et briochine tiède (with a small lukewarm brioche) et cappuccino  à boire (and “cappuccino” to drink) – Getting the Oeuf poule Carrus « pourri » de truffe  is what people keep advocating. The egg is  from a farm called la ferme de Carrus (Mayronnes), its yolk is replaced by a coulis of black truffle (Chef Goujon got that idea after sampling a century egg), the egg served lukewarm, as it should be,  or else it will change to a solid state (obviously), it is covered by a black truffle sabayon,  served with a mushroom mash (butter was whisked into the mash at the end of the cooking process), and grated black truffle. The season for black winter tuber melanosporum truffles  goes from November to March, and this is the right time to enjoy them (eventhough, they are even better towards the end of December). You break the egg with a georgette. The main challenge comes from the truffles as they depend on the seasons, obviously, therefore the kitchen has to work harder in finding the right place for the right truffle.  On paper, eggs and truffle, that is a safe match, but, in reality, there was nothing “safe” about this food item as it takes  lots of thoughts  to create this dish. Be humourous  and crack a joke like “J’apprécie l’effort déployé par le Chef, mais je désire vous confier que d’ordinaire, je ne mange pas d’oeuf pourri” ;p   I am usually not a fan of altering the nature of an exceptionally good fresh egg, but what Chef Goujon  did was a demonstration of creativity that I do expect at this level of dining.  Excellent  9/10

With the oeuf poule carrus came a pleasant ‘cappuccino’ of truffle (indeed, you truely had the feeling of drinking a real cappuccino, only, here,  truffle was used instead of coffee) as well as an equally satisfying truffled brioche (7/10 for both).

Filet de rouget barbet (fillet of red mullet), pomme bonne bouche fourrée d’une brandade à la cébette en “bullinada” (potato  filled with a brandade of   the flesh of red mullet/spring onion as well the liver of the red mullet), écume de rouille au safran (foam of saffron rouille that the kitchen made by using  egg yolk/mustard/garlic/tomato confit/saffron/olive oil/vegetable stock ). Bullinada is a Catalan fish stew. They pour the stew  over the foam of saffron rouille, and both ‘fall’ over the fish and its accompaniments of mussels and thinly cut pieces of vegetables. The rouille’s depth of flavor and superb texture as perfected as it gets, the  level  of  the spice of the stew not  as vivid  as what you  came to expect from this sort of Southern French stew, but that is a positive thing in this particular case: the balance of the flavors was remarkably harmonious.  A creative contemporary take on a classic stew. 8/10

Lièvre à la royale is a classic of French cuisine that I have enjoyed for many years. Click here for a  recipe of the Lièvre à la Royale. There is more than one recipe of  Lièvre à la Royale, but I am not going to elaborate on them  as this is not the right post  for that. The hare (lièvre) is deboned, marinated,  stuffed with a mix of foie gras / the heart and lungs of the hare/ beacon/carrots/garlic/a bit of the blood of the hare/shallots and truffle, rolled into a ballotine, braised for hours, then served with a red-wine based sauce that is mixed with the blood of the hare and the cooking  jus (to which, a bit more of the foie gras, or some butter as well as cocoa can be combined to thicken the sauce).  This  dish  featured a  flawless full-bodied sauce with an equally technically well made ballotine.  8/10

Sorbet de clémentine en peau semi-confite, suprêmes en tartare, feuillantine de chocolat et crème pralinée pistache – A clementine sorbet made its way under a clementine peel that was candied to great effect: the peel timely simmered to an ideal tender consistency, you had a bit of the fresh  taste of the clementine in evidence, the level of sugar well judged. The segments of the clementine transformed into a “tartare”, the chocolate feuillantine made — as you would expect from a restaurant of this standing — of first rate chocolate. The praline cream expressing enticing almond and caramelized sugar flavors, and I will extend the compliment to the pistachio. The sorbet served at a temperature that does not  clash with the temperature of the candied peel, which most people  would  argue that it is a  ‘normal’ or ‘expected’ feature, but in reality, many pastry teams, even at this level of fine dining, would not get this right. The relevant classic French pastry techniques well mastered.    8/10

Pros: The world class frog leg/Cuckoo flower leaves coulis on the first meal.

Cons: The appetizers.

Bottom line  –   I started cooking seriously in my tender childhood (Pan-African cuisines), then in my 20s I developed a strong interest for Classic French cuisine. I started learning Classic French cuisine by following and perfecting the recipes of REAL culinary luminaries Roger Vergé, Jacques Maximin, Bernard Loiseau, Georges Blanc, Gerard Besson, Olivier Roellinger, Alain Senderens, Frédy Girardet , etc. I was lucky enough to have tasted the food of some of them. This had an impact on what I am looking for when I eat at a 3 star Michelin restaurant that is cooking French food. I am always curious about what the other Chefs did learn from those REAL culinary luminaries. I paid a visit to L’Auberge du Vieux Puits because their Chef, Gilles Goujon, did work with one of those TRUE culinary giants, Chef Roger Vergé. And,  I was not disappointed. I  squealed in  delight at every single spoonful of   the frog leg/Cuckoo flower leaves coulis . The Filet de rouget barbet, Vrai/Faux citron, and Oeuf poule Carrus « pourri » de truffe were very good. Nothing was intensely flavored, during the two meals. Flavors were generally harmonious.

My thoughts several weeks  later: A lovely restaurant, for sure, deserving of its accolades and superb reputation. Nothing that I could fault, indeed, but the  amuse-bouches could have been a bit more exciting.

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